I've just submitted a patch to the CVS repository of the development
version that solves this problem.
/Mats
Antonio PALAMA' wrote:
I'm still trying to increase the width of some specific multimeasure rests.
The instruction
\property Staff.MultiMeasureRest \set (or \override) #'minimum-length
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I understand that the official method to shift a text markup vertical is
\property Voice.TextScript \override #'padding = #N
I also seem to understand that the units used are the separation of
staff lines
and that the instruction increases the minimum distance of the text to other
objects.
My
Mats Bengtsson wrote:
I've just submitted a patch to the CVS repository of the development
version that solves this problem.
/Mats
Thank you, will it be available in 1.6.X or have I ro wait until 1.8.0?
Antonio
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My understanding of padding is to ensure separation to the next object.
I frequently use extra-offset instead of padding to move text, and that gives
both horizontal and vertical. Format is (from memory - horiz vert might be
interchanged)
\property Voice.TextScript \override #'extra-offset
Thank you all ...
On Mon, 31 Mar 2003, Simon G. P. Bailey wrote:
On Mon, 2003-03-31 at 12:32, Joerg Anders wrote:
Perhaps somebody could give a short answer to 6 questions:
i've seen this form in orchestral waltzes. normally part 3 is then
...
On Mon, 31 Mar 2003, Mats Bengtsson wrote:
Hi folks,
this question is probably related to the Shifting text markup... thread.
So here it goes:
Is there a possibility to insure that the chord symbols are properly spaced?
When a line in the score gets crammed, something saying:
F+5/B Bbmaj7
easily mutates to:
\include and \input are the standard LaTeX procedures to split a long
document into several .tex files. lilypond-book requires that the
commands be used as \mbinclude and \mbinput with Lilypond .ly files.
\mbinclude works as expected, and, like plain \include, does a
\clearpage before and after
On Monday 31 March 2003 09:06 pm, Paul Scott wrote:
David Raleigh Arnold wrote:
On Monday 31 March 2003 05:32 am, Joerg Anders wrote:
Hi all!
Some users requested LilyPond export of segno, dal segno ... in
NoteEdit. I've problems to understand the system. (I never was
at music school) Maybe
On Tuesday 01 April 2003 12:49 pm, Joerg Anders wrote:
Thank you all ...
On Mon, 31 Mar 2003, Simon G. P. Bailey wrote:
On Mon, 2003-03-31 at 12:32, Joerg Anders wrote:
Perhaps somebody could give a short answer to 6 questions:
i've seen this form in orchestral waltzes. normally part 3
Dear Sir,
It is my great pleasure get intouch with you this great minute. My name is
Mrs S. A William and I am married to Late Dr S. A
William who died last three months. I saw your contact in one of my late
husband's files. And contacting you is concerning
the unfinished company
Lilypond is wonderful, and its body plan is just right. Thanks.
I have two questions.
1. Lilypond has limited support for figured bass in the traditional
form of columns of digits indicating intervals relative to the bass note.
Today, for both pedagogical and practical reasons, it is common
to
This is a relatively minor nit, but I'm doing some 32nd note tremolos
(d2:32). The downward stems look fine, but the upward stems look a
little too short. The bottom tremolo stripe collides with the note head.
Does anyone know of a way to fix this?
~ John Williams
Hans Forbrich wrote:
My understanding of padding is to ensure separation to the next object.
I frequently use extra-offset instead of padding to move text, and that gives
both horizontal and vertical. Format is (from memory - horiz vert might be
interchanged)
\property Voice.TextScript
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