Re: problems with learning lilypond

I must admit... That I do share some feelings with John. I've been using LilyPond infrequently for many years, and frequently for a year now. I often get surprised by its behaviour, and I often have to puzzle how to achieve certain results. But... The documentation has improved enormously. The

Re: problems with learning lilypond

-BEGIN PGP SIGNED MESSAGE- Hash: SHA1 Am Samstag, 22. November 2008 schrieb Johan Vromans: Every piece of music is different. Very often I am surprised that LilyPond *can* actually achieve something wierd that I had in mind. I'm pretty sure many of the 'user friendly' point-n-click

Re: Newly defined Voice context and RemoveEmptyStaffContext

See the Known issues and warnings of section 5.1.4 Changing default context settings in the Notation Reference. If you really want to understand what happens, it may also help to look at the definition of \RemoveEmptyStaffContext in the file ly/engraver-init.ly. /Mats Roman Stawski wrote:

Midi to lilypond conversion.

Hi, I have been trying to convert some midi files which I previously quantized on the sequencer. This sequencer uses 192 ticks per part, which tends to give results like this: d''4*95/192 s4*1/192 a'4*95/192 s4*1/192 a4*95/192 s4*1/192 g4*95/192 s4*1/192 f4*95/192 s4*1/192 e4*95/192

Centered Textspan for Piano music

Good afternoon I'd like to have a centered accelerando Textspan for a piano piece. Something like this: acc. - - - - I'm using the last template from here: http://lilypond.org/doc/v2.10/Documentation/user/lilypond/Piano-templates#Piano-templates So I tried to do this Textspan in the

Re: Midi to lilypond conversion.

David Picón Álvarez [EMAIL PROTECTED] writes: d''4*95/192 s4*1/192 a'4*95/192 s4*1/192 a4*95/192 s4*1/192 g4*95/192 s4*1/192 f4*95/192 s4*1/192 e4*95/192 s4*1/192 d4*95/192 s4*1/192 e4*95/192 s4*1/192 | I was looking at the source of the converter, and although I'm not sure if I

Chant on percent/slash-repeat sign

Hi, I use chant a lot in the music. Until this day I have always put chant on a brevis (see the example below). But the use of the brevis is sometimes very confusing for the singers. So I have tried to put the chant on a percent-repeat. But it seems that percent-repeats and lyrics do not combine.

Re: Parser error when including file

On 22 nov 2008, at 00:28, Johan Vromans wrote: Yes it may seem weird, but it is logical. It certainly seems weird and I can understand why it is. And I know it is very hard to write good parsing error messages, but if I now jump to the error, it jumps away from my typo into a perfectly

Re: Parser error when including file

Arjan Bos [EMAIL PROTECTED] writes: It certainly seems weird and I can understand why it is. And I know it is very hard to write good parsing error messages, but if I now jump to the error, it jumps away from my typo into a perfectly correct file. And I can't help but wondering that it might

Re: Chant on percent/slash-repeat sign

Hi Jan, 2008/11/22 Jan van Dijk [EMAIL PROTECTED]: Hi, I use chant a lot in the music. Until this day I have always put chant on a brevis (see the example below). But the use of the brevis is sometimes very confusing for the singers. So I have tried to put the chant on a percent-repeat.

Re: Centered Textspan for Piano music

November 22, 2008, stefankaegi wrote: I'd like to have a centered accelerando Textspan for a piano piece. Something like this: acc. - - - - Did you mean... 1) center the text-spanner between the 2 staves 2) center the dashes in the text-spanner vertically ( acc. - - - as opposed

Re: passage à lilypond depuis pmx

This is an English-speaking only list, please send your messages in French to [EMAIL PROTECTED] as mentioned on http://lilypond.org/web/about/index.fr.html Here's a quick and partial translation of your message in case somebody has an answer to your question on this list. Hello, I'd like to