Hans
Thanks for the insight, but I think Stravinsky and subtle sounds don't
below in the same sentence...at least not in 1912! So are you telling me that
Mahler bell up should be played only off the leg? This is news to me.
I can only imagine what you think when you have to perform a new piece
: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On
Behalf Of [EMAIL PROTECTED]
Sent: Friday, February 17, 2006 7:51 AM
To: horn@music.memphis.edu
Subject: [Hornlist] Bells Up in Opera/Ballet
I thought it would be fun to compile a list pieces that use
bells up while in the pit..namely in opera
Beauty?? As in the Rite of Spring? Can the horn not produce required bad
carnal sounds? Of course Mahler and Tchaikovsky are different. I still wonder
why, if not for eye candy (sorry don't know the german translation).
As far as Butterfly, if I remember right, Campana Alzata is notated at the
I thought this was a funny description:
http://www.philharmonia.co.uk/thesoundexchange/the_orchestra/instruments/horns
/effects/
LT
___
post: horn@music.memphis.edu
unsubscribe or set options at
I thought it would be fun to compile a list pieces that use bells up while in
the pit..namely in opera and in ballet. I always thought of bells up as a
visual affect, obsioulsy some composers though differently. Ill start with a
few
that Im sure
everyone knows
Stravinsky Rite
Puccini
5 matches
Mail list logo