Hi,
> I'd like to typeset cue notes into some music. ...
> ... Anyone have any ideas?
I do it with:
otherpartfont = {
\property Voice.NoteHead \override #'font-relative-size = #-3
\property Voice.Stem \override #'font-relative-size = #-3
\property Voice.Dots \override #'font-relat
I'd like to typeset cue notes into some music. I figure I could do this
with note heads that are the size of the heads for grace notes, but I
can't figure out how to change the note head size, nor can I find any
other suggestion about how this might be effected. Anyone have any ideas?
PS, thank
> "Mats" == Mats Bengtsson <[EMAIL PROTECTED]> writes:
Mats> If you read the section on "Bar check", it says, among
Mats> others:
Mats> "Whenever a bar check is encountered during interpretation, a warning
Mats> message is issued if it doesn't fall at a measure boundary. Thi
> > "Mats" == Mats Bengtsson <[EMAIL PROTECTED]> writes:
>
> Mats> In older versions, it used to be that a bar check | also
> Mats> inserted a bar line in the output. Now it seems you have to
> Mats> use both | and \bar "|". As far as I understand, the bar check
> Mats> not o
Han-Wen Nienhuys wrote:
> > cis2 c | cis cis | c cis | cis
> >
> > gives ( § = natural sign)
> >
> > #O §O | #O O | §O #O | #O
>
> I don't understand, why does the last one get a # ? Other than that
> forgetAccidentals should do what you want.
I think it is easier first to understand the remind
[EMAIL PROTECTED] writes:
> What I need (very common notation) is a "mark this pitch as changed"
> function resulting in altered pitches ALWAYS gets an accidental the next
> time they are used. Eh hard to explain... Example:
>
> (key c)
>
> cis2 c | cis cis | c cis | cis
>
> gives ( § = natural
> "Mats" == Mats Bengtsson <[EMAIL PROTECTED]> writes:
Mats> In older versions, it used to be that a bar check | also
Mats> inserted a bar line in the output. Now it seems you have to
Mats> use both | and \bar "|". As far as I understand, the bar check
Mats> not only prints a
Two questions:
1) If I've understood lily correctly, all that lily keeps track of is a
list of which pitches are currently affected by accidentals, and how
much.
Then there are properties for selecting whether to change this list when
entering acc. note (forgetAccidentals) and whether to reset at
Antoniouk Sergio <[EMAIL PROTECTED]> writes:
> This is looks like very elegant solution, but I am not understand how
> it works. What all of this "s4-. s-." means?
These are spacer notes. I wanted to direct you to the manual, but
it's very minimal. I'll update the entry for .15
> Thank you fo
hello,
i just downloaded the latest guile cvs for guile-core and since can not use
lilypond anymore, here is the ly2dvi output
david
david@faust:~/alto/projects/lilypond/prelogique 19 $ ly2dvi prelogique.ly
Running LilyPond...
GNU LilyPond 1.5.14.jcn1
Now processing: `/usr/alto/projects/lilypon
> I try to enter piece of music with next rythm
>
> 6/8 c8 | c c c c c c | c c c c c c | c c c c c :| c | c c c c c c |
How about
\partial 8
\repeat volta 2 { 8 c8 |
c c c c c c | c c c c c c | c c c c c } c |
c c c c c c
In general, you could also insert a \bar "|" command anywhere
in the
I try to enter piece of music with next rythm
6/8 c8 | c c c c c c | c c c c c c | c c c c c :| c | c c c c c c |
When I try to do it in such way:
%
\score {
\context Voice
\notes
\relative c {
\time 6/8
\partial 8
> Mats Bengtsson wrote:
> > ...
>
> thanks so much
>
>
> > > #(define f '((bold italic) "f"))
> >
> > If you want the same layout as given by \f, you should use
> > ((dynamic) "e")m ((dynamic) "ff"), ((dynamic) "ppp")
> > and so on.
>
> yes, but the reason i wanted to define some is because i
En réponse à John Goerzen <[EMAIL PROTECTED]>:
> Hi,
>
> I have music that I wish to fit on a single page. An obvious way to
> start is to reduce the font size globally. However, I can find no
> easy way to do this. I'm a relative beginner at lilypond and can't
> seem to figure out how to app
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