I want to put a markup
\markup { \center-align {\italic D.C. \italic al Fine } }
under or over the last barline of the piece. How do I do that?
Hans Aberg
___
lilypond-user mailing list
lilypond-user@gnu.org
Am 2005-08-14 um 05:56 schrieb Graham Percival:
What's the best way to get two markup strings (once containing a
gjpqy, the other
without such characters) to align? In the example below, the bag
is typeset
higher than foo, because the g requires space under the line.
The extra space seems
On 14-Aug-05, at 2:16 AM, Hans Aberg wrote:
I want to put a markup
\markup { \center-align {\italic D.C. \italic al Fine } }
under or over the last barline of the piece. How do I do that?
Please look at the second example in 8.1.3 Text marks.
- Graham
On 14-Aug-05, at 3:34 AM, fiëé visuëlle wrote:
Am 2005-08-14 um 05:56 schrieb Graham Percival:
What's the best way to get two markup strings (once containing a
gjpqy, the other
without such characters) to align? In the example below, the bag
is typeset
higher than foo, because the g
On 14 Aug 2005, at 12:54, Graham Percival wrote:
I want to put a markup
\markup { \center-align {\italic D.C. \italic al Fine } }
under or over the last barline of the piece. How do I do that?
Please look at the second example in 8.1.3 Text marks.
I have already seen it. The lines
\once
On 14 Aug 2005, at 14:32, Kieren Richard MacMillan wrote:
Lilypond 2.7.4 thoroughly exceeds expectations regarding computer-
generated music engraving output -- quite simply, it leaves every
other app in the dust (and, indeed, most commercially-available
scores, regardless of their engraving
Hans Aberg writes:
If somebody is interest in a comparison, one has had a thread in the
Usenet newsgroup rec.music.theory with the same music piece being
typeset in seven different programs, including LilyPond.
Yes. Unfortunately, an older version of LilyPond was used.
Jan.
--
Jan
JN == Jan Nieuwenhuizen [EMAIL PROTECTED] writes:
JN Hans Aberg writes:
If somebody is interest in a comparison, one has had a thread in the
Usenet newsgroup rec.music.theory with the same music piece being
typeset in seven different programs, including LilyPond.
JN Yes.
hi everybody,i just discovered this great piece of software yesterday and i am really amazed by its functionality and engraving beauty. i quickly decided to use this software for my work instead of sibelius or finale, which are way too clumsy to use for my taste.Right now i'm working on a
Sven -
Thinking Polish, try this:
%%%
\version 2.4.6
\score { {
c''1 c''^\markup { \postscript # 2.2 2 moveto /Times findfont 2.0 scalefont
setfont 180 rotate (K) show }
c''^\markup { \postscript # 2.4 2 moveto /Times findfont 3.0 scalefont
setfont 180 rotate (K) show }
Hi,
thanks to Graham for his almost instantaneous help.
On Sunday 14 August 2005 03:08, Graham Percival wrote:
s1 means a whole-note invisible rest -- in other words, sixteen 16th
notes. You probably want to use s2 here.
Indeed, I should do better in basic math...
The duration is specified
On 14-Aug-05, at 4:38 AM, Hans Aberg wrote:
On 14 Aug 2005, at 12:54, Graham Percival wrote:
Please look at the second example in 8.1.3 Text marks.
I have already seen it. The lines
\once \override Score.RehearsalMark #'self-alignment-X = #right
\mark D.S. al Fine
generate the
On 14-Aug-05, at 9:40 AM, [EMAIL PROTECTED] wrote:
- i want to show the half tones between e and f, b and c: i would
like to use a V shaped slur for that (right now it's just a simple
slur), is there a command i have overseen to generate such a shape. i
tried some markup commands but that
On 14 Aug 2005, at 23:20, Graham Percival wrote:
I have already seen it. The lines
\once \override Score.RehearsalMark #'self-alignment-X = #right
\mark D.S. al Fine
generate the error:
Processing `/Users/foo/Music/LilyPond/RachenitsaB.ly'
Parsing...unnamed port: In expression
Kieren Richard MacMillan wrote:
Hey, HW-J-etc:
Just wanted you to know that you rock!
Lilypond 2.7.4 thoroughly exceeds expectations regarding
computer-generated music engraving output -- quite simply, it leaves
every other app in the dust (and, indeed, most commercially-available
scores,
dax2 wrote:
Working with a couple of different LilyPond versions I
sometimes must reassure myself whether some output really was
LilyPond 2.6.x or something else.
I think it would be nice to be able to see from the PDF which
LilyPond version was used to transform the source. Though I
VSD wrote:
All,
it seems that Lilypond still manages the tied chords poorly, and the
ties in chords collide very often.
e.g. see:
http://personales.ya.com/v_s_d/tied_chords.png
imho this problem should be solved to avoid poor looking spots in the
otherwise gorgeously engraved lilypond
[EMAIL PROTECTED] wrote:
hi everybody,
i just discovered this great piece of software yesterday and i am really
amazed by its functionality and engraving beauty. i quickly decided to
use this software for my work instead of sibelius or finale, which are
way too clumsy to use for my taste.
Hans Aberg wrote:
Apparently one just adds a few more override-auto-beam-setting:
\time 7/16
#(override-auto-beam-setting '(end * * 7 16) 2 16)
#(override-auto-beam-setting '(end * * 7 16) 4 16)
Sorry for bothering you with so simple matters.
Can one insert automated dotted bar-lines
Steve Leyland wrote:
Sorry to be a nuisance guys, but I wonder if you can help? I've recently set
up a new desktop machine running Fedora Core 4 and loaded Lilypond version
2.6.1. When I try to run the...
it looks like a packaging error in GUILE. Which version/where did you
get it from?
Bonjour,
je viens de découvrir LilyPond et je m'entraine à l'utiliser.
Il me semble qu'il serait plus simple à utiliser avec un
logiciel de traitement de texte tel que Context par exemple
qui permet de visualiser avec des couleurs les différents
caractères utilisés, dans différents langages de
I've recently rebuilt my Linux system from scratch, and am still trying to
get everything back to the way it was. I use a mostly Kubuntu system, but
am willing to add Debian Testing modules where necessary.
My Lilypond version is now 2.4.5 from Debian. The actual music -- notes /
staffs /
I'm trying to update a piece that I typeset with the 2.4.0 cygwin
build. I decided to upgrade to the newest native windows version but
when I compile none of the special characters show up (Très modéré,
più, etc...). I get nothing instead of them. Is this a problem anyone
else has experienced? Is
Han-Wen:
Thanks!
it's not perfect yet, but we're getting there,
Agreed!
Han-Wen sponsor me Nienhuys.
How 'bout quoting a sponsorship cost for each of the fixes in this
first measure:
1. Ties between two notes spaced closely together on inner-staff lines:
too tall.
2. Tempo
Hello, Laura:
For those who just want to see the pdf's and not read the whole
thread, I've posted links to them on my blog
http://www.laymusic.org/blosxom-static/publishing.
Thanks! That is quite a helpful investigation...
Surprisingly, Finale makes quite a good showing in this case --
If my French is correct, he is asking for a text editor which utilizes
context-sensitive coloring for Lilypond code, as many text editors
(Context is his example) do with common programming languages.
Response:
I use Jedit with the lilytool plugin. It recognizes Lilypond syntax and
even
Hans Aberg wrote:
. . . The lines
\once \override Score.RehearsalMark #'self-alignment-X = #right
\mark D.S. al Fine
generate the error:
Processing `/Users/foo/Music/LilyPond/RachenitsaB.ly'
Parsing...unnamed port: In expression ^Òself-alignment-X:
unnamed port: Unbound
27 matches
Mail list logo
