> some kind of tension between Gertrude Biederman,
> holding a traditionalist point of view, and Kathe Kliot representing a
> modern art-lace position
Even today, there is tension between the traditionalist point of view and the
modern art-lace position, but I recall the tension being much stronge
Im no expert. I began learning lace in 1981, from a woman who had coerced a
German woman into teaching her. I remember Biederman and Kliot. I have Kliots
book on lacemaking. As far as I can see its a difference in gauge. Biederman
worked with the traditional fine threads and Kliot worked with th
Devon seems to pose some kind of tension between Gertrude Biederman,
holding a traditionalist point of view, and Kathe Kliot representing a
modern art-lace position.
Yesterday afternoon I spent some time at Lacis in conversation with Jules
Kliot. Lacis is an extraordinary place. He was particularl
