--- Edward Neeman <[EMAIL PROTECTED]> wrote:
> Date: Mon, 31 Oct 2005 11:27:45 +1100 (EST)
> From: Edward Neeman <[EMAIL PROTECTED]>
> Subject: Re: Text setting
> To: Mats Bengtsson <[EMAIL PROTECTED]>
>
> Hi list, Hi Mats,
>
> In general I agree that \mark is the best way to add
> tempos, etc.
Hello list, hello /Mats,
You wrote:
> The easiest solution for you is probably to compile the program yourself.
> I'll do it myself on Debian Sarge in the coming days and can send detailed
> instructions, but it seems that the only thing you need to compile in
> addition
> to lilypond is a newer
Mats Bengtsson writes:
> Is really the autopackage compiled against libc 2.3.4?
I'm afraid that 2.6.4 might have been. I have upgraded and patched
autopackage and made 2.6.4.1 and 2.7.14 packages available that should
work better.
http://lilypond.org/download/autopackage
Jan.
--
Jan Nieu
OK! Internally, it does exactly what you did manually.
/Mats
Fairchild wrote:
Mats -
Doesn't seem to be available in 2.4.6.
- Bruce
-Original Message-
From: Mats Bengtsson [mailto:[EMAIL PROTECTED]
Sent: Sunday, October 30, 2005 10:48 AM
To: Fairchild
Cc: l
Alex Decker wrote:
The thing is, that even though I get a tie between the a1 note just
before the first volta, and the a4 note in the first volta, I don't get
a tie from the a1 note before the first volta, and the a4 note in the
SECOND volta (or at least a tie from near the barline and to
Mats -
Doesn't seem to be available in 2.4.6.
- Bruce
-Original Message-
From: Mats Bengtsson [mailto:[EMAIL PROTECTED]
Sent: Sunday, October 30, 2005 10:48 AM
To: Fairchild
Cc: lilypond-user@gnu.org
Subject: Re: \grace at end of bar
Did you try \afterGrace, as d
Did you try \afterGrace, as desceribed in the section on Grace notes?
/Mats
Fairchild wrote:
Is there a neater way to do this?
%%%
\version "2.4.6"
\paper { linewidth = 3\in }
{{b'1
<< { a'1 ( \trill } { s2 \grace { g'16 [ a' ] } } >>
g'1 )
}}
%%%
Title: Message
Is there a neater way to do
this?
%%%
\version "2.4.6"\paper { linewidth = 3\in
}{{b'1<< { a'1 ( \trill } { s2 \grace { g'16 [ a' ] } }
>>g'1 )}}
%%%
-
There have been several recent discussions on the mailing list, see for
example
http://lists.gnu.org/archive/html/lilypond-user/2005-09/msg00444.html
with followups. See also
http://lilypond-design.com/sponsor/open-features.html
/Mats
Alex Decker wrote:
Hey
I am trying to connect a tie be
I hope you have verified that you don't have any other syntax
error in your own input file. Sometimes the error messages can
be misleading.
/Mats
Thomas J. Dillman wrote:
I'm using lilypond 2.6.4 & I've used the command:
\include "english.ly"
in one of my files and am getting:
Parsing...
C:
If you want your text indication typeset on top of the upper stave at
the beginning of the score, you should definitely use a
\mark \markup{...} before the first note (or the first rest, as in this
case). By default, such an indication will be centered on top of the key
signature whereas it will l
Maxime Brugidou wrote:
Hello
i'm with the 2.6.3 version, i have 2 questions :
i wrote :
<<
\context Staff= "one" {
\times 4/5 {\stemDown a'16[e' \change Staff=two \stemUp d'' c'']}
}
\context Staff= "two" {
c'1
}
>>
it gave me the first pdf test1.pdf (should be me or my computer or my c
I'm using lilypond 2.6.4 & I've used the command:
\include "english.ly"
in one of my files and am getting:
Parsing...
C:/Program Files/LilyPond/usr/share/lilypond/2.6.4/ly/english.ly:6:0:
error: syntax error, unexpected STRING
pitchnamesEnglish = #`(
error: errors found, ignoring music expres
--- Begin Message ---
I would really like to use the midi2ly tool, but I don't know how to do this. I am just getting to grips with the terminal, having used a mac now for over two years. Until I found Lilypond, I'd never felt the need to dip into the terminal. I have followed the instructions i
Hey
I am trying to connect a tie between voltas. I have this piece of music:
\repeat volta 2 { c 1~ c4 d, e fis b2 b ~ \break
b4 c, d e a1 ~ }
\alternative { {a4 b, cis dis e1 \break
r4 e fis g} { a4 fis a g e1( e4) r4 dis e} } }
The thing is, that even though I get a t
Edward
many thanks for these solutions; I will use the second one.
I don't like the bar check fail as I fairly rigorously use bar lines to find
my
many typing blunders.. However, I'd like to check why it fails. ? The
time signature is 4/4. If we use
s2^\markup {text here} R2
then a skip of
Hi Mats, sorry I answered this one too but am still a
bit careless with cc'ing the mailing list.
Cheers,
Edward Neeman
--- Mats Bengtsson <[EMAIL PROTECTED]> wrote:
> It seems that nobody has answered your question,
> However, a closely
> related answer can be found in
>
http://www.mail-archive
--- Neil Killeen <[EMAIL PROTECTED]> wrote:
> The syntax
>
>R1^\markup{ \fontsize #2.5 { With passion } (
> \raise # 0.5 { \note
> #"2" #1.0 }=55) }
>
> places the marking too far to the left and too low.
> So I have tried to move
> it with
>
>\once \override TextScript #'e
Why not take a quick look in the on-line manual for 2.6?
(Of course you can still use lilypond-book with LaTeX, even
though it now typesets the score using an EPS figure for each
score line.)
/Mats
Sterling Sympatico wrote:
Hi,
I am still using 2.4.5 in Debian "testing" but understand that
It seems that nobody has answered your question, However, a closely
related answer can be found in
http://www.mail-archive.com/lilypond-user@gnu.org/msg18316.html
/Mats
Alison Watkins and the Hawthorn Family wrote:
I am typesetting barbershop music. When the melody is passed from one
voice
Hi
I am still finding placing text a rather arcane art. I wish to place
the initial piece marking "Allegro" right at the beginning
of my 4-staff piece. The upper three staves are whole-bar rests
rests with notes in the last staff.
The syntax
R1^\markup{ \fontsize #2.5 { With passion }
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