2011/8/11 Werner LEMBERG w...@gnu.org:
An example is the second aria of Susanna in Mozart's `Le Nozze di
Figaro', bar 16:
f2 f8 e8 g8 c8
fin -- chè l'a -- ria è an -- cor
Almost all singers I've met during my work as a coach have problems
if they sing it the first
Le 11/08/2011 13:16, Francisco Vila disait :
2011/8/11 Werner LEMBERGw...@gnu.org:
An example is the second aria of Susanna in Mozart's `Le Nozze
di Figaro', bar 16:
f2 f8 e8 g8c8
fin -- chè l'a -- ria è an -- cor
Almost all singers I've met during my work as a coach
I forgot these cases (o~è~in; a~è~in; o~è~an...). They are often elided
(quest'in instead of questa~è~in) by editors and composers.
So your view is that lyric ties are not used in the real world? I
still feel them as a pedagogy resource for young musicians or
something. Or maybe old scores
No lyric ties either...
So your view is that lyric ties are not used in the real world?
No. I simply can't discuss how lyric ties should look like since I
haven't seen real-world examples in the scores I've used up to now.
It seems that German engraving for classical music can live without
2011/8/9 lemniskata.bernoull...@gmail.com:
I'd make the tie slightly shorter. I find it awkward that two adjacent
ties collide so easily, for example here
{
\time 3/4
\relative c' { c2 e4 g2 e4 }
\addlyrics { gran- de_a- mi- go }
\addlyrics { pu- ro y ho- nes- to }
\addlyrics { pu-
Secondly, it does not follow the policy for syllable separator, which
is '[space]--[space]', not '-[space]'.
I already fixed it in this patch (for every language).
Finally, 2nd and 3rd stanzas look _very_ improbable to me in that it
has three syllables on a single note, which requires two
Am Mittwoch, 10. August 2011, 19:54:52 schrieb bordage.bertr...@gmail.com:
Finally, 2nd and 3rd stanzas look _very_ improbable to me in that it
has three syllables on a single note, which requires two lyric ties.
o~y is a synalepha and it could be a in-word diphthong, y~ho is
another
I can't find it now, but I definitely remember having seen three
syllables in a soprano aria (I think it was Italian). It was
something like -- to e in.
An example is the second aria of Susanna in Mozart's `Le Nozze di
Figaro', bar 16:
f2 f8 e8 g8c8
fin -- chè l'a --
An example is the second aria of Susanna in Mozart's `Le Nozze di
Figaro', bar 16:
f2 f8 e8 g8c8
fin -- chè l'a -- ria è an -- cor
BTW, the next bar is
a8[ d8] f8 g,8[ b8] d8
bru -- na, e il mon -- do
:-)
Werner
2011/8/10 Werner LEMBERG w...@gnu.org:
An example is the second aria of Susanna in Mozart's `Le Nozze di
Figaro', bar 16:
f2 f8 e8 g8 c8
fin -- chè l'a -- ria è an -- cor
BTW, the next bar is
a8[ d8] f8 g,8[ b8] d8
bru -- na, e il mon -- do
:-)
An example is the second aria of Susanna in Mozart's `Le Nozze di
Figaro', bar 16:
f2 f8 e8 g8 c8
fin -- chè l'a -- ria è an -- cor
Almost all singers I've met during my work as a coach have problems
if they sing it the first time :-)
That makes four vowels!
Changes done.
Passes make, regtest comparison and make doc.
Bertrand
http://codereview.appspot.com/4808074/
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Passes make and reg tests
http://codereview.appspot.com/4808074/
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I'd make the tie slightly shorter. I find it awkward that two adjacent
ties collide so easily, for example here
{
\time 3/4
\relative c' { c2 e4 g2 e4 }
\addlyrics { gran- de_a- mi- go }
\addlyrics { pu- ro y ho- nes- to }
\addlyrics { pu- ro~y~ho- nes- to }
}
(example from
a 'while you're there' nitpick.
http://codereview.appspot.com/4808074/diff/18/Documentation/notation/vocal.itely
File Documentation/notation/vocal.itely (right):
http://codereview.appspot.com/4808074/diff/18/Documentation/notation/vocal.itely#newcode612
Documentation/notation/vocal.itely:612:
I've created tracker issue:
http://code.google.com/p/lilypond/issues/detail?id=1807
Could you upload some pngs showing before/after output? It would be
helpful for those who cannot build the patch themselves.
http://codereview.appspot.com/4808074/
Reviewers: ,
Message:
Better handling of lyric ties:
* The space between two tied words is no more fixed. Its value is
word-space. The default space is therefore decreased.
* New glyph, so that we won't need an external font.
* Increased vertical space between words and tie. It is therefore now
Please use tabs in MF files. Besides that, everythings looks fine.
http://codereview.appspot.com/4808074/
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