Eduardo Vieira wrote:
This solution looks simpler, but in version 2.10.2, the lyrics for the tenor
become leftaligned (a bug?):
Please check in the latest version of lilypond before wondering if
something is a bug. IIRC, this was fixed around 2.10.9.
Cheers,
- Graham
_
I would like to typeset a harmonic on the alto clef, standard diamond
notehead, where the actual sound is indicated by a treble clef
followed by a stemless black notehead in parentheses. Is there a right
way to do this? Would MIDI output be faithful to the score?
_
Aaron Dalton wrote:
I'm running FreeBSD5 and I downloaded and installed the FreeBSD installer for
v2.10.13-1. After installing misc/compat4x it appears to be running fine.
Thanks for the nice new installers! When I run it, though, it is reporting the
version ans 2.8.7. Could someone explain
Hi list!
Can someone tell me where in the manual I can find how to fit lyrics to
other voices?
What I'm doing is arranging a hymn for Barbershop chorus, and in the last
stanza, I want to do a call-and-response thing, changing the rhythm from 3
to 4 (I've managed that part) and using the extra be
Hi list,
using crescendoText with a dashed line I wanted to put a bit more space
between the text and the dashed line with \hspace #1.
But then I found that the dashed line was shifted to the right as wanted,
but the text from the crescendoText was shifted also, upwards,
ca. .5 staff spaces, and
philippe hezaine wrote:
For the second problem, I can't send my mail to the bug-lilypond mailing
list.
It seems that I am top-posting. (?)
Please read
http://lilypond.org/web/devel/participating/bugs
In addition, your example is not short enough; please follow the tips on
that webpage.
Ch
Mats Bengtsson wrote:
The second problem you mention seems like a bug, so I recommend you to
send an short and concise example (well, as short
as it can be) to the bug-lilypond mailing list.
/Mats
Quoting philippe hezaine <[EMAIL PROTECTED]>:
Hi Mats,
For the second problem, I can't send
Oops, sorry, forgot to tell: dev. version 2.11.14-2
and Thunderbird crashed while sending the mail, so here it is once more:
Hello all,
Han-Wen is doing a great job of helping a few interested people
including me to get Lilypond do Turkish Makam music with its 9/9
microtone steps between full n
Hi again. How come that I get a message like the one below in the queue
upon posting to this honorable list, although the sending machines are
definitely *not Windows*? Just curious.
Andreas
-Queue ID- --Size-- Arrival Time -Sender/Recipient---
00A82C0BF 8137 Wed Jan 31 20:50
Hello all,
Han-Wen is doing a great job of helping a few interested people
including me to get Lilypond do Turkish Makam music with its 9/9
microtone steps between full notes. For those interested, "Makam" has
several etymologies, a common shared definition is that the term Makam
comprises th
As far as I understand, a \markup is treated as a single unit when it
comes to line and page breaking, so it is up to you as a user to
recognize this problem and manually split the \markup into several
\markup blocks (or reducing the font size or whatever is the best
solution). The second proble
One method is to typeset the text as a text script instead of using \mark:
| c'4^\markup { \huge \line{ \box "C" \bold "(first time only)" }}
Then it will be connected to the stave and therefore the chords
will move out of the way automatically. You already know how to move
these things hori
Hi list,
version 2.10.14
With the example below, you can see the markup overlap the copyright
and doesn't match the second page because it is too long.
Somebody knows a solution? Or perhaps I want a markup too long.
In an another case, if the markup fill up only the first page, the
first syste
> In my experience, having played a number of pieces with glissandi, "rips"
> to us horn players, the straight line notation is quite common. I've seen
> both.
Thanks for your input on this. I have seen the straight-line option in
horn charts, but only in handwritten ones. Most horn charts (even
In my experience, having played a number of pieces with glissandi, "rips"
to us horn players, the straight line notation is quite common. I've seen
both.
I input some pieces with glissandi and tried the zigzag option but it
didn't look right to me, as I'm not used to to seeing it done that way,
On 30 Jan 2007, at 15:29, Adam Good wrote:
Well honestly I'm confused by what you mean, I've not heard the
term "subaccenting" before.
For example, take a simple 2/4-time, the first 1/4 note should have a
primary accent, and the second 1/4 note, a secondary accent. In
general, a measure b
> In the latest development version, this problem doesn't exist anymore
> since the collision handling has been improved. Actually, the result you
> get there is similar to what you get if you add
> \once \override Score.RehearsalMark #'padding = #6
> before the corresponding \mark command, i.e
On 1/31/07, Han-Wen Nienhuys <[EMAIL PROTECTED]> wrote:
Trevor Bača escreveu:
> 1. The heavy lifting of the program implemented in (compiled) C++ code
> with tweaks being made in (interpreted, dynamic) Scheme code.
> Capitalized names in lily input generally refer to the C++ guts while
> other pr
Robert
> I think most of my struggle is because I haven't found a document that
> explains the flow of information through Lilypond.
> There is lots of reference material on the individual interfaces and
> objects, but I haven't found any explanation of what those things
> actually are.
If su
Trevor Bača escreveu:
> 1. The heavy lifting of the program implemented in (compiled) C++ code
> with tweaks being made in (interpreted, dynamic) Scheme code.
> Capitalized names in lily input generally refer to the C++ guts while
> other properties in overrides talk directly to the Scheme code. Be
Robert Kennedy escreveu:
> There is lots of reference material on the individual interfaces and
> objects, but I haven't found any explanation of what those things
> actually are. Are they basic constructs that any scheme programmer
> would instantly recognize? I am an experienced LISP programmer
On 1/30/07, Robert Kennedy <[EMAIL PROTECTED]> wrote:
It seems in Lilypond (v2.10.14) the default notation for glissandos is
a straight line. I've never seen that notation used for glissando
before so I have no idea why it's the default, but that's OK because
everything can be changed, right?
So
Hello all,
First I would like to thank the Lilypond development/support community for
this great tool.
I installed lilypond from the cygwin packet. The lilypond version I'm using
is 2.10.7
I have the following problem. When I run the lilypond comand (no options,
just "lilypond ") I can't get to en
In the latest development version, this problem doesn't exist anymore
since the collision handling has been improved. Actually, the result you
get there is similar to what you get if you add
\once \override Score.RehearsalMark #'padding = #6
before the corresponding \mark command, i.e it appear
Dear Mats and other,
As we would say in Dutch, "dat valt mee" - roughly translated as "that could be
worse"! I can always change the X-extent of the TupletNumber at different
points in the score, and it's going to be a lot less work than making minute
changes in spacing every time it occurs.
All
Looking at the implementation, it turns out that the check to see if the
bracket
should be printed compares the width of the bracket with the width of
the number.
So, one ugly workaround to get the bracket printed is to do
\override TupletNumber #'X-extent = #'(0 . 0)
but the disadvantage is tha
Dear Robert,
I've seen a number of glissando notations, generally depending on period and
style of composition. I know the notation you want, though, and would suggest
experimenting with the #'thickness property of the Glissando object (listed
under line-interface) with #'style set to #'zigzag .
Hi Graham & Max (and everyone),
I've been reading through chapter 11 on vertical spacing and getting
some vertical spacing examples ready for the manual.
And on reflection I think I've now figured out why it's been tricky
for me to get a good conceptual handle on vertical spacing. So I'd
like to
Dear Mats,
I'm using 2.10.12 for Mac OSX.
Please find attached .ly file and PDF (in case your Lilypond does something
different.) The "problem" only occurs in tuplets where the first note is
shorter than the second and with values of #'shortest-duration-space less than
1.1 (the TupletBracket doe
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