Does anyone use TeX for music notation anymore?
John Baumgart
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of
Mark Syslo
Sent: Wednesday, October 05, 2005 1:51 PM
To: horn@music.memphis.edu
Subject: [Hornlist] notation software
I'm surprised none o
I'm surprised none of you mention Finale Notepad, which is a very
watered down version of Finale. Check out;
http://www.makemusic.com/notation_software.aspx and scroll all the way
to the bottom of the page.
Mark J. Syslo
___
post: horn@music.memphis.e
ne that for
yourself.
===
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of
Pandolfi, Orlando
Sent: Tuesday, January 11, 2005 4:46 PM
To: The Horn List
Subject: RE: [Hornlist] notation
I understand what yo
You bet! This will be a good one to zing him with. You know how they always
know everything.
O.
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] Behalf
Of Bill Tyler
Sent: Tuesday, January 11, 2005 4:33 PM
To: The Horn List
Subject: RE: [Hornlist] notation
"Pandolfi, Orlando" <[EMAIL PROTECTED]> wrote:
Thanks Steve. I'll pass this on to the physics professor at my institution.
He's clearly been getting it wrong for a while now. If he refutes Mr. Benade
and can back it up with some scholarly evidence, I'll pass it along.
Oh, brother, we're in tr
do
> Sent: Tuesday, January 11, 2005 12:42 PM
> To: The Horn List
> Subject: RE: [Hornlist] notation - web reference
>
> Great link, Jay. Thanks! I didn't know overtones and partials
> were not interchangeable terms. So much for conservatory training...
>
> O.
>
>
horn@music.memphis.edu
Subject: [Hornlist] notation - web reference
This web page has a good descriptions of the various tems being used
.
http://www.music.sc.edu/fs/bain/atmi02/onc/
Jay Kosta
Endwell NY
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This web page has a good descriptions of the various tems being used .
http://www.music.sc.edu/fs/bain/atmi02/onc/
Jay Kosta
Endwell NY
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http://music.memphis.edu/mailman/options/horn/ar
[mailto:[EMAIL PROTECTED] On Behalf Of Steve Freides
Sent: Tuesday, January 11, 2005 11:04 AM
To: 'The Horn List'
Subject: RE: [Hornlist] notation
Orlando, I'm sorry to disagree but I believe Hans' definition is what's
generally accepted as correct.
I happen to be reading n
gt; -Original Message-
> From:
> [EMAIL PROTECTED]
> [mailto:[EMAIL PROTECTED]
> du] On Behalf Of Pandolfi, Orlando
> Sent: Tuesday, January 11, 2005 10:46 AM
> To: The Horn List
> Subject: RE: [Hornlist] notation
>
> I understand what you are saying, but in physics, the
translation issues here? Either way, I think we are all on
the same page.
O.
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of [EMAIL PROTECTED]
Sent: Tuesday, January 11, 2005 10:08 AM
To: 'The Horn List'
Subject: [Hornlist] notation
There
There is again a confusion between partial & natural tones. The
numbering starts with the fundamental , if we go for the natural pitches
(tones), but starts an octave higher, if we go for the partials
Then all numbering would become crazy.
O.k. let´s start over again. The fundamental is
Recently one of the orchestra I play in did the Mahler 2nd, and at
one point (in the first movement at rehearsal 15 in third horn), I
was called upon to play a pedal b-flat, the one immediately below
middle C. My fourth horn partner in crime joined me in this at the
octave below.
It occurred to me
Boy that's for certain, Hans. I won't forget the first time I played the
Wind Quintet of Schoenberg I had to do it off a part that was horn in C in
bass clef for the entire part pretty much. This was the way Schoenberg wrote
his score, and the copyist just copied what he/she saw. Nasty!
Bob Dickow
ailto:[EMAIL PROTECTED] On Behalf
Of Gary Greene
Sent: Saturday, June 12, 2004 8:48 PM
To: [EMAIL PROTECTED]
Subject: [Hornlist] Notation question
Recently one of the orchestra I play in did the Mahler 2nd, and at one
point
(in the first movement at rehearsal 15 in third horn), I was called upon
to
pl
I hate to be speculative on a subject on which I know nothing, but
isn't it a possibility that the notes you played were notated in bass
clef because the notes in the 4th Horn were very low, and both parts
were written by the composer originally on one stave. As the 4th part
is too low for tr
Recently one of the orchestra I play in did the Mahler 2nd, and at one point
(in the first movement at rehearsal 15 in third horn), I was called upon to
play a pedal b-flat, the one immediately below middle C. My fourth horn
partner in crime joined me in this at the octave below.
It occurred t
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