Hello Markus,
thanks for your reply. Indeed, the sideways numbering works well, but if you
want the numbers to be above the beams, it seems to me that Lilypond should be
able to do this automatically. After all it is an engraving problem and I would
think a frequent situation.
Your final solu
Hi again, Victor!
Maybe the last part is the "solution"?
\version "2.9.7"
\score {
{
\new Staff {
< a-1 c'''-1 >32
< a-2 c'''-2 >32
< a-1 c'''-1 >32
< a-2 c'''-2 >32
\set fingeringOrientations = #'(up left)
< a-1 c'''
Hi all,
I'm trying to typeset some 17th century keyboard music from the Southern
Netherlands. An often used ornament is a slanted double dash through the
stem of the note (zie attached image - sorry for the bad quality).
I tried to adapt the tremolo:
-
\version "2.8.5"
doubledash = {\once
Hi Victor,
this might be an acceptable workaround:
\version "2.9.7"
\score {
{
\new Staff {
< a-1 c'''-1 >32
< a-2 c'''-2 >32
< a-1 c'''-1 >32
< a-2 c'''-2 >32
\set fingeringOrientations = #'(up left)
< a-1 c'''-1 >32
Hi,
I have a problem with fingerings colliding with beams.
I searched the mailing lists for some solution and found these two posts
with the same problem:
http://www.nabble.com/Fingering-should-be-above-the-beam-automatically-tf453985.html#a1239094
http://www.nabble.com/Some-more-bug-reports-tf81
Hi Nicolas,
this should get you started:
%%% Begin of snippet
\version "2.9.11"
cymbals = \drummode {
\times 2/3 { hh16 r hh }
}
% beware! drums is a keyword!
dr = \drummode {
bd8
}
\score {
{
\new DrumStaff
<<
\new DrumVoice { \voiceOne \cymbals }
\new DrumVoice { \v
See the section on "Modifying context plug-ins",
especially about the \new ... \with {...} {...} construct.
/Mats
Till Rettig wrote:
Hello,
I started putting a ChoirStaff together with multimetre mesures.
Because the score context calculates the bar numbering, it cannot
gather anymore inf
The changes necessary to make lily 2.0 compatible with
teTeX 3.0 should be very simple. From the top of my
head, make a new directory /usr/share/lilypond/fonts/map/
(or wherever your .../lilypond/fonts/ currently is installed)
and put a copy of the file lilypond.map in that directory.
On a Debian
Hi all !
I just discovered Lilypond and started writing a few scores. But I have a little
problem. I'm writing two-voiced drum scores (one for cymbals, the other for
drums) but when I write something like :
--
{ \times 2/3 { hh16 r hh } } \\
{ bd8 }
--
the rests in the first voice get centere
Hi, Mats --
That's exactly the question I answered.
Ah... The regression test description doesn't speak of the COMMENT
(within the file) to which you were referring.
Once I actually looked *inside* the .ly file, I found what you were
pointing me towards. =)
Thanks!
Kieren.
___
The current parser is implemented using flex/bison.
/Mats
Anthony Youngman wrote:
Might be an idea to look at Antlr then ...
I don't know how effective it would be, but part of the purpose behind
the v3 rewrite is to increase the number of languages that Antlr can
generate. If you can defin
Quoting Kieren MacMillan <[EMAIL PROTECTED]>:
Hi, Mats:
See the information text for the example "font-family-override.ly"
in the Regression tests document.
Thanks, but that doesn't actually solve my specific issue...
I'm not trying to change the default font set for the whole document
(w
Hi, Mats:
See the information text for the example "font-family-override.ly"
in the Regression tests document.
Thanks, but that doesn't actually solve my specific issue...
I'm not trying to change the default font set for the whole document
(which is what the "font-family-override.ly" docs
See the information text for the example "font-family-override.ly"
in the Regression tests document. I'll add the corresponding
information to the manual.
/Mats
Quoting Kieren MacMillan <[EMAIL PROTECTED]>:
Hi, everyone --
1. How can I find out what fonts are available to Pango on my machin
In the gzipped tar file with the source code, they are included
in the subdirectory input/regression/
/Mats
Quoting "Rick Hansen (aka RickH)" <[EMAIL PROTECTED]>:
Hello,
Is there a file that I can download that contains all the regression test
cases (.ly files) in one package? I want to t
Hello,
Is there a file that I can download that contains all the regression test
cases (.ly files) in one package? I want to take advantage of the test
cases to set up and verify all the highlighting parameters in my text editor
(which supports customizeable language syntax/semantic hilighting).
On 7/19/06, Kieren MacMillan <[EMAIL PROTECTED]> wrote:
Hi, Trevor:
> I stumbled across X-extent leafing through possible solutions in the
> program reference, but just couldn't get it to do what I was
> expecting. Here was one attempt ...
I had no better luck than you... seems X-extent doesn't
Hi, Ralph:
it looks to me like I have a timing conflict, but I can't find where.
This is precisely why it is recommended that bar checks are used
regularly! =)
I put them in to your piece and immediately found the problems:
1. The R needs a duration (R2.).
2. The last note should
Hi -
I think I'm starting to get the hang of it.
However, I've got a problem - I think it's a time problem. I'm running
2.8.4.1 under Windows XP. In the following snippet, if I uncomment the
5/8 section, the music seems to work. If I comment it out, it looks to
me like I have a timing conflict, b
Hi, Trevor:
I stumbled across X-extent leafing through possible solutions in the
program reference, but just couldn't get it to do what I was
expecting. Here was one attempt ...
I had no better luck than you... seems X-extent doesn't apply the
same way to grace notes?!
Sorry, and good luck
Cc-ing to the list
Hi Vivian,
Thanks for the suggestion. I might use it when producing scores for
others, but for my use it is to cumbersome because both the trill inside
the staff, and the steigend and fallend accents require note spacing to
accomodate them. I know it can be done, but it is t
And just for the record...
Using: f'4*63/64 \startTrillSpan s4*1/64 \stopTrillSpan
virtually eliminates the gap. This is relevant, if your line is ragged.
Markus
@Han: Not terminating will result in a warning:
"warning: unterminated trill spanner" ... and in the pdf no trill at all
will show.
Peter van Kranenburg schreef:
One remark: We have several mac systems here. All the users have their
home dir on the network, so they can login on every computer. For some
users it is sufficient to copy the lilypond font cache (the one that was
generated correctly) to the home dir of the user.
Han-Wen Nienhuys wrote:
It's a possibility. I recommend that you run fc-cache in
/System/Library/Fonts
and
/Library/Fonts
this will speed up future calls as well.
Thanks. This solved our problem.
One remark: We have several mac systems here. All the users have their
home dir on the
Hello!
Working on some editions on renaissance music on the 2.8.5 Lily. Using a
variation of the template from manual. (Putting incipit
in Ancient notation and Main music in separate strings/tags to get a
midi free of the extra bars with a separate score block for midi.)
Question is, which
Trevor Bača schreef:
Hi,
What's the right way to end a piece with a trill on the last note?
what happens if you dn'ot terminate it?
--
Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.xs4all.nl/~hanwen
LilyPond Software Design
-- Code for Music Notation
http://www.lilypond-design.com
_
Hi Stewart,
you have to use the "\once \overide..." _right_ before your "\mark ..." - no
other notes, rests etc. in between.
This applies to "\once" in general. The "\once \override..." has to (wants
to) change something right after, if there's nothing to apply to (e.g.
Notehead, Stem, TextScript
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