Here's good practice for blending your low chops with your high chops:
Kopprasch #23, #56, #32.
{ David Goldberg: [EMAIL PROTECTED] }
{ Math Dept, Washtenaw Community College }
{ Ann Arbor Michigan }
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post: horn@music.memphis.edu
Yes, Valerie, you have understood it right. All has to be
played with about the same embouchure setting. The only
difference is it, to open more or to close the opening
between the lips by the use of the jaw more, but in a very
sublime manner. This can work only, if you use not more than
the
It means, that you cramp the one or the opposite way. Why
not playing all relaxed with less vertical pressure,
mouthpiece set at the edge of the lower lip so it pulls the
lip opening open enough ? You would soon find out that you
play more relaxed without getting sharp or flat. Getting
flat due to
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