I did read your original post, I was refering to cross fingerings in general,
and was referring to the alternate fingering I use at the end, the section
which you are referring to directly below, using 2 and 1. I originally didn't
mention that I used alternate fingerings, so it made no sense that
Chris:
OK, sorry for the misunderstanding/misinterpretation.
That's the problem with non face-to-face media.
Peace, Scott
--- Chris Tedesco [EMAIL PROTECTED] wrote:
I did read your original post, I was refering to
cross fingerings in general,
and was referring to the alternate fingering I
Chris, again I say that you didn't read my original
post. The section I refer to has no F#s, Es, or G#s!
It is the section after the two scaler runs:
b/a#/b/c#/b/c#/d/c# in sixteenths repeated three
times, the last time the final c# is replaced with a
b. It is here, where most players use the Bb
Sorry, I didn't mention that I use alternate fingers galore on the B-side to
eliminate almost all cross fingerings.
I use an alternate fingering of T2 and T1 for the ending section. Admittedly,
at first it sounded terrible, but with a little elbow grease, it sounds no
different from playing it
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