Hey Cabbage:
Gott must live in my basement, 'cause it's always dank there.
Richard in Seattle
- Original Message -
From: [EMAIL PROTECTED]
To: horn@music.memphis.edu
Sent: Monday, February 21, 2005 10:49 AM
Subject: [Hornlist] Rosetti keeps fallin' on my head
Richard wrot
Hans:
It appears that Landon was wrong. Gasp! The Haydn book I was using dates from
1978 and, as you pointed out, Landon must have conflated Antonio Rosetti, the
Eszterhazy violinist, with Antonio Rosetti, the composer and contrabassist.
This apparently is easy to do since the Harvard Biographi
May I raise another textual/performance question for Prof. Pizka and the
collective wisdom of the list?
The beautiful fascimile edition of Strauss 1 for horn and piano ALSO
shows us that the composer had second thoughts about the end of the
first movement [about 8 bars of tutti crossed out] and
Richard wrote
Greetings from Seattle where the weather has
been cloudless and sunny for the last few days
---Gott sei Dank!
**
Hey, if it has been sunny for a few days,
open your windows and let things dry
out! Really, there is no reason why Gott
should still be dank.
Gott a go go,
Cabb
Hello all,
The Kopprasch 60 Studies we all know and love are the Opus 6 for low horn.
The Kopprasch 60 Studies published my David Thompson (thanks! I think) are
the Opus 5 for high horn. There is much similarity in how the etudes are
set up but the Opus 5 is definitely high range building. Jo
I would think the good Prof. G would say the only naive Kopprasch question
is the Kopprasch question not askedlol. There are a couple of editions,
I use the editions published in two books by Carl Fischer. Oh to really gum
up the works, there are the High Horn Kopprasch studies that are publ
Hello Richard again, you should have a look at the page of
the International Rosetti Society at www.rosetti.de , where
you can find his extensive biography, which states that he
was a enrolled member of the court orchestra & the livrees
from 1774 . Robins Landons notes about Rosetti being a
violini
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