I won't try to answer explain modern day practice but
in answer to your question:
> Why did Beethoven
> score it for 4th
> Horn if the Principal would end up playing it? Was
> there that much
> difference between expectations of 4th Horns players
> when he completed the
> work and today?
Beeth
d by Janetzky? If so, could you
> possible pdf/fax me the bio page if there is one.
>
> Any information or leads would be greatly appreciated.
>
> Very best,
>
> Marc Cerri
> www.mjcerri.com
> ___
&g
ss
>
>
>
> -
> Do you Yahoo!?
> Make Yahoo! your home page
> ___
> post: horn@music.memphis.edu
> unsubscribe or set options at
>
http://music.memphis.edu/mailman/options/h
I read with interest Peter's remarks on buying music in
Germany. Alas, things are no longer what they were in
the '70s. I was in Germany in October and was looking
forward to buying sheet music there. I hadn't been
there in twelve years and to my dismay found myself
looking in vain for a decent
I've often wondered why Othmar Schoeck's Concerto isn't
played more. It's a delightful work. I once heard
Barry Tuckwell perform Matyas Seiber's Notturno for
horn and strings. This is a gorgeous, brooding work
that I believe was written for Dennis Brain. I know of
no recordings of it. I've men
___
> post: [EMAIL PROTECTED]
> unsubscribe or set options at
>
http://music.memphis.edu/mailman/options/horn/eric_d_james%40canada.com
___
post: [EMAIL PROTECTED]
unsubscribe or set options at
http://music.memphis.edu/mailman/options/horn/archive%40jab.org
the course of
> writing or reading a dissertation and can provide
> additional background.
>
> I appreciate any information about Gottwald or this
> work.
>
> Karl Kemm
> [EMAIL PROTECTED]
> (361) 698-1601
>
>
>
>
> ___
> post: [EMAIL PROTECTED]
> set your options at
>
http://music.memphis.edu/mailman/options/horn/eric_d_james%40canada.com
___
post: [EMAIL PROTECTED]
set your options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
> -
> Do you Yahoo!?
> Yahoo! Photos: High-quality 4x6 digital prints for
25�
> ___
> post: [EMAIL PROTECTED]
> set your options at
>
http://music.memphis.edu/mailman/options/horn/eric_d_james%40canada.com
___
post: [EMAIL PROTECTED]
set your options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
eve that
the
> same man wrote both.
>
> And now I've said just about enough about all that.
>
> Dr. Timothy F. Thompson, Professor of Music
>
http://www.uark.edu/depts/uamusic/html/Thompson_Timothy.htm
> MB 340, Music Building
> Department of Music
> University of Arkansas, Fayetteville
I think you're absolutely right to say that Beethoven
could have come up with music in the style of Punto. I
would think it unlikely, however, for two reasons.
First, the general impression I get of the genesis of
the Sonata is that it was a rush job. Beethoven didn't
have time to write out a pi
http://www.nasymphony.org
> Lyrique Quintette http://uark.edu/ua/lyrique/index.htm
> Boston Mountain Brassworks
>
> ___
> post: [EMAIL PROTECTED]
> set your options at
>
http://music.memphis.edu/mailman/options/horn/eric_d_james%40canada.com
___
post: [EMAIL PROTECTED]
set your options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
player but was presumably not playing regularly by
that
> stage. It sounds
> more like a music critic's conductor
> eulogising/orchestral player putting
> down story to me. Any views?
>
> Cheers
>
> Paul A. Kampen, 4th horn - Orchestra of Opera North
> (Leeds UK)
> ___
> post: [EMAIL PROTECTED]
> set your options at
>
http://music.memphis.edu/mailman/options/horn/eric_d_james%40canada.com
___
post: [EMAIL PROTECTED]
set your options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
_
> Do you Yahoo!?
> Yahoo! Hotjobs: Enter the "Signing Bonus" Sweepstakes
> http://hotjobs.sweepstakes.yahoo.com/signingbonus
> ___
> post: [EMAIL PROTECTED]
> set your options at
>
http://music.memphis.edu/mailman/options/horn/eric_d_james%40canada.com
___
post: [EMAIL PROTECTED]
set your options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
> Bob Dickow
> Hampton School of Music
> University of Idaho
>
> ___
> post: [EMAIL PROTECTED]
> set your options at
>
http://music.memphis.edu/mailman/options/horn/eric_d_james%40canada.com
___
post:
t received it.
>
> http://lawrenceyates.co.uk
> ___
> post: [EMAIL PROTECTED]
> set your options at
>
http://music.memphis.edu/mailman/options/horn/eric_d_james%40canada.com
___
post: [EMAIL PROTECTED]
set your options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
The latest issue of BBC Music has a cd which features
concert suites that film compsers made from their film
scores. The first is Bernstein's "On the Waterfront".
I'm not sure who is playing first in the BBC Symph.
these days (Tim Brown, maybe?) but the opening horn
solo is breathtaking, a must h
___
> post: [EMAIL PROTECTED]
> set your options at
>
http://music.memphis.edu/mailman/options/horn/eric_d_james%40canada.com
___
post: [EMAIL PROTECTED]
set your options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
___
> post: [EMAIL PROTECTED]
> set your options at
>
http://music.memphis.edu/mailman/options/horn/eric_d_james%40canada.com
___
post: [EMAIL PROTECTED]
set your options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
usical quotes Siegfried's Horn Call?
> >
> > Eric James
> > ___
> > post: [EMAIL PROTECTED]
> > set your options at
> >
>
http://music.memphis.edu/mailman/options/horn/eric_d_james%40canada.com
> _
phis.edu/mailman/options/horn/eric_d_james%40canada.com
___
post: [EMAIL PROTECTED]
set your options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
Which Broadway musical quotes Siegfried's Horn Call?
Eric James
___
post: [EMAIL PROTECTED]
set your options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
TECTED]
>
>
>
>
> ___
> post: [EMAIL PROTECTED]
> set your options at
> http://mail.canada.com/jump/http://music.memphis.edu/mailman/options/horn/fred_baucom%40calpers.ca.gov";>http://
. Does anyone
> know who did the wonderful horn work?
>
> Regards, Jerry in Kansas City
> ___
> post: [EMAIL PROTECTED]
> set your options at
> http://mail.canada.com/jump/http://music.memphis.edu/mailman/options/horn/eric_d_james%4
There seems to be an assumption that the passage in
question MUST have a big horn presence. To that end,
it has become common practice over the years to
re-write the parts Beethoven's has left us and, leaving
nothing to chance, even to bring in extra players. Yet
a quick look at the score reveals
Did anyone hear Saturday's broadcast of
Goetterdaemmerung from Bayreuth via the CBC? It was a
great afternoon marathon--four hours of Wagner! The
orchestra played with remarkable intensity.
Stunning! The lead horn should have had a mention but
of course, he was only one of those poor
Nibelungen
I don't mean to trivialize Karen's thoughtful post, but
I wonder, if this thread is to start up again, could we
not change "gender", a linguistic term, to the correct
"sex". With all the impassioned and reasoned
statements on the subject, why the need for mealymouth
euphemisms? It's a three-lette
27 matches
Mail list logo
