At 02:33 PM 2/3/2007 -0800, you wrote:
Sorry for the double post. I am in desperate need of
information. I have proposed a recital program to my department for
my senior recital, which is about a year from now. They are
starting to make a requirement that our recitals must be memorized,
Margaret Dikel comments, as usual, sagely:
Giving departments an ultimatum never works. When you
back them into a corner they
usually come out fighting, and between you, me, and the door, you
will not win.
Put more generally, never, ever attempt a political power play
against those who
Of hans
Sent: Sunday, February 04, 2007 12:48 AM
To: 'The Horn List'
Subject: RE: [Hornlist] recital repertoire
Hello Rebecca, world famous Wagner conductor late Hans
Knappertsbusch had been asked why he were using the score
when conducting while many other conductors did not use it.
He responded
In a message dated 2/3/2007 5:34:11 P.M. Eastern Standard Time,
[EMAIL PROTECTED] writes:
So my questions are as follows: Is this a legitimate college-level (music
education) program?
Yes. IMO, it's more than enough.
Should I be required to memorize this piece?
No
Does anyone
Hello Rebecca, world famous Wagner conductor late Hans
Knappertsbusch had been asked why he were using the score
when conducting while many other conductors did not use it.
He responded: I CAN READ MUSIC.
Off course, he many other famous conductors could do all
their pieces without the score,
Clever tasteful decision, indeed. Mozarts music does fit
any settings (nearly) one can find (nearly) any
combination, which can be (re)produced in a recital without
much compromise. That´s the way things should be arranged.
Bravo !
If the teachers decide all everything do it e.g. in the
Mathew,
Depending on what kind of ensemble you're planning on:
Victor Ewald has several nice brass quintets. You might choose a movement of
one of those, but I wouldn't recommend the whole thing if you're playing the
Gliere concerto after it. There is also an arrangement of
The only reason I knew the reference to Horn Hardart is because my wife is a
New Yorker. Most on the list don't even know what an automat is. Please
explain.
Herb Foster
--- Steve Freides [EMAIL PROTECTED] wrote:
I would like to suggest the
Concerto for Horn and Hardart
by P.D.Q.
-Original Message-
From:
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[mailto:[EMAIL PROTECTED]
du] On Behalf Of Herbert Foster
Sent: Wednesday, October 11, 2006 12:47 PM
To: The Horn List
Subject: RE: [Hornlist] Recital
The only reason I knew the reference to Horn Hardart is
because my wife is a New
I would like to suggest the
Concerto for Horn and Hardart
by P.D.Q. Bach, although Hardart players are hard to find these days, and
automats even harder.
Steve tongue firmly in cheek Freides
-Original Message-
From:
[EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]
du] On Behalf Of
A piece with a Russian/Polish character I've gotten good response to is
Miniatury, for horn and piano, by Czeslaw Grudzinski, in six short
movements. The horn part is quite low, with the piano pulling a lot of
the weight, so it gives you a break between the fireworks. With the
right
Steve new automat in the Village
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Mathew James wrote:
*(Need to put an adaptation here to fill either ensemble or
unaccompanied by a russian composer... ideas?)
Buyanovsky Pieces for solo horn. (pub. McCoy)
Greg
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Wouldn´t it be better to prepare a nice calm piece as encore
instead of a squeezed Long Call (after the whole program).
Are you really thinking about the Long Call or about the
Call from Siegfrieds Rhine Journey ? A nice calm piece
would be Tcherepnine´s Esquisse, short calm, just
showing nice
PROTECTED] On
Behalf Of Greg Campbell
Sent: Tuesday, October 10, 2006 6:00 AM
To: The Horn List
Subject: Re: [Hornlist] Recital
Mathew James wrote:
*(Need to put an adaptation here to fill either ensemble
or
unaccompanied by a russian composer... ideas?)
Buyanovsky Pieces for solo horn. (pub
Mathew James wrote:
... recital ... russian based ...
Want to make 'em cry? Try something like Dark Eyes (Ochi chornya)
or There were days (westerners will recognize this as Those were the
days (my friend, we thought they'd never end...). Either
unaccompanied, or perhaps with a liquid
Yep, I'm the black girl you met:-)
From: Loren Mayhew [EMAIL PROTECTED]
Reply-To: The Horn List [EMAIL PROTECTED]
To: 'The Horn List' [EMAIL PROTECTED]
Subject: RE: [Hornlist] Recital suggestions
Date: Tue, 5 Aug 2003 07:53:32 -0700
I agree that there were few black players, but I think
That reminds me, Gail Williams mentioned at a workshop this past year at BGSU
that she has never played a transcription until that recital where she played
the Gliere.
yeah shiga,
Chris
--- David Goldklang [EMAIL PROTECTED] wrote:
Generally when it comes to planning a senior recital, your
PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of
Lanetra Carther
Sent: Monday, August 04, 2003 8:18 PM
To: [EMAIL PROTECTED]
Subject: Re: [Hornlist] Recital suggestions
Hey, I was at that workshop too!!! There were only 2 black horn players
there, and I am the female. I was impressed by her
When it comes to recital programming, there are a lot of different ways to
organize your rep. My teacher explained to me that he thinks a well rounded
recital is best for undergrad and what not. My junior recital was in this
order
Berg - Horn Lokke (Modern and Unaccompanied)
Mozart 4 (A staple
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