Re: [Fwd: Re: Powerchords (edited..]

Jennifer Clark wrote: Brett Duncan wrote: You can overrider Lilypond's chord naming mechanism by adding the following... Thanks for your help Brett, much appreciated. I've tried the example you gave, but am getting the following error:- /home/jen/scores/RockFord/notes.ly:7:3: error: syntax err

RE: How to delete page numbers?

Han-Wen - You convince me that deciphering the \paper \layout etc functionality is rather hopeless via experimentation. I hope the documenters are listening. BTW, in your first example, using 2.4.3, "linewidth = " is not accepted and "foobar =" does nothing discernible. Is there documentation s

Re: Relative Chords

Guess that was another laziness question from me. Tested on my 2.4.2, \relative { pitchA << pitchB \\ pitchC pitchD \\ pitchE >> pitchF } will gives, B to A, C to B, D to C, E to D, F to E meaning relativity seems done by sequence. Please correct me if I make a mistake. As for docum

Re: [Fwd: Re: Powerchords (edited..]

Brett Duncan wrote: You can overrider Lilypond's chord naming mechanism by adding the following... Thanks for your help Brett, much appreciated. I've tried the example you gave, but am getting the following error:- /home/jen/scores/RockFord/notes.ly:7:3: error: syntax error, unexpected STRING,

Re: Notes in Key Sig

Nice! I think something like this really could be useful for many users. Some questions: - Do you have an example input file demonstrating most features (as a tutorial)? - The copyright line is (legally) unclear. Copyright laws are pretty nasty. To be on the safe side, I'd recommend you to look

Re: subsubsection lilypondfile

Again, thanks for all the answers, and especially the discussion that came with them. It seems that the best solution right now is to use Mats' one-liner code. The rest of a longer piece can be in another file. That way, there are no worries about the pagination. Since I would use slyce anyway f

Re: A slash through a group of grace notes

Mats Bengtsson wrote: > No, but there was a similar request on the mailing list some month ago. > > /Mats > Thanks, but how come I can see you reply on the list but not my original post? /Bernard ___ lilypond-user mailing list lilypond-user@gnu.

Re: jazz lead sheet questions

Jason Flatley wrote: I am making a jazz lead sheet and I have two questions. 1) I need the treble clef and key signature to be printed at the beginning of the first line, and then never again on subsequent lines. I tried making the treble clefs on these lines invisible, but it left too much b

Re: Continuous rasgueado

Yes I did look at this, but it is discussing an arpeggio with an arrow head; I also wanted tremolo strokes through the arpeggio symbol. /Bernard Mats Bengtsson wrote: > Have you seen > http://lists.gnu.org/archive/html/lilypond-user/2004-04/msg00146.html > > /Mats > > Bernard Hurley wrote:

Re: A slash through a group of grace notes

No, but there was a similar request on the mailing list some month ago. /Mats Bernard Hurley wrote: In some Boulez score, a single slash is drawn through a group of grace note (usually a beamed set of quavers). Does anyone have any idea how to do this? /Bernard _

Re: Continuous rasgueado

Have you seen http://lists.gnu.org/archive/html/lilypond-user/2004-04/msg00146.html /Mats Bernard Hurley wrote: Some composers (e.g. Francis Miroglio) use an arpeggio symbol with a tremolo symbol superimposed on it to indicate a continuous rasgueado roll on the guitar. How could I do this? /Bern

A slash through a group of grace notes

In some Boulez score, a single slash is drawn through a group of grace note (usually a beamed set of quavers). Does anyone have any idea how to do this? /Bernard ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinf

Continuous rasgueado

Some composers (e.g. Francis Miroglio) use an arpeggio symbol with a tremolo symbol superimposed on it to indicate a continuous rasgueado roll on the guitar. How could I do this? /Bernard ___ lilypond-user mailing list lilypond-user@gnu.org http://lis

Re: time signature in parantheses?

Ron Piterman wrote: > Hi, > Can I put the time signature in paratheses? > Cheers, > Ron > > You could try using the trick in stencil-hacking.ly in the regression tests. /Bernard ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.

Re: time signature in parantheses?

Hello. > Can I put the time signature in paratheses? Yes. See the example below. %- \version "2.4.2" tsMarkup = \markup { \number { \bracket \column < "2" "4" > } } global = { \override Staff.TimeSignature #'print-function = #Text_interface::print \override Staff.TimeSigna

Re: time signature in parantheses?

Take a look at the section on Polymetric notation for inspiration. /Mats Ron Piterman wrote: Hi, Can I put the time signature in paratheses? Cheers, Ron ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypon

time signature in parantheses?

Hi, Can I put the time signature in paratheses? Cheers, Ron ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: subsubsection lilypondfile

This is really a LaTeX question that has nothing to do with LilyPond per se. I'd recommend the book "The LaTeX Companion" by Goossens et al. or some other book on advanced LaTeX issues. There you will, for example, learn how to redefine the layout of sections or subsubsections or whatever to contin