Yes, Hoss, I agree with you, for what use is all the up &
down slurring ? I know some players, very tough players, who
do that exercises. But how about their tone quality ?
Horrible. Let them play "Oberon" & they are lost. They would
not know what to make with these simple notes.
And, playing all
Well said, I think... Haven't read Smiley (except for Le Carre's version), but
am assuming from all the back and forth that he does not deal with brass
instruments from an overall, soup-to-nuts point of view, meaning you probably
cannot study Smiley exclusively and end up ready for that big aud
I don't know who their tutor is, but they're conducted by John Finucane.
[EMAIL PROTECTED] wrote:
In a message dated 12/03/2006 17:48:05 GMT Standard Time,
[EMAIL PROTECTED] writes:
I just played in a concert with the Dublin Youth Orchestra, and the horn
section was AMAZING. They so
In a message dated 12/03/2006 17:48:05 GMT Standard Time,
[EMAIL PROTECTED] writes:
I just played in a concert with the Dublin Youth Orchestra, and the horn
section was AMAZING. They sounded professional, even. It's surprising that
they were so good. All I can really say is I hope we
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