Quoting hans <[EMAIL PROTECTED]>:
If you have played the stuff on another horn chair than 2nd,
there should be not any problem playing it even prima vista.
The loud passages are quite identical. You are familiar with
horn in A & horn in D, right
Yes - I'm perfectly fine with the transposition
] On
Behalf Of [EMAIL PROTECTED]
Sent: Wednesday, May 28, 2008 6:54 PM
To: The Horn List
Subject: [Hornlist] Lohengrin Parts
Hello friends!
Just a quick query -
Does anyone have the 2nd horn part to Prelude to Act III of
Lohengrin that they could scan and e-mail or fax?
I got called to sub fo
At 12:53 PM -0500 5/28/08, [EMAIL PROTECTED] wrote:
Does anyone have the 2nd horn part to Prelude to
Act III of Lohengrin that they could
scan and e-mail or fax?
I got called to sub for an orchestra
Reminds me of the time when I first got to
Mexico. There was this guy who did weddings, a
Hello friends!
Just a quick query -
Does anyone have the 2nd horn part to Prelude to Act III of Lohengrin
that they could
scan and e-mail or fax?
I got called to sub for an orchestra and just want to see the parts
before going. I
know, I should have this memorized by now, but for the life
f Of Luke Zyla
Sent: Friday, September 14, 2007 3:43 AM
To: Horn List
Subject: [Hornlist] Lohengrin
I am sitting here practicing the original notation part to
the Introduction to Act III of the Opera Lohengrin. It
starts in G horn in the first measure and switches to E horn
on the third beat of measu
i heard what could be a myth about that: it was right around when there
were both natural and valved horns in common use, and Wagner much preferred
the valved horn - he wrote Lohengrin that way to ensure no one would (or
could) ever play it on natural horn.
Rebekah
__
Luke Zyla wrote:
I am sitting here practicing the original notation part to the
Introduction to Act III of the Opera Lohengrin. It starts in G horn
in the first measure and switches to E horn on the third beat of
measure 2. Later to G, back to E, then D and later A-flat horn.
I am wondering if
I am sitting here practicing the original notation part to the Introduction to
Act III of the Opera Lohengrin. It starts in G horn in the first measure and
switches to E horn on the third beat of measure 2. Later to G, back to E, then
D and later A-flat horn.
I am wondering if the rest of the
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