Version 2.10.25 winXP
same problem at the 6em string
AVERTISSEMENT : could not calculate a string number.
\new TabStaff { c b, a,
g, f e}
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I want Lilypond to produce an SVG file (for uploading to Wikipedia),
but I don't want it to be a whole page. I thought "lilypond -b svg
--preview" would do the trick, but apparently those options are
incompatible:
[EMAIL PROTECTED]:~/thirdstone$ lilypond --version
GNU LilyPond 2.10.5
This program
Make sure the fonts you have in ~/.fonts are exactly the same
> employed by the lilypond version you are using to the generate
> the svg file.
>
> I've had the same problem before and I've found that the fonts
> vary quite often from one version to the next (at least in the
> development brac
Hi there,
I found a very strange behaviour of the TabStaff context with the
latest Lilypond (2.11.25), the binary provided version for linux x86.
this stanza:
%<--->%
\version "2.11.25"
\score {
<<
% fine
\new TabStaff \relative c {
c\5 b\5 a\6 g\6 f
is this solution acceptable ? :
\alternative {
{
\once \override NoteHead #'duration-log = 1
g2 ~ \hideNotes \bar "" g2 \unHideNotes %% here ...
}
%.
What code shall I write if the first alternative of a repeat ends with
a tie?
(What I'd like is kind of the opposite of \repeatTie)
%
2007/6/8, Mats Bengtsson <[EMAIL PROTECTED]>:
If you read the section on "Text marks" in the manual, you will
find that you need the following setting
\override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible
I added it to the LSR, just in case :)
Cheers,
Valentin
Gilles Sadowski wrote:
Is there any way to tweak its vertical position?
Yes, something like the following might do it (adjust the number):
\header { piece = \markup { "D" \raise #0.8 \flat "major" } }
If you don't want to guess about the number, you could
make the bottom of the f
Now I see what you mean. I don't know the exact details
of the collision avoidance mechanisms in LilyPond, but
I'm sure that this extra displacement to the right is done
intentionally to provide a pleasing layout.
/Mats
Tao Cumplido wrote:
Hey Mats,
of course I know that if two notes are a
Just read the next section on the manual, "Explicitly
instantiating voices".
%% - LilyPond code -
\version "2.11.23"
\paper{ ragged-right=##t }
\relative c'' {
c c c c( |
<<
{ \voiceOne c) c c c( }
\new Voice { \voiceTwo g g g g }
>>
\oneVoice c c) c c |
}
%% --
Hello Tao,
In my previous letter I gave the explanation, now here is a solution.
You should simply take that note (d4) out of the polyphony:
%%% -
\version "2.10.23"
inS = { \override Voice.Fingering #'avoid-slur = #'inside }
outS =
Hello Tao,
A smaller example of your problem is this:
%% - LilyPond code -
\version "2.11.23"
\paper{ ragged-right=##t }
\relative c'' {
c c c c( |
<<
{ c) c c c( }
\\
{ g g g g }
>>
c c) c c |
}
%% -- end of code --
The << \upp
Tao wrote:
Hello Neil,
thanks, it works now.
But how comes it's still the second voice moving when I use the command in
the first voice?
regards,
Tao
I'm not quite sure what's going on there, I'm afraid.
In any case, you can use the override in the second voice, which is much
more intuiti
Hello,
I got a problem with a slur.
In the code below, a slur is supposed to go from bar 3 to the first note in bar
5.
When I tried a standard slur, nothing happened, then I tried it with Phrasing
Slur and at least a slur was drawn above bar 3+4 but ist sill doesn't reach bar
5.
\regards
Tao
Hey Mats,
of course I know that if two notes are a second apart one is moved a little to
keep readability (that's what you mean right?).
But in my example in the second voice, both notes are moved a little to the
right (still being a readable second) in comparison to the melody and the notes
in
[EMAIL PROTECTED] wrote:
Hello,
in the output of the following code the notes of the second voice in the second
and sixth bar are placed a little to the right in comparison to the other
voices.
I tried to fix it with \override NoteHead #'X-offset but whether I used
positive or negative argum
If you read the section on "Text marks" in the manual, you will
find that you need the following setting
\override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible
To make sure that the mark is printed at the end of the line and note at
the
beginning of the next line (which is
Hello,
What code shall I write if the first alternative of a repeat ends with
a tie?
(What I'd like is kind of the opposite of \repeatTie)
%% - LilyPond code -
\version "2.11.23"
\paper{ ragged-right=##t }
\relative g' {
g1~ |
\repeat volta 2{
g4 r4 r2 |
}
[EMAIL PROTECTED] wrote:
> > I'm working on a piece where what I'm editing is the include files,
> > but what I want to run lilypond on is a master file. I've been
> > enjoying just saying "C-c C-l" to run lilypond, but I can't figure out
> > how to tell lilypond what the master file is.
> But
Hi.
> Thanks very much for that, it works but produces a result where the sharp or
> flat symbol is quite low vertically in comparison with the other letters.
>
> Is there any way to tweak its vertical position?
>
Yes, something like the following might do it (adjust the number):
\header { piec
Thanks very much for that, it works but produces a result where the sharp or
flat symbol is quite low vertically in comparison with the other letters.
Is there any way to tweak its vertical position?
Thanks again,
Colin
On 07/06/07, Gilles Sadowski <[EMAIL PROTECTED]> wrote:
Hi.
>
> Off th
Laura Conrad:
>
> I'm working on a piece where what I'm editing is the include files,
> but what I want to run lilypond on is a master file. I've been
> enjoying just saying "C-c C-l" to run lilypond, but I can't figure out
> how to tell lilypond what the master file is.
>
> I already have a t
Hello Neil,
thanks, it works now.
But how comes it's still the second voice moving when I use the command in the
first voice?
regards,
Tao
Original-Nachricht
Datum: Thu, 7 Jun 2007 20:40:20 +0100
Von: "Neil Puttock" <[EMAIL PROTECTED]>
An: "Tao Cumplido" <[EMAIL PROTECTED]>
C
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