Quoting Trevor Bača [EMAIL PROTECTED]:
[Sidenote, however, that if you ever do want to install the lilypond
fonts under OS X for some other purpose that it's somewhat difficult
to do and involves stuff like using FontForge to make OTFs out of the
Feta AFMs. I've done this last step and now have
On 9/1/06, Mats Bengtsson [EMAIL PROTECTED] wrote:
Quoting Trevor Bača [EMAIL PROTECTED]:
[Sidenote, however, that if you ever do want to install the lilypond
fonts under OS X for some other purpose that it's somewhat difficult
to do and involves stuff like using FontForge to make OTFs out
Hi,
I have a nice horn in G part where in the middle it's written from
here take your horn in E flat
Of course in our orchestra we only have horn in F ^^
So I first entered the notes
hornpart = \relative c' {
\transposition g
... many notes ...
\transposition ees
again, many notes
}
And
On Sun, Aug 27, 2006 at 03:20:47PM -0400, Chuckk Hubbard wrote:
I sure did, huh?
I have 2.8.6 at the moment.
{
\time 4/4
\set tieWaitForNote = ##t
c'8~ e'~ g'~ c' e' g' b'
}
The problem you see (a tie of one note of an arpeggio connecting to the
wrong note of the following chord) existed
Hi,
AFAICS, the easiest way is to split your horn part into two seperate ones:
hornpartG = \relative c' {
\transposition g
... many notes ...
}
hornpartEES = \relative c' {
\transposition ees
... many notes ...
}
Then use \transpose as usual on each of them.
Markus
I'm amazed with LilyPond. I've done several pieces of sheet music with it and
I'm still amazed. It's not a tool, it's an instrument.
Here's my problem: I want to make a custom slur that would squeeze through a
small space between two chords.. irrelevant. I want to make a slur with more
than 2
marvelous ^^
not as clean as expected but, i'm perhaps too perfectionist.
thx
On 9/1/06, Markus Schneider [EMAIL PROTECTED] wrote:
Hi,
AFAICS, the easiest way is to split your horn part into two seperate ones:
hornpartG = \relative c' {
\transposition g
... many notes ...
}
hornpartEES
You don't have to split the parts if you \tranpose direct from es to g
hornpartInG = \relative c' {
notes in G
\transpose g ees \relative c' {
notes in Es
}
}
\score {
\new Staff \transpose f g {
\hornpartInG
}
}
Or even bring the notes to C first (no more
On 9/1/06, Steve D [EMAIL PROTECTED] wrote:
On Sun, Aug 27, 2006 at 03:20:47PM -0400, Chuckk Hubbard wrote:
I sure did, huh?
I have 2.8.6 at the moment.
{
\time 4/4
\set tieWaitForNote = ##t
c'8~ e'~ g'~ c' e' g' b'
}
The problem you see (a tie of one note of an arpeggio connecting to
Nicolas
That works perfectly! Many thanks.
Trevor
Nicolas Sceaux [mailto:[EMAIL PROTECTED] replied on
31 August 2006 21:23:
Trevor Daniels [EMAIL PROTECTED] writes:
[snip]
I wanted to define a void function something like
staffSize=#(
define-music-function (parser location
I'm pretty sure this is LP doing something incorrectly.
\version 2.9.16
\relative c'
\new Staff {
\set Staff.instrumentName = Alto Sax
\clef treble
r16 e g b
r8 cis
}
\relative c'
\new Staff {
\set
In this instance, I have two ties right after each other in the top
staff, and the first one is completely ignored, while the second works
normally.
I hope I'm doing something wrong...
\version 2.9.16
#(set-default-paper-size letter)
\header {
tagline =
}
\relative c'
\new
Please forgive me if this is an obvious case of RTFM, but how do you get to
disply a counter over a section of repeated bars. I am using using unfold
as I don't want any actual ||: . . . :|| sections in the part. I know
there are counters available for things like percent repeats and
I'm typesetting a piece of music that my mother wrote
that has two verses and a chorus. I want the lyrics
to the chorus to be centered between the two staves,
but I can't figure out how to do that. I can only get
the chorus lyrics to either line up with one of the
two verses, or to create a
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