If you listened to Cabbage's show of a few weeks ago, there was an example of
Tuvan throat singing. Their fundamental tone is what singers call a "fry." It
is very rich in harmonics. These harmonics are so close together at the formant
frequency of the vocal tract, that you hear a smoothly changing
I have read some of the postings on this thread, and see no reason entering
into any personal
discussions or even dogfights.
My ears can hear single overtones and overtone patterns, even if I cannot write
them down like a
computerised spectral analysis.
Right now I am listening to
Grétry, A
[In case you've lost track of who is who, >> is Marc Gelfo, >>> is Marc
Gelfo quoting Steve Freides, and > is Steve replying to Marc.]
In a message dated 6/3/2006 7:47:58 PM Eastern Standard Time,
[EMAIL PROTECTED] writes:
>> Steve Freides wrote:
>> > It is essentially impossible for a h
Marc Gelfo wrote:
> Hey list, I'm doing a compiled response to many things that
> were said recently. My background, FWIW, is in cognitive
> science, particularly phonolinguistics, and computer science.
> I've done a lot of spectrogram reading of both language and
> horn -- for about 3 years
Hey list, I'm doing a compiled response to many things that were said
recently. My background, FWIW, is in cognitive science, particularly
phonolinguistics, and computer science. I've done a lot of spectrogram
reading of both language and horn -- for about 3 years I've been
studying spectrogr
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