Tao Cumplido gmx.net> writes:
> i.e. \octaves { \times 2/3 { c'4 c' c' } }
> results in a crash.
Ugh! I'm learning. Here's a quick fix that seems to work:
#(define (octave-up m t)
(let* ((octave (1- t))
(new-note (ly:music-deep-copy m))
(new-pitch (ly:make-pitch
octave
Hello,
I was having some difficulty yesterday, and I'm sure that it's only
because I'm in a rush and can't think well, but this just isn't
working for me.
1) I have a ChoirStaff and PianoStaff. I want dynamics above the
ChoirStaff and centered between the PianoStaff. No matter how hard I
I'm using bash, but on OSX. And I don't really get the results that I
was looking for with this. I still get my errors in stdout.
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Hi,
I saw some people discussing what paper size to use one or two days before.
I'm also suffered from the paper size, and don't know how to handle them when
writing oversized large orchestral scores like Mahler and Schoenberg did. Thank
someone, who pointed out the Wikipedia. I'm attaching my
Yeah, for now that's all it does. Check out this snippet for using a
rhythm on a series of notes: http://lsr.dsi.unimi.it/LSR/Item?id=390
The downside to this snippet is that you can't add articulations in
the template and the template isn't normal lilypond syntax. It should
work find for most uses
Hi,
the function of the following snippet crashes when using the \times command.
i.e. \octaves { \times 2/3 { c'4 c' c' } }
results in a crash.
it would be nice to have this fixed if possible since it's really a useful
function. thanks.
http://lsr.dsi.unimi.it/LSR/Snippet?id=445
--
Super-Akti
Dear Jay,
today I tried Your great rhythm template function.
I have one quetion about it: does it work only with repetitions of the same
note?
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Am 2008-05-27 um 13:09 schrieb Michael Käppler:
If I process the following quoted file with lilypond-book in the
path " ~/partituren " everything is fine!
But if I do the same in " ~/partituren/schüler/humboldt" it doesn't
work! What could be the reason?
I'm able to reproduce it here - seems
In Mozarts "Benedictus sit Deus" the figured bass sometimes has figures, where
one of the numbers uses extenders over the whole measure, while the second
one is repeated. An scan of a hand-engraved score is attached.
How can I do this properly with lilypond? I tried using \markup{\number 3}
in
Dear All,
Anybody got a template for SATB Anglican preces & responses?
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2008/5/30 Mats Bengtsson <[EMAIL PROTECTED]>:
> The same problem appears in 2.10 and 2.11. It's really weird, since the same
> markup works
> well in other places, even when typeset using the same stencil function,
> ly:text-interface::print
> as the following example shows. I cannot see any other
The same problem appears in 2.10 and 2.11. It's really weird, since the
same markup works
well in other places, even when typeset using the same stencil function,
ly:text-interface::print
as the following example shows. I cannot see any other property setting
on TimeSignature that
might influen
2008/5/30 Gilles THIBAULT <[EMAIL PROTECTED]>:
> Perhaps a bug ?
Looks like a regression to me.
Mats, can you confirm before I add it to the tracker?
Thanks,
Valentin
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tsMarkup =\markup {
\number{ \column { "4" { \note #"2" #0.75 } }
{
\override Staff.TimeSignature #'stencil = #ly:text-interface::print
\override Staff.TimeSignature #'text = #tsMarkup
\time 4/2
c'2 c'4 c'4
}
Unfortunately, this snippet seemed to work with 2.8.0 but doesn't wo
2008/5/29 Jethro Van Thuyne <[EMAIL PROTECTED]>:
>
> When using polymetric notation, is there a possibility to apply \bar ":"
> only to one staff, without seeing it appear on the other staves?
Yes. The barlines are printed by a plugin called
"Default_bar_line_engraver". By default this plugin hand
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