On 2018/02/08 08:59:02, dak wrote:
Wouldn't it rather be \jump ? The whole point of
repeat constructs being that they do something different every time
(or
we'll never end anyway).
Mmm... I'll have to think about that. That relates to something else
that
I've wished for (and worked on),
On 2018/02/08 03:12:35, dan_faithful.be wrote:
For convenience, I would like to predefine the label 'capo at the
start of
iteration.
I changed my mind on this overnight. That would make it difficult for
the
user to use markup at the beginning.
https://codereview.appspot.com/337520043/
Dan Eble writes:
> On Feb 6, 2018, at 20:44, nine.fierce.ball...@gmail.com wrote:
>>
>> Reviewers: ,
>>
>> Message:
>> I would be happy to hear suggestions for the name of this command.
>
> Esteemed LilyPond developers,
>
> Thank you for the voluminous feedback. It is
On Feb 6, 2018, at 20:44, nine.fierce.ball...@gmail.com wrote:
>
> Reviewers: ,
>
> Message:
> I would be happy to hear suggestions for the name of this command.
Esteemed LilyPond developers,
Thank you for the voluminous feedback. It is encouraging to hear that a
solution using unique IDs
On 07.02.2018 10:37, Torsten Hämmerle wrote:
So why not using something like *\repeatMark*, *\markRepeat* or
*\markRepetition*, ...?
Seen that way, even \repeatMark "Fine" feels natural to me, because - like
an ordinary RehearsalMark, or a MetronomeMark, it's just a new kind of Mark,
which is,
Werner LEMBERG writes:
>>> If we want to capture semantics properly, I believe we need to
>>> recognize that there are three different kinds of marks:
>>>
>>> 1) "jump-from" marks (D.S. al ..., D.C. al ..., To Coda)
>>> 2) "jump-to" marks (Segno, beginning of piece, coda)
>>> 3)
>> If we want to capture semantics properly, I believe we need to
>> recognize that there are three different kinds of marks:
>>
>> 1) "jump-from" marks (D.S. al ..., D.C. al ..., To Coda)
>> 2) "jump-to" marks (Segno, beginning of piece, coda)
>> 3) "stop playing" marks (Fine, end of piece) [...]
Carl Sorensen writes:
> For me, it's not the Italian part, it's the "musical" part, that is,
> what do I see when I read the music. The fact that it is Italian is
> secondary. That being said, the \fine command is a bit weird, because
> it could be confused with the English
Hi Carl
I can't resist adding my tuppence-worth :)
You wrote 07/02/2018 15:18:55
If we want to capture semantics properly, I believe we need to
recognize that there are three different kinds of marks:
1) "jump-from" marks (D.S. al ..., D.C. al ..., To Coda)
2) "jump-to" marks (Segno,
On 2/7/18, 9:05 AM, "David Kastrup" wrote:
Carl Sorensen writes:
> On 2/7/18, 2:37 AM, "lilypond-devel on behalf of Torsten Hämmerle"
wrote:
>
>
Carl Sorensen writes:
> On 2/7/18, 2:37 AM, "lilypond-devel on behalf of Torsten Hämmerle"
> torsten.haemme...@web.de> wrote:
>
>
> If there will probably even be a MIDI playback in the future, we
On 2/7/18, 8:55 AM, "Kieren MacMillan" wrote:
Hi Carl,
Of all suggestions so far, I most like your flow/Flow the most.
> If we want to capture semantics properly, I believe we need to recognize
that there are three different kinds of
Hi Carl,
Of all suggestions so far, I most like your flow/Flow the most.
> If we want to capture semantics properly, I believe we need to recognize that
> there are three different kinds of marks:
> 1) "jump-from" marks (D.S. al ..., D.C. al ..., To Coda)
> 2) "jump-to" marks (Segno, beginning
On 2/7/18, 2:37 AM, "lilypond-devel on behalf of Torsten Hämmerle"
wrote:
If there will probably even be a MIDI playback in the future, we actually
need "real" marks to jump to, not only text
(new here because gmane is dud)
This is a signpost at a fork in the road.
I propose ForkMark
This concerns junctions where you can diverge off the one-way main road.
I don't experience merging junctions, e.g. Segno, as forks.
So saying DivergeMark would be unneccessarily explict -
unless
How about \flow and FlowScript?
Carl
Sent via the Samsung Galaxy S®6 active, an AT 4G LTE smartphone
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\location or \place, with LocationMark or PlaceMark to match?
\location sounds excellent.
https://codereview.appspot.com/337520043/
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On 2018/02/07 06:34:32, lemzwerg wrote:
Very nice idea!
> On the other hand, \goTo seems unlikely to resemble whatever
> we settle on for the grob name… unless everyone likes GoToScript.
What about \jumpTo? Note that I like \goTo also, and I don't mind if
the
low-level stuff uses
Hello all,
Admittedly, something like "goto" or "jump" seemed obvious to me, too.
In more musical terms, however, we're talking about "repeated sections". As
opposed to repeat bars, there are textual instructions involved, and there
are, sort of, "marks" involved, too: capo, fine, segno, etc.
https://codereview.appspot.com/337520043/diff/1/input/regression/departure-mark-instrumental.ly
File input/regression/departure-mark-instrumental.ly (right):
https://codereview.appspot.com/337520043/diff/1/input/regression/departure-mark-instrumental.ly#newcode4
Very nice idea!
On the other hand, \goTo seems unlikely to resemble whatever
we settle on for the grob name… unless everyone likes GoToScript.
What about \jumpTo? Note that I like \goTo also, and I don't mind if
the low-level stuff uses `depart' in its name.
On Feb 6, 2018, at 21:12, Simon Albrecht wrote:
>
> Brainstorming (NB, only brainstorming) on the name:
>
> Normal rehearsal marks refer to the beginning of a section, while these refer
> to the end of a section, so an input command might be \endMark "D.S.". You
>
Brainstorming (NB, only brainstorming) on the name:
Normal rehearsal marks refer to the beginning of a section, while these
refer to the end of a section, so an input command might be \endMark
"D.S.". You still have to complete it to ‘end-of-section mark’ in your
head, but \depart seems far
Reviewers: ,
Message:
I would be happy to hear suggestions for the name of this command.
My opinion is that \depart is a reasonable name when used for the likes
of D.C., D.S., and "2nd time to Coda" but \depart "Fine" is slightly
weird (departing to nowhere?).
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