The Long Call was NOT written for the Viennese F Horn but for any single
F-Horn. Leinhos did NOT play the Long Call at the Bayreuth premiere - will
check that in my documents after returning from Far East report the name.
Greetings Hans
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post:
All of you should know, that I have the evidence for these things in my private
library: copies or originals of the original music, documents etc. I said that
I POSSESS Josef Schantls own Siegfriedruf part. Punctum. Hans
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post:
there are several arrangements by several conductor-composers like Loorin
Maazel. BTW it is NIBELUNGENLIED not NIEBELUNGENLIED Greetings Hans
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Hello,
I've been wondering about practice rooms. My family has resigned themselves
to having to listen to the sounds of my playing wafting up from the
basement of our house, but I wish I didn't have to subject them to it so
much. I have a couple of different practice mutes, but I don't like to
On Jul 31, 2006, at 10:32 PM, Linda wrote:
Please, please, please don't rely on Google to find out information
about recording orchestras and horns... There is so MUCH bad
information
floating around on the net, it's hard to sort out the good from the
band
and the ugly!
I loved this
Sussmayer, F. X. as you know was Mozart's copiest, and also a horn player.
Probably the second horn player to Leitgeb when Mozart wrote the 12 Duets.
Sussmayer went on to some fame as a composer of operas and operettas, and as a
conductor in various opera houses. He did not write a horn
Linda says:
I definitely have my
work cut out for me in selecting microphones.
Here's an important point none of us have had the good sense to make
yet.
When recording classical music, you're basically recording how a
particular *room* sounds with instruments playing in it. The
The Long Call was NOT written for the Viennese F Horn but for any
single F-Horn. Leinhos did NOT play the Long Call at the Bayreuth
premiere - will check that in my documents after returning from Far
East report the name. Greetings Hans
Hans, you don't seem to recognize support when you
Also consider the Shure SM-81, a very accurate and clear mic you can get for
about $300 each. They're also very durable - we used them for orchestra
sound reinforcement at Grant Park in Chicago and they never went bad in the
heat and humidity.
I'm not saying they're the best; just a great
I have been reading quite a bit about Stravinsky recently and decided to go
back and listen to the columbia recordings. There is an amazing recording of
the Four Russian Peasant songs. It is sung by the Gregg Smith singers, but it
doesn't list the horn players. Most of the recordings were by
So I take it next year is in the states?
LMK
LT
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