Dear Kieren,
thanks for Your advice.
But what can I do with my version of the program?
2008/9/7 Kieren MacMillan [EMAIL PROTECTED]
Hi Stefan,
in the below quoted example I can't see the crescendo
and I don't know why. Does someone know a solution?
At least with version 2.11.57, you need
Then you need \setTextCresc. You may want to download the
documentation for version 2.11.49.
http://download.linuxaudio.org/lilypond/binaries/documentation/lilypond-2.11.49-1.documentation.tar.bz2
Am 08.09.2008 um 08:59 schrieb Stefan Thomas:
Dear Kieren,
thanks for Your advice.
But what can
Hi,
it's probably not the best solution but as a workaround you could define a
lyrics-context above the staff with the chord font and just write what you want
to be displayed.
The problem is of course that lyrics won't transpose.
regards,
Tao
Original-Nachricht
Datum: Sun,
Dear James, Dear Kieren,
thanks for Your help. I tried to create a variable, but it didn't work,
unfortunately.
I tried it with:
pcresc = { \setTextCresc \override DynamicTextSpanner #'dash-period = #-1.0
\p \ }
Is it possible to do something like this?
2008/9/8 James E. Bailey [EMAIL
On 08.09.2008, at 13:46, Stefan Thomas wrote:
Dear James, Dear Kieren,
thanks for Your help. I tried to create a variable, but it didn't
work, unfortunately.
I tried it with:
pcresc = { \setTextCresc \override DynamicTextSpanner #'dash-period
= #-1.0 \p \ }
Is it possible to do
On 08.09.2008, at 13:46, Stefan Thomas wrote:
Dear James, Dear Kieren,
thanks for Your help. I tried to create a variable, but it didn't
work, unfortunately.
I tried it with:
pcresc = { \setTextCresc \override DynamicTextSpanner #'dash-period
= #-1.0 \p \ }
Is it possible to do
Yes, I understand it is not possible in the way I tried.
But the problem is: I have already defined a \pcresc command and I would
like to change it once for the whole score, if possible.
2008/9/8 James E. Bailey [EMAIL PROTECTED]
On 08.09.2008, at 13:46, Stefan Thomas wrote:
Dear James,
I found a solution! Not the best one, in my opinion, but at least it works:
\version 2.11.49
pcresc = #(define-music-function (parser location x) (ly:music?)
#{
\context Voice $x { \setTextCresc \override
DynamicTextSpanner #'dash-period = #-1.0 s 1*0\p \ \setHairpinCresc
2008/8/17 Neil Puttock [EMAIL PROTECTED]:
- change the current behaviour of \center-align to match \hcenter;
keep \hcenter for backwards compatibility, or remove it
Hi Neil,
well, I've been spending a couple hours wondering why oh why were the
titles in my scores all messed up since a couple
I don't know if this is true for anyone else, but, when I try and use
emacs (22.2.1) on OSX in my terminal, I can't compile on the master
file and file where there is a space in the filename. For example:
-*- mode: compilation; default-directory: ~/Documents/James Music/
Choral
On Mon, Sep 08, 2008 at 03:30:41PM +0200, James E. Bailey wrote:
I don't know if this is true for anyone else, but, when I try and use
emacs (22.2.1) on OSX in my terminal, I can't compile on the master file
and file where there is a space in the filename.
I've had the same problem and
Hi,
I just noticed that the different time signature numbers are aligned
differently. For instance the 4 in 9/4 is placed a lot lower than in
5/4. I've included two images displaying the issue.
How is this placement done and what might lead to these differences?
Do different numbers have
LilyPond v. 2.11.57
I see there's an old thread (mar. 06) about slanting tremolo-beams on
stems of beamed notes.
How to tweak Lilyponds default way of slanting the tremolos?
I tried
\override StemTremolo #'beam-slope = #0.3
as suggested in the thread, but it only returns a warning and
2008/9/8 Risto Vääräniemi:
I just noticed that the different time signature numbers are aligned
differently. For instance the 4 in 9/4 is placed a lot lower than in
5/4. I've included two images displaying the issue.
Forgot... I got these results with 2.11.56 and .57 on Win XP.
On OSX
Seems the Dillon example (showing violin-music) didnt get too far, but
point is illustrated well with first example. If anyone wants to see
more 'real-life' examples of slanted on-stem tremolos in beamed
note-groups, tell me and ill send some.
___
Hi Anders,
\override StemTremolo #'beam-slope = #0.3
The property is #'slope, as seen on the StemTremolo doc page.
Hope this helps,
Kieren.
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
K == Kieren MacMillan [EMAIL PROTECTED] writes:
K Hi Anders,
\override StemTremolo #'beam-slope = #0.3
K The property is #'slope, as seen on the StemTremolo doc page.
K Hope this helps,
K Kieren.
Thanks alot.
___
Hi Anders,
for what it's worth, I agree with you (I seem to remember that
conversation!)
Josh
On Sep 8, 2008, at 9:06 AM, [EMAIL PROTECTED] wrote:
Seems the Dillon example (showing violin-music) didnt get too far, but
point is illustrated well with first example. If anyone wants to see
Hey Anders (et al.),
Heres a measure from the 2nd page of Ferneyhoughs Bone Alphabet,
I just saw Steven Schick play this in July… blew my mind!
Thanks to that performance, I officially retracted my Ferneyhough
Fatwa! ;-)
If anyone is in a town on his current performance/tour schedule
I've been searching through the docs and online, and i think the
keywords I am using are making this difficult... does anyone have a
suggestion for how I can set up parameters so that lilypond only
allows one measure per line?
Thanks for any help.
Josh
I'm not sure that LilyPond has a parameter to set to do what you want.
What springs to my mind is using \break to achieve the effect you want.
Let's assume your piece is in 4/4 and is 25 measures long.
myBreaks = {
\repeat unfold 25 {
s1 \break
}
}
Then, in your
Thanks David... that actually gives me some ideas.
Josh
On Sep 8, 2008, at 11:03 AM, David Bobroff wrote:
I'm not sure that LilyPond has a parameter to set to do what you
want. What springs to my mind is using \break to achieve the effect
you want.
Let's assume your piece is in 4/4 and
Hi Josh (et al.),
Let's assume your piece is in 4/4 and is 25 measures long.
To avoid that limitation, the bar-line engraver might be Scheme-
hacked to include a forced \break at every barline…
Kieren.
___
lilypond-user mailing list
On 08.09.2008, at 15:46, Christopher Suckling wrote:
On Mon, Sep 08, 2008 at 03:30:41PM +0200, James E. Bailey wrote:
I don't know if this is true for anyone else, but, when I try and use
emacs (22.2.1) on OSX in my terminal, I can't compile on the master
file
and file where there is a
James E. Bailey wrote:
On 08.09.2008, at 15:46, Christopher Suckling wrote:
On Mon, Sep 08, 2008 at 03:30:41PM +0200, James E. Bailey wrote:
I don't know if this is true for anyone else, but, when I try and use
emacs (22.2.1) on OSX in my terminal, I can't compile on the master
file
and
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