, or submit some other way?
My SourceForge user name is davidsg
Thanks,
David
--
David Stephen Grant
www.davidgrant.no
David.
Thank you for all of your support - intellectual, material, and
philosophical.
May your new position provide all the success that you deserve.
Mark
-Original Message-
From: David Kastrup [mailto:d...@gnu.org]
Sent: Wednesday, November 09, 2016 9:10 AM
To: lilypond-devel@gnu.org
David,
Since starting Lilypond I have become accustomed to the order presented in
the manual (2.18.2) that states:
Voice 1: highest
Voice 2: lowest
Voice 3: second highest
Voice 4: second lowest
Voice 5: third highest
Voice 6: third lowest.
This arrangement is useful for my setting idiosyncratic
2.11.33 is missing \noFlag.
I had to use
\override Stem #'flag-style = #'no-flag
instead.
Stephen
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I have experimented since I first brought up this problem, by installing
both Lilypond 2.9.8 and 2.8.3 which both work in the cmd.exe box. So, I
don't know why, but I think something is wrong with Lilypond 2.8.4. Doesn't
anybody else have this problem?
Stephen
Where did the log go in Lilypond 2.8.4?
I no longer can read any error messages when I make a mistake.
I prefer running Lilypond in a command window; this does not work for the
newest mingw binary.
Stephen
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- Original Message -
From: Han-Wen Nienhuys [EMAIL PROTECTED]
To: Stephen [EMAIL PROTECTED]
Cc: lilypond devel lilypond-devel@gnu.org
Sent: Tuesday, June 06, 2006 8:33 AM
Subject: Re: Lilypond 2.8.4
Stephen schreef:
Where did the log go in Lilypond 2.8.4?
I no longer can read any
- Original Message -
From: Han-Wen Nienhuys [EMAIL PROTECTED]
To: Stephen [EMAIL PROTECTED]
Cc: lilypond devel lilypond-devel@gnu.org
Sent: Tuesday, June 06, 2006 9:34 AM
Subject: Re: Lilypond 2.8.4
Stephen schreef:
- Original Message - From: Han-Wen Nienhuys
[EMAIL
results are finally available. Grovel at
http://lilypond.org/doc/v2.9/v2.8.4/index.html
But there is no such link.
Stephen
and see what features we broken in the latest release!
Awesome! Kudos!
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There are many possible character encodings, is there one that TexInfo and
HTML do support?
Stephen
From: John Mandereau [EMAIL PROTECTED]
Sent: Friday, May 26, 2006 6:24 AM
Graham Percival wrote:
I _really_ do not want to touch texinfo right now. The .tely file has
a c-with-cedilla
this would work?
\new PianoStaff
\with {
\remove Axis_group_engraver
\consists Hara_kiri_engraver
}
\new Staff = upper \upper
\new Staff = lower \lower
Stephen
contexts as in this example from 8.4.1 Polymetric
notation:
\layout {
\context { \Score
\remove Timing_translator
\remove Default_bar_line_engraver
}
\context {
\Staff
\consists Timing_translator
\consists Default_bar_line_engraver
}
}
Stephen
professional user can already get Lilypond to output in the engraving style
he needs more easily than any other program.
Stephen
This seems
to make things difficult when someone tries to maintain a part that
has to be transposed a couple different ways, or printed on different
paper sizes
From: Mats Bengtsson [EMAIL PROTECTED]
To: Graham Percival [EMAIL PROTECTED]
Cc: Stephen [EMAIL PROTECTED]; lily-devel
lilypond-devel@gnu.org
Sent: Monday, March 20, 2006 4:09 PM
Graham Percival wrote:
On 20-Mar-06, at 8:18 AM, Stephen wrote:
I don't think Rehearsal Marks
the dash-fraction. The default
dash-fraction is 3.0, so the following will give you long, closely spaced
dashes:
\once \override TextSpanner #'dash-fraction = #0.88
\once \override TextSpanner #'dash-period = #5.0
Stephen
thanks, arno
\include deutsch.ly
\relative c{
\once
\with {
\remove Mark_engraver
}
\new Staff \with {
\consists Mark_engraver
}
{ c''1 c'' }
\new Staff \with {
\consists Mark_engraver
}
{ c'1 \mark foo c' }
}
Stephen
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From: Mats Bengtsson [EMAIL PROTECTED]
To: Stephen [EMAIL PROTECTED]
Cc: Graham Percival [EMAIL PROTECTED]; lily-devel
lilypond-devel@gnu.org
Sent: Tuesday, March 21, 2006 3:43 PM
Subject: Re: Some newbie troubles, especially with text
Quoting Stephen [EMAIL PROTECTED]:
That still works
don't want the
MIDI file to reflect all the D.S.
I don't think Rehearsal Marks are as flexible as \markup. There may still be
a need to align markup text to barlines rather than just to notes.
Stephen
P.S. O.K. So I tried using Rehearsal Marks to get the same effect and came
up with something
to
say.
Stephen
I'm not sure what the right solution is.
Ideas?
--
Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.xs4all.nl/~hanwen
LilyPond Software Design
-- Code for Music Notation
http://www.lilypond-design.com
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John,
This is excellent. I want to let you know about the Lilypond page in the
Wikipedia:
http://en.wikipedia.org/wiki/GNU_LilyPond
Stephen
- Original Message -
From: John Mandereau [EMAIL PROTECTED]
To: Lily devel lilypond-devel@gnu.org
Cc: Fairchild [EMAIL PROTECTED]
Sent
'' }
Stephen
--
Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.xs4all.nl/~hanwen
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It should be called one or more measure rest, but there is no word for that
in the english language. Integral Measure Rest?
Stephen
- Original Message -
From: Graham Percival [EMAIL PROTECTED]
To: lilypond devel lilypond-devel@gnu.org
Sent: Tuesday, August 09, 2005 4:37 AM
Subject
Hi,
Is this a bug? The last note of the first system is flipped up probably
because of a negative beam length with the warning weird stem size after
the warning in my subject heading. I don't see what is causing this. It does
not happen in 2.4, only 2.6. So perhaps this is a regression?
Stephen
is not removed.
Stephen
Other than that, I propose that we accept ly/bagpipe.ly -- particularly
since
it doesn't change anything for non-bagpipe music. I've already added
docs for bagpipe stuff. :)
Cheers,
- Graham
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- Original Message -
From: Sven Axelsson [EMAIL PROTECTED]
To: 'Stephen' [EMAIL PROTECTED]; 'Graham Percival'
[EMAIL PROTECTED]; 'lily-devel' lilypond-devel@gnu.org
Sent: Monday, August 01, 2005 11:04 AM
Subject: RE: Settings for bagpipe music
From: Stephen [mailto:[EMAIL PROTECTED
?
Stephen
\version 2.6.1
atonicKey =
#(def-music-function (parser location) ()
#{ #(ly:export (make-music 'EventChord
'origin $location
'elements (list (make-music 'KeyChangeEvent
'tonic (ly:make-pitch -1 4 0
Staff {\clef bass
c'4 c' c' c' \break | % this break does!
c' c' c' c'}
\layout {
\context { \Voice \remove Forbid_line_break_engraver }
raggedright = ##t
}
}
Stephen
tuplet bar lines and breaks are exactly aligned, eg.
\times 2/3 { c4 c4 \bar empty\break c4
- Original Message -
From: Trevor Baca [EMAIL PROTECTED]
To: Stephen [EMAIL PROTECTED]
Cc: Han-Wen Nienhuys [EMAIL PROTECTED]; lilypond-devel@gnu.org
Sent: Saturday, July 30, 2005 7:14 PM
Subject: Re: Previous discussion on tuplet breaking over lines?
On 7/30/05, Stephen [EMAIL
idea is to keep the key
signature and accidental engraver and just suppress the printing of the key
signature as a way to print flats when you need them.
Stephen
- Original Message -
From: Sven Axelsson [EMAIL PROTECTED]
To: lilypond-devel@gnu.org
Sent: Friday, July 29, 2005 2:15 AM
to do this thing
right when I decided that of course I need to apply the patch to a newer
version of Lilypond, checked Lilypond 2.6.1 and realized it had already been
applied.
Thanks.
Stephen
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needed to read each page.
Stephen
- Original Message -
From: Heikki Junes [EMAIL PROTECTED]
To: Han-Wen Nienhuys [EMAIL PROTECTED]; lilypond-devel@gnu.org
Sent: Thursday, July 21, 2005 10:23 AM
Subject: Re: lilypond ./ChangeLog Documentation/bibliography...
Han-Wen Nienhuys wrote
rearranging the order of the
explanation until I understand it. That is harder to do if I have to scroll
between paragraphs.
Stephen
- Original Message -
From: Heikki Junes [EMAIL PROTECTED]
To: Stephen [EMAIL PROTECTED]
Cc: Han-Wen Nienhuys [EMAIL PROTECTED]; lilypond-devel@gnu.org
Sent
to make things simple enough that even I can understand them
whether as a user of as a developer.
Stephen
- Original Message -
From: Erik Sandberg [EMAIL PROTECTED]
To: Stephen [EMAIL PROTECTED]
Cc: [EMAIL PROTECTED]; lilypond-devel@gnu.org; Mehmet
Okonsar [EMAIL PROTECTED]
Sent
)
(2 . 1)
(3 . 1)
(4 . 1))
\set Score . extraNatural = ##f #})
\context PianoStaff
\override PianoStaff.KeySignature #'print-function = ##f
...
Stephen
Erik
PianoStaff.KeySignature #'print-function = ##f
I mistakenly thought the staffs were not breaking right, but that was due to
raggedright = ##t
I am working on examples and adding it to my project now.
Stephen
- Original Message -
From: Mehmet Okonsar [EMAIL PROTECTED]
To: lilypond-devel@gnu.org
Sent
Attached is my example using atonicKey for Atonal Music by Schoenberg.
I plan on doing a snippet too, but I will look for a measure which
demonstrates everything it can do after I get it working in my main project.
Stephen
- Original Message -
From: Mehmet Okonsar [EMAIL PROTECTED
is that I would like to create my own custom overrides for
signatures like 5/4, but I don't understand it well enough. The convenience
of not having to manually beam every last note in a piece is worth the
effort.
NOTE: this has been stuck in my outbox for nearly two weeks.
Stephen
- Original
. Has anyone used it?
NOTE: this has been stuck in my outbox for nearly two weeks.
Stephen
- Original Message -
From: Joe Neeman [EMAIL PROTECTED]
To: Lilypond Devel lilypond-devel@gnu.org
Sent: Monday, July 04, 2005 9:15 AM
Subject: Re: Auto-beam in 2.6
Stephen wrote:
I believe
signature.
Would you get a group of three followed by a group of two if you reversed
the order of the overrides?
#(override-auto-beam-setting '(end * * 5 8) 3 8 'Score)
#(override-auto-beam-setting '(end * * 5 8) 2 8 'Score)
Stephen
- Original Message -
From: Graham Percival [EMAIL
Sorry, I missed your response.
The size of the plus sign looks alright to me, but yes, it should be
perfectly centered.
Stephen
- Original Message -
From: Mats Bengtsson [EMAIL PROTECTED]
To: Stephen [EMAIL PROTECTED]
Cc: lilypond devel lilypond-devel@gnu.org
Sent: Thursday, July
note within a measure.
Stephen
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Options\General and
change the 'Default character encoding'.
Stephen
- Original Message -
From: Bertalan Fodor [EMAIL PROTECTED]
To: Mehmet Okonsar [EMAIL PROTECTED]
Cc: lilypond-devel@gnu.org
Sent: Friday, July 01, 2005 1:03 PM
Subject: Re: utf-8 encoding text editor for Lily?
I'm quite
After adding the patch to my own installation, I discovered it had an error
in it.
The windows line ending do need to be removed, but I think you can remove
them from the patch before applying it.
Sorry,
Stephen
- Original Message -
From: Stephen [EMAIL PROTECTED]
To: lilypond
-beam-setting '(1 16 4 8) 'Staff)
Stephen
- Original Message -
From: Mats Bengtsson [EMAIL PROTECTED]
To: Joe Neeman [EMAIL PROTECTED]
Cc: Lilypond Devel lilypond-devel@gnu.org; lilypond-user@gnu.org
Sent: Saturday, July 02, 2005 4:29 PM
Subject: Re: Auto-beam in 2.6
revert
noticed the problem. That way I am placing the problem in a
realistic context
rather rather than a simplified one.
Stephen
.
\version 2.4.6
\paper {
#(set-paper-size a5)
linewidth = 60\staffspace
bottommargin = 9\mm
aftertitlespace = 6.0 \mm
indent = 0\mm
}
top = {
\clef G
\set
{ ... } } ...
each \score block will print out in a separate file.
Stephen
- Original Message -
From: Laura Conrad [EMAIL PROTECTED]
To: Han-Wen Nienhuys [EMAIL PROTECTED]
Cc: Graham Percival [EMAIL PROTECTED]; lilypond devel
lilypond-devel@gnu.org; Mats Bengtsson [EMAIL PROTECTED
versions of
Lilypond maximizes the likelyhood that Windows
versions would come out regularly and remain compatible with the Linux
version.
Stephen
- Original Message -
From: Bertalan Fodor [EMAIL PROTECTED]
To: Schneelocke [EMAIL PROTECTED]
Cc: lilypond-devel@gnu.org; Jan Nieuwenhuizen
I am resending the original message with the correct patch. Is it OK to
include the ChangeLog entry as part of the message?
ChangeLog entry:
2005-06-25 Stephen Charles McCarthy [EMAIL PROTECTED]
* scm/midi.scm: changed midi volumes in absolute-volume-alist from
0.05 - 1.00 to 0.25
be processing or editing.
Processing! Using Cygwin, if I click on an .ly file I process it, if I
right-click it I can edit it in Notepad. This seems to be a good system to
continue.
Stephen
Bert
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http
. And what kind of kaos that might
create.
Stephen
- Original Message -
From: Mehmet Okonsar [EMAIL PROTECTED]
To: Stephen [EMAIL PROTECTED]; Mehmet Okonsar
[EMAIL PROTECTED]; lilypond-devel@gnu.org
Sent: Sunday, June 26, 2005 4:00 AM
Subject: Re: Naturals on all notes
- Original
Yep, you are right. I added windows style line endings to the original file,
then ran 'diff -u' again and got this smaller file.
Stephen
- Original Message -
From: Johannes Schindelin [EMAIL PROTECTED]
To: Stephen [EMAIL PROTECTED]
Cc: Han-Wen Nienhuys [EMAIL PROTECTED]; lilypond
ChangeLog entry:
2005-06-25 Stephen Charles McCarthy [EMAIL PROTECTED]
* scm/midi.scm: changed midi volumes in absolute-volume-alist from
0.05 - 1.00 to 0.25 - 1.00
* scm/midi.scm: moved the default-instrument-equalizer procedure to just
under the insturment-equalizer-alist
of the possible glyphs.
Or you can follow each note with \natural to put a natural before each
note.
Stephen
- Original Message -
From: Mehmet Okonsar [EMAIL PROTECTED]
To: lilypond-devel@gnu.org
Sent: Saturday, June 25, 2005 2:27 AM
Subject: Naturals on all notes
How to get
was an alternative even hinted at.
Are you saying the procedures do or should be made to work and setting the
alist associated with each one directly is not the method you want to go
with?
Stephen
- Original Message -
From: Han-Wen Nienhuys [EMAIL PROTECTED]
To: Stephen [EMAIL
defining who the user is would do it. Lilypond was
originally developed for a certain kind of user. In fact, it was written for
only one person.
Stephen
- Original Message -
From: Han-Wen Nienhuys [EMAIL PROTECTED]
To: Stephen [EMAIL PROTECTED]
Cc: Graham Percival [EMAIL PROTECTED]; lily
You did a very good job on the Introduction, I can't tell it was written by
a native Dutch speaker and I can tell when something has been translated
from a different language.
Stephen
- Original Message -
From: Han-Wen Nienhuys [EMAIL PROTECTED]
To: Stephen [EMAIL PROTECTED]
Cc: Graham
Well, you know, I am looking at the documentation for 2.4.
Stephen
- Original Message -
From: Graham Percival [EMAIL PROTECTED]
To: Stephen [EMAIL PROTECTED]
Cc: lily-devel lilypond-devel@gnu.org
Sent: Friday, May 20, 2005 2:35 AM
Subject: Re: Another documentation issue
On 19-May-05
Well no,
The manual tells the developers what the user is going to expect from the
program and that in turn guides the development. That's what I mean.
Stephen
- Original Message -
From: Han-Wen Nienhuys [EMAIL PROTECTED]
To: Stephen [EMAIL PROTECTED]
Cc: Graham Percival [EMAIL
Yeah, thanks, I agree, I like to hear that.
Stephen
- Original Message -
From: Mats Bengtsson [EMAIL PROTECTED]
To: Graham Percival [EMAIL PROTECTED]
Cc: Stephen [EMAIL PROTECTED]; lily-devel
lilypond-devel@gnu.org
Sent: Friday, May 20, 2005 3:53 AM
Subject: Re: Another documentation
on a case by case basis. I am a very literal
person who likes things to be terribly explicit, most people do not need
that, so I understand there is no real issue here, it is just that my
communication style differs from others.
Stephen
- Original Message -
From: Graham Percival [EMAIL
to define the
procedures public in order to define the alists public? Or are they public
only to make the procedures themselves accessible to the user?
Do the examples in input/no-notation show up anywhere in the documentation?
Stephen
\version 2.4.0
\header {
texidoc = @cindex Set Dynamic
the Feta font, but
I do not look forward to a day when it is easy to mix the fonts since they
will only be made to look good with themselves, for instance.
Lilypond's ultumate goal is to enable better perfomances:
better typography translates to better performances
Stephen
- Original Message
the philosophy.
Stephen
- Original Message -
From: Graham Percival [EMAIL PROTECTED]
To: Stephen [EMAIL PROTECTED]
Cc: lily-devel lilypond-devel@gnu.org; Han-Wen Nienhuys
[EMAIL PROTECTED]
Sent: Thursday, May 19, 2005 10:06 AM
Subject: Re: Another documentation issue
On 19-May-05, at 7:48
yes,
engraver yes, event no.
Stephen
- Original Message -
From: Han-Wen Nienhuys [EMAIL PROTECTED]
To: Graham Percival [EMAIL PROTECTED]
Cc: lily-devel lilypond-devel@gnu.org
Sent: Friday, May 13, 2005 6:44 AM
Subject: Re: Another documentation issue
Graham Percival wrote:
On 12-May-05
Well, I am really just asking whether markup is more than a text script or
not. If it would cause less confusion to regularize the terminology than it
would to not change it, then it would be a good thing, but I aggree that
that would be unlikely.
Stephen
- Original Message -
From
Yes, I know; I am just saying that the first time I responded to the thread,
I misinterpreted your question and the second time I responded, Mats had
already given the feedback/information/help you needed. Sorry.
Stephen
- Original Message -
From: Graham Percival [EMAIL PROTECTED
Thanks, 'cause even though I glibly talked about alignment, I did not know
how it could be done. Now I know.
Stephen
- Original Message -
From: Mats Bengtsson [EMAIL PROTECTED]
To: Stephen [EMAIL PROTECTED]
Cc: lilypond devel lilypond-devel@gnu.org
Sent: Tuesday, May 10, 2005 9:18 AM
, TextScript padding won't affect the rehearsal mark. The two
examples are nearly identical. The advantage of the second is that you can
line it up to the barline explicitly instead of eyeballing it and lining it
up by hand with \translate.
Stephen
- Original Message -
From: Mats
\mark has evolved into a way to put text over a barline, but you cannot use
\markup to put text over a barline, only over a note.
Stephen
- Original Message -
From: Graham Percival [EMAIL PROTECTED]
To: lily-devel lilypond-devel@gnu.org
Sent: Tuesday, May 10, 2005 11:32 PM
Subject: Doc
in the back of my brain,
until I figure out whether there really is a distiction between the two and
what it is.
Stephen
- Original Message -
From: Graham Percival [EMAIL PROTECTED]
To: Stephen [EMAIL PROTECTED]
Cc: lilypond devel lilypond-devel@gnu.org
Sent: Tuesday, May 10, 2005 10:44
There is nothing about the Metronome Mark in the Changing Defaults chapter.
I have already ready the documentation. I figured out how to move it up or
down, but not left or right. In general, I think it would look better over
the time signature instead of over the first note.
Stephen
need to
remember that 'extra-offset' works with every grob. I even got 'text' from
the text-interface to not create errors, but it does not affect anything.
Stephen
- Original Message -
From: Mats Bengtsson [EMAIL PROTECTED]
To: Stephen [EMAIL PROTECTED]
Cc: Graham Percival [EMAIL
to use script-priority might be more interesting
in the Common tweak section although it is not a common tweak I suppose.
Stephen
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Is there a way to shift the metronome mark to the left? If so, how? If not,
then this is a feature request. There.
Stephen
- Original Message -
From: Graham Percival [EMAIL PROTECTED]
To: lily-devel lilypond-devel@gnu.org
Sent: Friday, May 06, 2005 4:48 AM
Subject: default MetronomeMark
is saved,
the previous ones being overwritten. But I suppose multiple midi files
overwriting each other instead of being saved as mid-1, mid-2, etc. is a
bug? and therefore this is fixing a problem that should not exist?
Stephen
- Original Message -
From: Stephen [EMAIL PROTECTED
Mmmm, what if the text and background color both are not recognized? It
would be neat if there could be a different default for each, unless these
colors can only affect the fonts.
Stephen
- Original Message -
From: Bernard Hurley [EMAIL PROTECTED]
To: Lilypond Development lilypond
this is all useful
advice, germane to your project.
Stephen
- Original Message -
From: Karl Hammar [EMAIL PROTECTED]
To: lilypond-devel@gnu.org
Sent: Friday, April 15, 2005 12:59 PM
Subject: Re: removing unwanted accidentals
*No*, the forget does not work for:
act 1, aria 13, bar 6
.
Stephen
- Original Message -
From: Karl Hammar [EMAIL PROTECTED]
To: lilypond-devel@gnu.org
Sent: Saturday, April 16, 2005 3:01 PM
Subject: Re: removing unwanted accidentals
Karl,
The problem appears when you put all the movements together **under the
same
score**. I consider
it would play anyway,
so what's the point?
I am saying here that automatic control of accidentals is better, given the
number of choices we already have. In this case 'forget' solved the problem.
Stephen
- Original Message -
From: Erik Sandberg [EMAIL PROTECTED]
To: Stephen [EMAIL PROTECTED]
Cc
:
#(set-accidental-style 'forget), which should suppress it in context of the
total score. Don't forget you can set that anywhere in the score and reverse
it with:
#(set-accidental-style 'default).
Stephen
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Voice.Span_dynamic_performer
\consists PianoStaff.Span_dynamic_performer
to controll the scope of the dynamic changes, whether they only affect the
voice, the staff, the piano part, of the entire score. I don't know if that
is possible yet.
Stephen
- Original Message -
From: Erik Sandberg [EMAIL PROTECTED
that with a regular tuple. I
think if really means just the group of notes within the span.
Stephen
- Original Message -
From: Erik Sandberg [EMAIL PROTECTED]
To: Stephen [EMAIL PROTECTED]
Cc: [EMAIL PROTECTED]; lilypond-devel@gnu.org
Sent: Sunday, April 10, 2005 3:19 AM
Subject: Re
change
past the last note in the tuple. Sort of offsetting the dynamic changes by a
half of a note.
Stephen
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That's true.
I can't think of any solution other than to assume mf in the absence of any
dynamic indication.
Stephen
- Original Message -
From: David Rogers [EMAIL PROTECTED]
To: lilypond-devel@gnu.org
Sent: Sunday, April 10, 2005 11:55 AM
Subject: Re: Span_dynamic_performer
Stephen
\' beginning. An absolute dynamic did preceed the hairpin,
but on the same note.
Stephen
- Original Message -
From: Mats Bengtsson [EMAIL PROTECTED]
To: Stephen [EMAIL PROTECTED]
Cc: [EMAIL PROTECTED]; lilypond-devel@gnu.org
Sent: Sunday, April 10, 2005 5:02 AM
Subject: Re: Span_dynamic_performer
levels do not range from 0 to 1. There must be a place where
the values are converted to midi volume values, but it is more difficult to
trace which function is using the info in the absolute-volume-alist than it
is to search for the engravers and performers in the sources.
Stephen
- Original
this is actually happening. (i.e., not
where the error occurs, but where the midi volume values are determined.)
Stephen
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Known bug. You need to add an AbsoluteDynamicEvent (using e.g. \f) before
any
cresc or dim can be used. See scm/define-music-types.scm for ideas.
Erik
Actually, this is the piece that sent me looking for a solution. Perhaps
because I am using Lilypond 2.4.3?
Stephen
attachment: taps-page1
{ \Voice \remove Span_dynamic_performer } }
}
Stephen
- Original Message -
From: Mats Bengtsson [EMAIL PROTECTED]
To: Stephen [EMAIL PROTECTED]
Cc: lilypond devel lilypond-devel@gnu.org
Sent: Friday, April 08, 2005 10:38 AM
Subject: Re: \midi in \book
How about:
\score{ s4 \midi {\tempo 4
change the dynamic of the second note. If the hairpin is
attached to only one note, it should only change the dynamics of the notes
following the hairpin. Etc.
Again, I am curious to know which file this code is in in the sources.
Stephen
- Original Message -
From: Erik Sandberg [EMAIL
There is a need for a book scope \midi block that has a one second silence
inserted between scores analogous to beforetitlespace in page layout.
Stephen
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expects a the lilypond files submitted
there to produce midi files. Given the state of midi in lilypond, it may be
premature to make that a requirement, but it is.
Stephen
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with the sharper
endings and beginnings, but your short slurs will look fat.
Stephen
- Original Message -
From: Werner LEMBERG [EMAIL PROTECTED]
To: lilypond-devel@gnu.org
Sent: Friday, April 08, 2005 5:07 AM
Subject: second developers' meeting in Koblenz
Here are the results from the second
keeping pianissimo audible.
I don't think the 0.01 - 0.20 range is audible at reasonable volume levels.
Stephen
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Speaking of using Scheme to produce Bach's Prelude, I re-adapted the
music-box.ly example to produce the entire prelude.
Stephen
\paper {
linewidth = 160\mm
indent = 10\mm
bottommargin = 10\mm
}
\layout {
}
\include deutsch.ly
% TODO: ask if it needs to have so many empty bars
anticipate the beat. One of the pleas I
have to the programmers is to distinguish the appogiatura from the gracenote
in midi.
Stephen
attachment: grace-page1.pngattachment: grace-page.pngtop = {
\key a \minor
\clef G
\time 3/4
\tempo 4=120
#(set-accidental-style 'modern)
% \partial 8
As usual, I realized the bug warning at the end of the grace section in the
documentation applies here. I fixed the problem by adding a grace skip to
all the other staves.
Stephen
- Original Message -
From: Stephen [EMAIL PROTECTED]
To: lilypond devel lilypond-devel@gnu.org
Sent
')]}
\times 2/3 {g-. c'( g)} \times 2/3 {e[-. g( e)]} |
c4-. r \clef bass c,-. r | c,-. r
\bar |.
}
Stephen
attachment: collisions-page1.png\version 2.4.3
\paper {
#(set-paper-size a5)
linewidth = 60\staffspace
indent = 0\mm
}
alm = \markup { \bold \bigger \bigger Allegro molto
I see the 3 and stacatto dot do not collide in the png although they appear
to in the pdf. Perhaps the only question is how to raise the markup text?
Stephen
- Original Message -
From: Stephen [EMAIL PROTECTED]
To: lilypond devel lilypond-devel@gnu.org
Sent: Sunday, March 27, 2005 8:53
, are
you working on that uses figured bass?
Stephen
- Original Message -
From: Mats Bengtsson [EMAIL PROTECTED]
To: Julien Salort [EMAIL PROTECTED]
Cc: lilypond devel lilypond-devel@gnu.org; lilypond-user@gnu.org
Sent: Wednesday, March 23, 2005 6:11 AM
Subject: Re: Figured bass and leading
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