Jonathan. Not just for "for purposes of improved tuning or
special effects", but to correct intonation (in case you
play together with Bb-instruments for certain chords, you
must stay on the Bb-side), to ease fingerings, to get an
easier forte attack in the low (using Bb-fingerings), to
smooth a le
Hello again,,
Correct online registration and information address for Delaware Horn Day is:
http://music.udel.edu/faculty/smithjd/?
In case you missed the original posting, I repeat it below (with correct online
address)
**
Hi everyone,
Just a reminder about our inaugural Delaware Horn Day next Saturday, October 6,
featuring Julie Landsman, Principal Horn of the Metropolitan Opera and horn
faculty member of?the Juilliard School.
Delaware Horn Day begins at 9 a.m., Saturday, October 6 at the Amy E. DuPont
Music B
Jerry Houston wrote:
Greg Campbell wrote:
I guess old notation bass clef is "wrong height" since it's written an
octave "too low."
They're both "wrong," aren't they? One by 4 notes, the other by 5?
"right!"
___
post: horn@music.memphis.edu
unsubs
Use the Double Horn as one instrument regardless of
which side you use more.
There are some determining factors that may influence
your choice at any given moment or any given note or
series of notes together.
1. Sound
2. Register
3 Projection requirements
4. Blending
5. Intonation
6. Clar
Dear Hornlisters:
Since I don't teach many beginners I can only go from my own experience.
I played school horns--a single F in 6th and 7th grades and then a Conn 6D in
8th grade (only using F fingerings!) and at that point was playing from
Pottag-Hovey Book 2 and Mozart 3rd Concerto. I did
<< When I was in college and studying with Nolan Miller of the
Philadelphia orchestra, I would sometimes stumble when playing
because, knowing and using all the available fingerings, I would
freeze trying to pick the right one, even after practicing a piece
numerous times. His recommendation was to
Jonathan West wrote:
On 25/09/2007, Steve Freides <[EMAIL PROTECTED]> wrote:
> I
> know my son's teacher wanted him to learn a single fingering for every note
> on the horn to avoid confusion.
Unless there is more to it than you have described here, I would
respectfully suggest that the te
Sorry about the vacation message autoreply if it went through to the list.
Right after I set the message, I got hornlist messages. I've disabled my
hornlist messages until my return.
Linda
(`'·.¸(`'·.¸ ~ ¸.·'´)¸.·'´)
«´.¸¸LACORNISTA¸¸.·`»
(¸.·'´(¸.·'´ ~ `'·.¸)`'·.¸)
___
Thanks for the recommendation, Eldon.
I couldn't find a picture on the site.
Is this the kind that usually sends air through the horn but leaks if
you press too hard, or does it leak all the time?
Simon
On 2007/09/26, at 15:39, [EMAIL PROTECTED] wrote:
message: 15
date: Tue, 25 Sep 2007 20:4
Jerry Houston wrote:
> Greg Campbell wrote:
>
>> "Real height" meaning that it's "new notation" bass clef.
>>
>> I guess old notation bass clef is "wrong height" since it's written an
>> octave "too low."
>>
>
> They're both "wrong," aren't they? One by 4 notes, the other by 5?
>
I for
To those who have received the DVD:
The glitch in the bonus2 (my own Beethoven Sonata) is not a
production failure but it is from the original recording. To
cut it out, would have shifted the whole synchronity between
picture & sound, so I left it, as all my own recordings are
unedited absolutely
Greg Campbell wrote:
> "Real height" meaning that it's "new notation" bass clef.
>
> I guess old notation bass clef is "wrong height" since it's written an
> octave "too low."
They're both "wrong," aren't they? One by 4 notes, the other by 5?
___
post:
On Sep 25, 2007, at 11:39 PM, [EMAIL PROTECTED] wrote:
message: 1
date: Tue, 25 Sep 2007 12:55:02 -0500
from: "Beth Duhon" <[EMAIL PROTECTED]>
subject: [Hornlist] B-flat or F fingerings in the low register
With the recent activity on the list, I'm a little scared to post
but here
goes...
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