2008/9/12 Trevor Daniels <[EMAIL PROTECTED]>:
> Jo
>
> Have a look at the Known issues in section 1.2.5.2 Bar numbers in the 2.11
> Notation Reference - it is not possible to print a 1 on the first bar.
http://www.mail-archive.com/lilypond-user@gnu.org/msg39763.html
You have read this thread :-)
2008/9/11 Mats Bengtsson <[EMAIL PROTECTED]>:
> Related question: Why do you only get one fermata when you do the following:
> b4^\fermata_\fermata
I dont know why.
I (still?) use 2.11.42, and this code:
\relative b' { b4^\fermata_\fermata b\rest \fermata b2\rest \fermata
r1 \fermata }
gives me
Please disregard my previous post - I've done it (noticed one thing I needed
to change on what I had written)! That's made my day - hooray!!! :)
--
View this message in context:
http://www.nabble.com/apologies-tp19450006p19450006.html
Sent from the Gnu - Lilypond - User mailing list archive at N
Neil Puttock wrote:
>
> 2008/9/11 Trevor Daniels <[EMAIL PROTECTED]>:
>> Jo
>>
>> Have a look at the Known issues in section 1.2.5.2 Bar numbers in the
>> 2.11
>> Notation Reference - it is not possible to print a 1 on the first bar.
>
> http://lsr.dsi.unimi.it/LSR/Item?u=1&id=504
>
> ...or i
Hi Kieren,
On Thu, Sep 11, 2008 at 11:01:20PM -0400, Kieren MacMillan wrote:
>
> BINGO!! If I set
> ragged-bottom = ##f
> ragged-last-bottom = ##t
>
> and — here's the key — DON'T set between-system-padding, I get what I
> want.
This variable can sometimes be useful, but I haven't had m
Hi Patrick,
What happens if you set ragged-bottom = ##f instead?
It gets ugly… =)
This looks odd. It could be caused by this particular combination of
paper variables (and values). Try commenting out the paper variables
(between-*, ragged-*) and let us know how the results differ.
BINGO
On Thu, Sep 11, 2008 at 10:36:52PM -0400, Kieren MacMillan wrote:
>
> Regardless of whether there have been any changes or not in the last few
> versions, can you (or anyone) explain why Lilypond would leave a gap on
> the *first* page of two, instead of the *second*? It just doesn't make
> sens
On Thu, Sep 11, 2008 at 10:28:36PM -0400, Kieren MacMillan wrote:
>
> No… I'm just reacting to having typeset a bunch of stuff over the years,
> and noticing that recently (i.e., in the last year or so), I'm having
> more difficulty getting the page layout — specifically, system spacing —
> the
Hi Patrick,
I didn't realize 2.11.58 was released, since Han-Wen hasn't pushed a
tagged commit yet. :-)
You're right… I'm still on .57! =\
you might want to try increasing [top-margin and bottom-margin]
to achieve the same layout you had before.
Thanks — I'll see if that's causing the pr
On Thu, Sep 11, 2008 at 1:49 PM, Kieren MacMillan
<[EMAIL PROTECTED]> wrote:
>
> For example, I've got a violin part that fits nicely on 17 systems across 2
> pages.
I might be misunderstanding. I'm not sure if you are referring to the
page breaking changes between 2.10 and 2.11 specifically. Is
Hi Kieren,
On Thu, Sep 11, 2008 at 04:49:56PM -0400, Kieren MacMillan wrote:
> [Lilypond 2.11.58]
I didn't realize 2.11.58 was released, since Han-Wen hasn't pushed a
tagged commit yet. :-)
> Is it just me, or does the new page-breaking algorithm favour the last
> page?
See if the top-margin
As my standard font-lock faces didn't go well with LilyPond scores,
here are a couple of patches and a new elisp file to provide
customization for the lilypond-mode's faces. Feel free to pore scorn
on my choices of defaults; they're work in progress and (currently) go
well with my color-theme.
Chr
2008/9/11 Trevor Daniels <[EMAIL PROTECTED]>:
> Jo
>
> Have a look at the Known issues in section 1.2.5.2 Bar numbers in the 2.11
> Notation Reference - it is not possible to print a 1 on the first bar.
http://lsr.dsi.unimi.it/LSR/Item?u=1&id=504
...or if you want 1 and every nth:
#(define ((fir
Jo
Have a look at the Known issues in section 1.2.5.2 Bar numbers in the 2.11
Notation Reference - it is not possible to print a 1 on the first bar.
Trevor
- Original Message -
From: "jo.clarinet" <[EMAIL PROTECTED]>
To:
Sent: Thursday, September 11, 2008 10:46 PM
Subject: Re: ferm
Excellent news -- thanx for your efforts.
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
James E. Bailey-2 wrote:
>
>
> On 11.09.2008, at 17:39, jo.clarinet wrote:
> How do I get the bar numbers to come up as 5, 10, 15 etc
>>> rather
>>> than at the beginning of each line?
>
> http://kainhofer.com/~lilypond/Documentation/user/lilypond/Bar-numbers.html#Bar-numbers
> % Prin
[Lilypond 2.11.58]
Hello all,
Is it just me, or does the new page-breaking algorithm favour the
last page?
For example, I've got a violin part that fits nicely on 17 systems
across 2 pages. My settings include
%% system settings
ragged-bottom = ##t
Hi guys!
I've finally been able to remotely replace the hard disk of my server
(it's 1600 km away, and it broke down on Aug 13, when EVERYTHING is
severely shut down in Italy). It moved to a read-only state because of
a bad block on the file system journal.
I'm very sorry for the nuisance
Sweet! Thanks Neil. I can't even remember now why I did it with a
backslash. It's surprising that it works anyway, given how things like
this often cause files to fail. Glad to be rid of the error message :)
Thanks,
Jon
Neil Puttock wrote:
Hi Jon,
2008/9/11 Jonathan Kulp <[EMAIL PROTECT
Hi Stefan,
"rit.", "piu mosso", etc. shall be shown always on top, in all
parts and in the score.
Or do You know another way to do this without the timeSig?
Put all of those things in a variable, and then include that variable
in the score and parts.
See the docs for more details.
HTH!
K
On Thu, 2008-09-11 at 08:39 -0700, jo.clarinet wrote:
> > I have one more question (for the moment - I think I'll be OK for a while
> > now!). How do I get the bar numbers to come up as 5, 10, 15 etc rather
> > than at the beginning of each line? (I've several times come across links
> > to just th
On 11.09.2008, at 17:39, jo.clarinet wrote:
I have one more question (for the moment - I think I'll be OK for a
while
now!). How do I get the bar numbers to come up as 5, 10, 15 etc
rather
than at the beginning of each line? (I've several times come across
links
to just this subject but, f
Hi Jon,
2008/9/11 Jonathan Kulp <[EMAIL PROTECTED]>:
> When I use the \showLastLength command I get an error message:
>
> unknown escaped string: `\showLastLength'
>
> However, it seems that the command really is "known" because it performs the
> command perfectly, only showing me the last several
James E. Bailey wrote:
I've wondered that as well. Especially with piano fingerings for
chords, where I may want to specifically have 1 finger above the note
and another finger below.
See the section on Finger instructions in the Notation Reference.
/Mats
__
James E. Bailey-2 wrote:
>
>
> On 11.09.2008, at 13:09, jo.clarinet wrote:
>
>>> From looking at my score, I can see that it seems to be CENTRING
>>> each new
>>> tempo indication on the bar-line, rather than beginning it there!
>>> So that,
>>> for example, if I write Allegretto brillant
On 11.09.2008, at 17:26, Mats Bengtsson wrote:
Related question: Why do you only get one fermata when you do the
following:
b4^\fermata_\fermata
More generally: why can't you add the same articulation above and
below a note, using a
construct like
c^._.
As long as you specify different ar
Related question: Why do you only get one fermata when you do the following:
b4^\fermata_\fermata
More generally: why can't you add the same articulation above and below
a note, using a
construct like
c^._.
As long as you specify different articulations, you can add several of
them, both above
Hi Dmytro,
(Why \fermata below space is shifted?..)
I don't know — might be related to the fact that Voice contexts are
shifted (to avoid collisions when there are real notes).
Maybe there's a developer that can answer…
Kieren.
___
lilypond-user
2008/9/11 Kieren MacMillan <[EMAIL PROTECTED]>:
> Hi Dmytro:
>
>> So, fermata below space is a bit shifted to the right.
>> How can i solve this?
>
> Here are two options:
>
>
> \score
> {
><<
>\relative b' { b4 \fermata b\rest \fermata b2\rest \fermata
Hi Dmytro:
So, fermata below space is a bit shifted to the right.
How can i solve this?
Here are two options:
\score
{
<<
\relative b' { b4 \fermata b\rest \fermata b2\rest \fermata }
\\
\relative g' { g4 \fermata s4 \fermata \onc
Peter Johnson wrote:
>
>
> On 11 Sep 2008, at 11:08, James E. Bailey wrote:
>
>> I'm a little puzzled by this. I get the error: no rhythmic group to
>> end, but the output looks fine. Should I worry?
>
> Possibly. There seems to be a conflict between the simultaneous
> triplets in the no
On 11.09.2008, at 15:50, Peter Johnson wrote:
On 11 Sep 2008, at 11:08, James E. Bailey wrote:
I'm a little puzzled by this. I get the error: no rhythmic group to
end, but the output looks fine. Should I worry?
Possibly. There seems to be a conflict between the simultaneous
triplets in
Hello,
i've found one "problem":
<<
\relative b' { b4 \fermata b\rest \fermata b2\rest \fermata }
\\
\relative g' { g4 \fermata s4 \fermata s2 \fermata }
>>
\paper {
line-width = 7\cm
}
(with 2.11.42 the result is: attached.)
So, fermata below space is a bit shifted to the right.
How
When I use the \showLastLength command I get an error message:
unknown escaped string: `\showLastLength'
However, it seems that the command really is "known" because it performs
the command perfectly, only showing me the last several bars of the
piece. Any idea why this error message appears?
So you know, you can use \tag to reduce a lot of your output. For
example:
uI = {
\voiceOne
\partial 8
r8 4.
\tag #'slurs { 8 ~ }
\tag #'noslurs {4}
<\parenthesize b e'>4
\tag #'slurs { 8 ~}
\tag #'noslurs {4 } |
}
___
On 11 Sep 2008, at 11:08, James E. Bailey wrote:
I'm a little puzzled by this. I get the error: no rhythmic group to
end, but the output looks fine. Should I worry?
Possibly. There seems to be a conflict between the simultaneous
triplets in the notes and in the dynamics. I haven't been a
David Raleigh Arnold wrote:
On Thursday 11 September 2008 08:01, Grammostola Rosea wrote:
James E. Bailey wrote:
If I understand this correctly, you want the music to show a4.~ a4
but
the tablature to only show a4. Since you using the actual music in a
tab staff, it will dis
On Thursday 11 September 2008 08:01, Grammostola Rosea wrote:
> James E. Bailey wrote:
> >
> > If I understand this correctly, you want the music to show a4.~ a4
but
> > the tablature to only show a4. Since you using the actual music in a
> > tab staff, it will display all of the music that is s
On 11.09.2008, at 14:01, Grammostola Rosea wrote:
Ok, this helps. But a little problem arises... how should I display
this without an slur
a,4 ~ a,4.
It isn't
a,2.
is it?
no
Should I add an rest and makes those invisible?
a4 s4. is probably the easiest way.
__
James E. Bailey wrote:
If I understand this correctly, you want the music to show a4.~ a4 but
the tablature to only show a4. Since you using the actual music in a
tab staff, it will display all of the music that is shown in the
regular staff. So, if you want to have something different shown
On 11.09.2008, at 13:09, jo.clarinet wrote:
2. I can get tempo indications like Allegro, Andante etc printed
up, but
when tempo changes occur in the course of a piece, they seem to
come up
about half-a-bar before they should. I set the \mark\markup for
just before
the first note of the new sect
Paul Scott-3 wrote:
>
>
>> (Jo's post)
>> 2. I can get tempo indications like Allegro, Andante etc printed
>> up, but
>> when tempo changes occur in the course of a piece, they seem to
>> come up
>> about half-a-bar before they should. I set the \mark\markup for
>> just before
>> the fir
This is what I was looking for - a fermata over a whole bar's rest - thank
you!
Zoltan Selyem-2 wrote:
>
>
> On Thu, 11 Sep 2008, James E. Bailey wrote:
>
>> I would like to know if it's possible to get a fermata over a
>> full-measure
>> rest (i.e., R1\fermata). So far, my attempts haven't
I'm a little puzzled by this. I get the error: no rhythmic group to
end, but the output looks fine. Should I worry?
\version "2.11.58"
global = { \time 6/4 s1. }
sopranosoloMusic = \relative f'' { r4 es b(~ \times 2/3 {b8[ c d]}
\times 2/3 {es4) c b} }
sopranosoloWords =\lyricmode {
my sou
-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1
Am Donnerstag, 11. September 2008 schrieb Tomas Valusek:
> thank you, but I need to create such excercise quite quickly, and it's
> quite difficult for me to figure out what to do. Could you please
> provide me with a little template of line-less rhyth
James E. Bailey wrote:
On 11.09.2008, at 10:32, Grammostola Rosea wrote:
James E. Bailey wrote:
On 10.09.2008, at 22:58, Grammostola Rosea wrote:
How do I make the dots in the tablature (only, not notation) invisible?
You have to remove them.
http://kainhofer.com/~lilypond/Documentation/us
On 11.09.2008, at 10:32, Grammostola Rosea wrote:
James E. Bailey wrote:
On 10.09.2008, at 22:58, Grammostola Rosea wrote:
How do I make the dots in the tablature (only, not notation)
invisible?
You have to remove them. http://kainhofer.com/~lilypond/Documentation/user/lilypond/Controlling-
Dear lilypond-users,
in the below quoted example the inclination of the beam is, in my opinion, a
bit extreme.
Is there a possibilitie to change the maximum inclination of beams in
general, for a whole score?
Here the short example:
\relative { \times 4/5 { c16 c' g' c e } g2. }
___
On 11.09.2008, at 10:26, Werner LEMBERG wrote:
I know, right?
Oops, I mixed up the names, sorry.
No, I really should have found that on my own. I can be daft, too.
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailm
James E. Bailey wrote:
On 10.09.2008, at 22:58, Grammostola Rosea wrote:
How do I make the dots in the tablature (only, not notation) invisible?
You have to remove
them. http://kainhofer.com/~lilypond/Documentation/user/lilypond/Controlling-visibility-of-objects.html#Controlling-visibility-of-
> I know, right?
Oops, I mixed up the names, sorry.
Werner
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
I know, right?
On 11.09.2008, at 09:53, Werner LEMBERG wrote:
I would like to know if it's possible to get a fermata over a
full-measure rest (i.e., R1\fermata). So far, my attempts haven't
worked, and I end up having to use a whole rest shifted over.
The solution is:R1^\fermataMarkup
Hello,
thank you, but I need to create such excercise quite quickly, and it's
quite difficult for me to figure out what to do. Could you please
provide me with a little template of line-less rhythmic example? Thank you.
Tomas Valusek
James E. Bailey napsal(a):
While this specific example isn
> > I would like to know if it's possible to get a fermata over a
> > full-measure rest (i.e., R1\fermata). So far, my attempts haven't
> > worked, and I end up having to use a whole rest shifted over.
>
> The solution is:R1^\fermataMarkup
The question is: Why hasn't James found this immedia
Dear Gilles,
I need the TimeSig, becauses I have written a larger, so called "french"
score. In the score as well in the parts the exrpessions like "rit.", "piu
mosso", etc. shall be shown always on top, in all parts and in the score. Or
do You know another way to do this without the timeSig?
2008
James
Ralph has been beavering away adding index entries to the manuals, and this
is now a really helpful resource, getting better day by day. In your case
the index to the Notation Reference has an entry under "f" for "fermata on
multi-measure rest". The referenced page says "R2.^\fermataMa
While this specific example isn't there, http://kainhofer.com/~lilypond/Documentation/user/lilypond/Modifying-single-staves.html#Staff-symbol
shows how to remove various elements from a staff.
On 11.09.2008, at 09:40, Tomas Valusek wrote:
Hello,
how can I create a rhythmic excercise consistin
On Thu, 11 Sep 2008, James E. Bailey wrote:
I would like to know if it's possible to get a fermata over a full-measure
rest (i.e., R1\fermata). So far, my attempts haven't worked, and I end up
having to use a whole rest shifted over.
The solution is:R1^\fermataMarkup
It can be found i
Hello,
how can I create a rhythmic excercise consisting soleley of time
signature, bar lines and notes, with no staff line? I have found no
example of this in Lilypond examples.
Tomas Valusek
___
lilypond-user mailing list
lilypond-user@gnu.org
ht
I would like to know if it's possible to get a fermata over a full-
measure rest (i.e., R1\fermata). So far, my attempts haven't worked,
and I end up having to use a whole rest shifted over.
On 11.09.2008, at 07:46, Paul Scott wrote:
On Sep 10, 2008, at 10:30 PM, jo.clarinet wrote:
I've
60 matches
Mail list logo
