"The Beatles - Complete Scores" is a book of the complete Beatles songs
transcribed from the original recordings into full score by Tetsuya Fujita,
Yuji Hagino, Hajime Kubo and Goro Sato. It's my understanding that there
are no publications of the original parts, so this is the only score
availab
On 2009/05/05, at 2:00, horn-requ...@music.memphis.edu wrote:
According to "The Beatles - Complete Scores" "For No One" is in B
major
with the horn solo going up to a concert g#".
Steve Ovitsky
Is that the score in the original key, or a transcription of the
recording? :-)
Then how do
Hi folks,
Looks like I have to play this soon, and it'll be the first time I've done
it in anger. What's a typical tempo - I have 63-66 bpm in an excerpt book,
does that seem about right? I remember in a ballet audition a few years
back I got a tonguelashing for playing it too fast (typically th
Thank you for your Professor!
"A nice fluegelhorn would sound much better". It's very interesting because
the flugel horn and the high bb horn have same length.
Usually fluegelhorns have triggers on the 3rd valve (and sometimes on the
1st) to correct intonation and for sure it's an advantage... b
Sorry, William, this would mean that the horn part be written with a lot of
sharps. I better think, the old recording was reproduced on electronic media
rather at higher speed for a few percent so to result in higher pitch. I
thought about my earlier message. The (written) notes could (and should)
If you are used to play operas on a daily duty, transposing is nothing
complicated & needs no tricks. Just transpose the melody. If it is simple stuff
like in the Classic Period, think in harmonics. Any "manipulated pitch" has to
have a sharp or a flat anyway, reminding you. Transposing just usi
Sorry, it is written high d - e - d above high c, concert g2 - a2 - g2.
Everybody having played Schumann op.86 Concertstueck has these notes.
==
-Ursprüngliche Nachricht-
Von: horn-
Hello Robson,
the low register cannot be produced sufficiently, nor can the intonation be
kept at a decent level, as the horn is not built to be played below written
c2 (middle space) in F-notation. Pieces requiring top notes like written
high g3 (= 4 ledger lines above staff) do not go down beyon
Last time I checked, you can still purchase a copy of a Sanders rim
from Moosewood mouthpieces.
Regards,
martin bender
On 4-May-09, at 4:20 PM, Leonard & Peggy Brown wrote:
Hi,
I am cleaning house and came across a Sanders mouthpiece flyer and I
have a couple of questions:
1.) Is anyone
Hi,
I am cleaning house and came across a Sanders mouthpiece flyer and I have
a couple of questions:
1.) Is anyone making the Sanders mouthpieces anymore?
2.) What is the address of the instrument catalog collection? I would like
to send them a scan of this. Also found an 82 Alex catalog a
http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
Speaking of Rock 'n' Roll, anyone play the little horn part in the
beginning of the Rolling Stones, "You Can't Always Get What You Want?"
I got to do that - went up to concert A, written top-space E.
I'm told this was done with a French Horn, but in one live YouTube,
they had show a trombone play
According to "The Beatles - Complete Scores" "For No One" is in B major
with the horn solo going up to a concert g#".
Steve Ovitsky
On Mon, May 4, 2009 9:32 am, Steve Haflich wrote:
> valkh...@aol.com wrote:
>
>I did a spectrum analysis on the high note. It is about 830Hz (+/- a
> few
>H
Thank you Lawrence for your very insightful remarks on British Brass Bands.
I was invited to play Tenor in a newly established band in the Detroit area,
and I did one concert with the group. I can tell everyone that the intonation
on the Tenor Horn is horrendous! In this particular band, the So
valkh...@aol.com wrote:
I did a spectrum analysis on the high note. It is about 830Hz (+/- a few
Hz) - which puts it at a concert A flat. This would make the high note an E
flat.
You can't argue with science.
Yes, one can.
I don't know what tempo Paul originally reco
Folks, I want to tell you about a fantastic brass band concert I heard
last night, and also ask a few questions.
The group was the New Amersterdam Brass Band - their web site isn't
much, and at the moment the home page shows the info for last night's
concert: http://www.newamsterdambb.com
To giv
For the pedants amongst us, I am using the term "french horn" to clarify
exactly which horn I am talking about.
As a rule, in England French horn players do not play in brass bands. The
tenor horn is a completely different instrument, it has a different
mouthpiece, a different bore, a different l
--- On Mon, 5/4/09, Steve Freides wrote:
> From: Steve Freides
> Subject: [Hornlist] New Amsterdam Brass Band and the Tenor Horn
> To: "The Horn List"
> Date: Monday, May 4, 2009, 4:30 PM
> Folks, I want to tell you about a
> fantastic brass band concert I heard
> last night, and also ask a
A few answers, probably not complete:
On Mon, May 4, 2009 at 16:30, Steve Freides wrote:
> Folks, I want to tell you about a fantastic brass band concert I heard
> last night, and also ask a few questions.
>
>
> 1) Why were there only cornets and not trumpets? The cornets all had
> the funn
At 9:36 AM -0400 5/4/09, Martin Bender wrote:
I believe that that's Geoff Bryant playing the
horn solo on a Paxman double descant, and, if
you watch carefully, you can see him switch to
the high F side to play that high "D" using the
first finger.
As well as all notes above written G.
--
Ca
Hi Conja,
It's from the film "Give my regards to Broad St." There are other
interesting clips in the film of a studio session where some members
of the Philip Jones Brass Ensemble are playing back up.
I believe that that's Geoff Bryant playing the horn solo on a Paxman
double descant, and
Hi,
Searching through the list archives, there is some information and opinions
falling on both sides for Atkinson horns. I found an offer to buy a A800 from
someone in pretty great shape for under $1000. Looking on the website, the
A800 isn't listed, but emailing Atkinson themselves, they s
This looks to have been done in the 80's. Does anybody know anything about
it other than, it's a good recording?
Conja
On Mon, May 4, 2009 at 3:09 AM, Sarah Hogan wrote:
> Sorry if this has already been posted... For No One - in the studio, on
> youtube.
>
> http://www.youtube.com/watch?v=w5gw
Sorry if this has already been posted... For No One - in the studio,
on youtube.
http://www.youtube.com/watch?v=w5gwd3FvPYM&feature=related
Sarah Hogan
On May 4, 2009, at 2:27 AM, Conja Summerlin wrote:
If you read the book, you could see that there was some discussion
of that.
The speed
Still doesn't change that that's what is on the recording from youtube :)
But I will say that recording sped up so that it reaches an F makes the
song seem way too fast.
-William
In a message dated 5/4/2009 3:28:57 A.M. Eastern Daylight Time,
conja.summer...@gmail.com writes:
If you
If you read the book, you could see that there was some discussion of that.
The speed of the cd is based on the wrong lp speed if it's an e-flat. Also,
the harpsichord was tuned in between pitches. So, the intonation isn't
necessarily right on. There is an anecdote about how Michael Thompson had
l
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