Debbie reminds us, Classical music is always either going to someplace or
coming from someplace ...
And sometimes both; the end of one phrase can also be the beginning of the
next phrase which makes for some interesting mental gymnastics. Please refer
to David Kaslow's book, With Aspirations High
Very well said, Debbie!
-S-
-Original Message-
From: Debbie Schmidt [mailto:[EMAIL PROTECTED]
Sent: Saturday, April 19, 2008 11:06 PM
To: The Horn List
Subject: Re: [Hornlist] Re: Phrasing
I will add a couple of general things . Classical music is
always either going
Kendall,
I didn't understand this. How do you equate the bar with the entire phrase.
Or am I misdefining bar.
Ron
In a message dated 4/19/2008 9:11:11 P.M. Eastern Daylight Time,
[EMAIL PROTECTED] writes:
Pick ups are strong, downbeats are weak, the following notes of the bar (or
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On Apr 19, 2008, at 10:00 AM, [EMAIL PROTECTED] wrote:
message: 10
date: Fri, 18 Apr 2008 17:12:04 -0700 (PDT)
from: Herbert Foster [EMAIL PROTECTED]
subject: Re: [Hornlist] Re: Phrasing, was changing tone color
Wendell, I have read your article and have looked at your video. I
do thank you
: [Hornlist] Re: Phrasing, was changing tone color
Wendell, I have read your article and have looked at your video. I do thank
you for your helping us. I don't think I have got it, though I think I know
what you mean by arsis and thesis, which are new to me. It's Greek to me
:-).
For example
I will add a couple of general things . Classical music is always either
going to someplace or coming from someplace, plan your phrases accordingly.
Conductors act as architects putting those phrases together to move as
units to some place and away from it, so that each movement has a direction
as
, April 18, 2008 2:09:09 PM
Subject: [Hornlist] Re: Phrasing, was changing tone color
On Apr 18, 2008, at 10:00 AM, [EMAIL PROTECTED] wrote:
message: 10
date: Fri, 18 Apr 2008 09:48:15 -0700 (PDT)
from: Herbert Foster [EMAIL PROTECTED]
subject: Re: [Hornlist] Changing tone color
As well
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