Some composers used to feel that, in music that changed its metre
frequently, a consistent time signature would help the performers. The
example that comes to my mind first is the sonata for trumpet and piano
by Kent Kennan - because he wrote it with a consistent time signature,
despite all the
On Tuesday May 25 2004 10:14, Thorkil Wolvendans wrote:
> Hi Ed & everyone!
>
> At 19:17 24-5-04, you wrote:
> >I haven't ever seen, or heard of, triplets going over a bar line (except
> > when I got Lilypond to do it on my school assignment by mistake).
>
> I attached an example from the book "Mus
Mats,
Missing the 'Inner' was just a typing error. It makes no difference. I have attached
the full source and PDF that is created. I am using Windows XP.
While I have your attention, you will see many attempts to centre each word in the
lyrics. Any suggestions on improving the word/note line u
Dear Mats
Thanks for your answer.
> I cannot find the relevant entry in the manual, but I'm sure
> it's described there somewhere.
> Anyway, the simple solution is to make a new \score{...} for each
> new movement. LilyPond will not typeset the full title again, but if
> you add a \header{...} se
Hi Ed & everyone!
At 19:17 24-5-04, you wrote:
I haven't ever seen, or heard of, triplets going over a bar line (except when
I got Lilypond to do it on my school assignment by mistake).
I attached an example from the book "Music Notation in the 20th Century" by
Kurt Stone. It gives a nice example
Stan Sanderson wrote:
On May 24, 2004, at 3:56 AM, Erik Sandberg wrote:
On Monday 24 May 2004 04.30, Stan Sanderson wrote:
Erik-
I'm looking for a workaround for another bug reported earlier.
Acciaccaturas before 32nd note runs apparently throw off the midi
timing.
This bug was added to our bug d
When I try to generate a PDF file, can't find the file. How can I fix
this?
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What I said holds up to the latest stable version, 2.2.x.
The development version 2.3.1 is still very experimental and
the page layout is one of the major aspects that is under work.
/Mats
Dominik Baenninger wrote:
If the first piece only has one or a few lines, LilyPond doesn't add any
page bre
The baseline-skip determines the spacing between the different
lines of figures (even though your setting doesn't change anything
that has to do with figured bass). However, the full figured bass
is typeset in a FiguredBass context. To change the distance between
this context and the Staff context
Erik Sandberg <[EMAIL PROTECTED]> wrote:
> This could be considered a bug. You can, however, compare it to the following
> situation; and suddenly it's not so obvious what the expected behaviour would
> be:
> \notes <<
> \new Staff {
> r1 \clef bass r2
> }
>
- Original Message -
From: "Mats Bengtsson" <[EMAIL PROTECTED]>
> se.e wrote:
> > Hi all!
> > I'm a new Lilypond user and I've some very simple questions for you.
> >
> > 1) Titles -- I have:
> > tagline= "copyright©2004"
> >
> > Why in the .pdf '©' is only a 'c' (there's no circle)? This
On Monday May 24 2004 06:34, Arvid Grøtting wrote:
> Mats Bengtsson <[EMAIL PROTECTED]> writes:
> > - It's also a good habit to write one bar per line in the input
> >file.
>
> This is often cited as a good habit, but it's one I always break these
> days.
>
> Me, I prefer writing one line of th
- Réacheminé par Jean-marc LEGRAND/CRS/FR/RM/Corp le 25/05/2004 14:51 -
Jean-marc
Here's the hole script. I've put in bold what is relative to vertical spacing.
I've understood the mean of \property Staff.verticalExtent = #'(-4.0 . 0.0), but I
still have the
figures far above the bass staff... need help !
Idem for the \raise #-20.0 that doesn't push down the mark into the sta
Dominik Baenninger wrote:
Dear Mats
Thanks for your answer.
I cannot find the relevant entry in the manual, but I'm sure
it's described there somewhere.
Anyway, the simple solution is to make a new \score{...} for each
new movement. LilyPond will not typeset the full title again, but if
you add a
- Réacheminé par Jean-marc LEGRAND/CRS/FR/RM/Corp le 25/05/2004 14:44 -
Mats Bengtsson
- Réacheminé par Jean-marc LEGRAND/CRS/FR/RM/Corp le 25/05/2004 14:43 -
Mats Bengtsson
Hi again !
I'd like to put a markup dot like this :
s4_\markup {\raise #20.0 \musicglyph #"dots-dot"}
so that it appears on the same line as an a2 just before. But the dot appears below
the staff, even
after my \raise #20.0.
Does anyone know a trick to raise a markup wherever within the staff ?
Stan
On May 25, 2004, at 4:23 AM, Mats Bengtsson wrote:
Stan Sanderson wrote:
On May 24, 2004, at 3:56 AM, Erik Sandberg wrote:
On Monday 24 May 2004 04.30, Stan Sanderson wrote:
Erik-
I'm looking for a workaround for another bug reported earlier.
Acciaccaturas before 32nd note runs apparently th
> If the first piece only has one or a few lines, LilyPond doesn't add any
> page break before the next piece (actually, the page breaks are
> determined by LaTeX when it processes the LilyPond TeX output).
>
> /Mats
Hmmm for some reason my system does not follow this rule . Here
i
Hi, and thanks for your previous help : figured bass has much less secrets for me !
I've still got a pb : my figures are printed above the bass line, which is what I
wanted. But the
figures line is much too high, and I'de like to lower it. Do you have any trick for
this ?
I've copied the manual
On Monday May 24 2004 06:54, Mats Bengtsson wrote:
> From a mathematical point of view, shouldn't the bar line
> occur exactly at the same spot as the middle note of the triplet or
> 7-tuplet?
Actually I think it falls within the note; it would have to be expressed with
a note tied over the bar.
Open a command prompt where the test.ly file is. Type: start /B test.ly
Now you will be able to copy and paste the messages.
Thanks,
Bert
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On Monday May 24 2004 05:13, Joerg Anders wrote:
> Hi all!
>
> Please excuse a rather music theoretical question:
>
> Is it possible a triplet oversteps the measure end ?
>
> Regard this example:
>
>
> \notes\relative c' {
> \clef violin
> \time 4/4
> g'8 b2 \times 2/3 { g4 a b } f
[EMAIL PROTECTED] writes:
>
> [following manuscript breaks]
>
> Anything very wrong with this way of doing things?
not that I can see: it's how I enter music myself too. It makes
correcting mistakes very easy.
--
Han-Wen Nienhuys | [EMAIL PROTECTED] | http://www.xs4all.nl/~hanwen
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