Re: [Hornlist] Bells Up in Opera/Ballet

2006-02-18 Thread LTraxx
Hans Thanks for the insight, but I think Stravinsky and subtle sounds don't below in the same sentence...at least not in 1912! So are you telling me that Mahler bell up should be played only off the leg? This is news to me. I can only imagine what you think when you have to perform a new piece

RE: [Hornlist] Bells Up in Opera/Ballet

2006-02-17 Thread Hans.Pizka
: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of [EMAIL PROTECTED] Sent: Friday, February 17, 2006 7:51 AM To: horn@music.memphis.edu Subject: [Hornlist] Bells Up in Opera/Ballet I thought it would be fun to compile a list pieces that use bells up while in the pit..namely in opera

Re: [Hornlist] Bells Up in Opera/Ballet

2006-02-17 Thread LTraxx
Beauty?? As in the Rite of Spring? Can the horn not produce required bad carnal sounds? Of course Mahler and Tchaikovsky are different. I still wonder why, if not for eye candy (sorry don't know the german translation). As far as Butterfly, if I remember right, Campana Alzata is notated at the

Re: [Hornlist] Bells Up in Opera/Ballet

2006-02-17 Thread LTraxx
I thought this was a funny description: http://www.philharmonia.co.uk/thesoundexchange/the_orchestra/instruments/horns /effects/ LT ___ post: horn@music.memphis.edu unsubscribe or set options at

[Hornlist] Bells Up in Opera/Ballet

2006-02-16 Thread LTraxx
I thought it would be fun to compile a list pieces that use bells up while in the pit..namely in opera and in ballet. I always thought of bells up as a visual affect, obsioulsy some composers though differently. Ill start with a few that Im sure everyone knows Stravinsky Rite Puccini