For certain (measureless) church music (e.g. Genevian Psalms) I set
Score.timing = ##f so there are no barlines. But then lilypond tries to put
everything on one line.
Is it possible to have lilypond automagically break lines so I don't have to
put \bar everywhere to manually create places for
That's a bug, which unfortunately seems to survive also in the latest
stable version. According to
http://code.google.com/p/lilypond/issues/detail?id=349
this bug was fixed in version 2.10.25, but it's clearly present in 2.10.29.
In the latest development version, 2.11.32, on the other hand,
\version 2.10.0
\new TabStaff
\set TabStaff.stringTunings = #'( 9 2 -5 -12)
{ c g d' a'}
This is the open tuning for a viola.
I've tried all sorts of combinations and I can't get the bottom C to
register as an open string, though if I put in an extra string, even
with the same value
I'm pretty certain that we won't have any stable releases for the next
two weeks, and 2.12 will be coming out soon after that. Therefore I
don't think it's worth re-opening this bug.
Julian, could you try using 2.11.32?
Rune, don't worry; your fix was included in 2.11.
Cheers,
- Graham
On 9/7/07, Kieren MacMillan [EMAIL PROTECTED] wrote:
Hi Yota, Gerard, et al.,
I assume you've looked at \repeatTie (and the equivalent
\repeatSlur), and it's not working for you?
Regards,
Kieren.
If only \repeatSlur would exist...
as for \repeatTie, I'm looking for it's counterpart : a
On 6/24/07, gerard stouten [EMAIL PROTECTED] wrote:
hi there,
i need a slur in a repeat. i can not figure out how to do it, maybe you
can
help me.
(a8) r8 f4 \bar || \mark \default f2 f8(g8) bes8 c8 d2 bes4 f4 c'2 a4 f4
f2(
}
\alternative {{f8) r8 f4} { f8 r4.}}
The last f2 has a slur
Hi Yota, Gerard, et al.,
I assume you've looked at \repeatTie (and the equivalent
\repeatSlur), and it's not working for you?
Regards,
Kieren.
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Graham Percival skrev:
I'm pretty certain that we won't have any stable releases for the next
two weeks, and 2.12 will be coming out soon after that. Therefore I
don't think it's worth re-opening this bug.
It worked in 2.8 so it is a regression.
Therefore I definitely think that it should be
See http://lists.gnu.org/archive/html/lilypond-user/2007-03/msg00359.html
with followups for one solution.
/Mats
Wilbert Berendsen wrote:
For certain (measureless) church music (e.g. Genevian Psalms) I set
Score.timing = ##f so there are no barlines. But then lilypond tries to put
Hi all,
as for \repeatTie, I'm looking for it's counterpart : a slur bound
to an absent following note
(whereas \repeatTie is a tie from an absent precedent note)
I hope the attached helps!
Kieren.
_
%%% BEGIN SNIPPET %%%
\version 2.11.32
\paper {
You can try an update. see
http://lists.gnu.org/archive/html/lilypond-user/2007-06/msg00133.html
/Helge
- Original Message -
From: Julian Vincent [EMAIL PROTECTED]
To: Lily Pond lilypond-user@gnu.org
Sent: Friday, September 07, 2007 3:42 PM
Subject: Why can't I get this to work
Hi All,
Another question about harp notation. The usual way to indicate that a
harp string is to be plucked as a harmonic is to add a small, empty circle
above or below that note. It would be similar to a staccatto mark, but a
bit bigger, and not all black. I see that this type of circle is
^\flageoletor _\flageolet ?
there were discussions about the size of the circle in the forum...
best ole
Am 07.09.2007 um 18:41 schrieb Christopher A. LaFond:
Hi All,
Another question about harp notation. The usual way to indicate that a
harp string is to be plucked as a harmonic is
Helge Kruse wrote:
Hello,
I want to write my first guitar notes with tabs after finishing some
harp scores.
While I found most guitar specific points, I have problem with polyphony.
The normal polyphony gives a problem with tabs. The notes are
written to the staff instead of tab. (see
Neil Puttock wrote:
Hi Yota,
On 9/6/07, *yota moteuchi* [EMAIL PROTECTED]
mailto:[EMAIL PROTECTED] wrote:
Here, magically, the second alternative bar vanished... why ?!
You can't put overrides (or anything else) between the bracketed
sections of \alternative; just put the bar
this looks better in my opinion:
%
F = #(let ((m (make-music 'ArticulationEvent
'articulation-type flageolet)))
(set! (ly:music-property m 'tweaks)
(acons 'font-size -3
(ly:music-property m 'tweaks)))
m)
Hi Tim,
OK I see the problems you are having with \partcombine and lyrics now.
AFAICS, \partcombine seems to mess with the parts to the extent that
there is no single Voice available that the lyrics can follow. The
example I tried shows that the documented one and two voices only
contain the
Ok, that fixes something I hadn't noticed yet :)
Maybe that will help with a question I was saving for after I got the
flags problem fixed.
I have some songs that alto, tenor or bass have some repeating in the
chorus.
like the song that Gordon Gilbert sent.
in the chorus the soprono and alto
here is a link to a scan of the original
http://www.litwiller.net/images/powerintheblood.jpg
Ralph Little wrote:
Hi,
It would be easier to look at an example I guess.
If you can scan it when you get home and send me a link, I'll have a
look!
Cheers,
Ralph
Tim Litwiller wrote:
Ok, that
I've been working on this piece, it is set in 4/4 time and rather than
start as I think it should with a whole measure it places a 1/4 note and
then the first bar. That throws the bars off for the whole song.
here is a scan of the music I am working from
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