David
Can you please say more precisely where this is in NR 2.7 - I can't find it.
Trevor
- Original Message -
From: David Stocker dstoc...@thenotesetter.com
To: lilypond-user@gnu.org
Sent: Monday, December 15, 2008 3:08 AM
Subject: Discrepancy in documentation,
...from
Chip
The changes to use lists for nested overrides were made between 2.11.64 and
2.11.65, so these examples will fail on versions earlier than 2.11.65. The
docs are always compiled with the latest released version, currently
2.11.65.
Trevor
- Original Message -
From: chip
Simon Bailey wrote Monday, December 15, 2008 10:00 AM
another (minor discrepancy): in the cheat sheet (NR appendix C), the
third last command is \context ChordNames. clicking on the snippet,
however, shows that the snippet is generated using \chords { }. don't
know if that's confusing or
Quoting Peter Chubb lily.u...@chubb.wattle.id.au:
Hi,
I'm trying to use the Adeste Fideles tune from
Mutopia http://www.mutopiaproject.org/cgibin/piece-info.cgi?id=367
I ran convert-ly on it. It uses explicit durations on the lyrics. I see
many warnings:
adeste.ly:94:18: warning:
Dave Bellows wrote:
On Sun, Dec 14, 2008 at 9:20 PM, Graham Percival
gra...@percival-music.ca wrote:
I recommend
a\harmonic 4
It's probably mentioned in Articulations, and is certainly
mentioned in the section on Unfretted strings. The way that
strings notate artificial harmonics is
a
\version 2.11.65
Segmentfaults with either command
lilypond lorca.ly
lilypond -V lorca.ly
Simon
On Mon, 15 Dec 2008 07:25:37 -0600, Jonathan Kulp
jonlancek...@gmail.com said:
Nicolas Sceaux wrote:
I'll try to investigate it soon. Currently my problem is that I can't
reproduce these bus
Hi,
I'm trying to use the Adeste Fideles tune from
Mutopia http://www.mutopiaproject.org/cgibin/piece-info.cgi?id=367
I ran convert-ly on it. It uses explicit durations on the lyrics. I see
many warnings:
adeste.ly:94:18: warning: Lyric syllable does not have note. Use \lyricsto or
Simon J Mackenzie wrote:
\version 2.11.65
Segmentfaults with either command
lilypond lorca.ly
lilypond -V lorca.ly
Simon
Thanks for testing, Simon. I tried the -V flag as soon as I read your
post but it still segfaulted for me, too. What you said about the
\addlyrics command interests
You could end up with misplaced lyrics that you don't notice until
later. You can probably just add \lyricsto verbaone (verbatwo,
verbathree) between the \new Lyrics and \verbaone
Am 15.12.2008 um 11:05 schrieb Peter Chubb:
Hi,
I'm trying to use the Adeste Fideles tune from
Nicolas Sceaux wrote:
I'll try to investigate it soon. Currently my problem is that I can't
reproduce these bus errors or seg faults on my machine.
Jon, I have problems untaring your archive, only cancioncilla.ly gets
untared, can you check if something is wrong with lorca.tar?
nicolas
On 12/15/08 2:52 AM, Simon Bailey bina...@gmail.com wrote:
On Dec 15, 2008, at 9:46 AM, Trevor Daniels wrote:
Can you please say more precisely where this is in NR 2.7 - I can't
find it.
david is referring to appendix B.2: Common chord modifiers. (found
after following all the
\chords is shorthand for \new ChordNames \chordmode, as is described in the
NR.
Carl
On 12/15/08 3:00 AM, Simon Bailey bina...@gmail.com wrote:
hi,
another (minor discrepancy): in the cheat sheet (NR appendix C), the
third last command is \context ChordNames. clicking on the snippet,
On Sunday 14 December 2008, Graham Percival wrote:
I recommend
a\harmonic 4
It's probably mentioned in Articulations, and is certainly
mentioned in the section on Unfretted strings. The way that
strings notate artificial harmonics is
a e'\harmonic4
but I don't know if that's
On Mon, Dec 15, 2008 at 5:25 AM, Jonathan Kulp jonlancek...@gmail.com wrote:
Yes, I had trouble, too, when I tried downloading it from my site. I think
my admin doesn't allow serving of .tar files. Try this one:
http://dl4.louisiana.edu/lorca.tar
Run lilypond on the lorca.ly file and see
Patrick McCarty wrote:
On Mon, Dec 15, 2008 at 5:25 AM, Jonathan Kulp jonlancek...@gmail.com wrote:
Yes, I had trouble, too, when I tried downloading it from my site. I think
my admin doesn't allow serving of .tar files. Try this one:
http://dl4.louisiana.edu/lorca.tar
Run lilypond on the
On Mon, Dec 15, 2008 at 7:06 AM, Jonathan Kulp jonlancek...@gmail.com wrote:
Patrick McCarty wrote:
On Mon, Dec 15, 2008 at 5:25 AM, Jonathan Kulp jonlancek...@gmail.com
wrote:
Yes, I had trouble, too, when I tried downloading it from my site. I
think
my admin doesn't allow serving of
I'm using
Kubuntu Linux 8.04 Hardy Heron
KDE 3.5.10
Linux Kernel 2.6.24-22 generic (i386)
Simon
On Mon, 15 Dec 2008 09:06:35 -0600, Jonathan Kulp
jonlancek...@gmail.com said:
Patrick McCarty wrote:
On Mon, Dec 15, 2008 at 5:25 AM, Jonathan Kulp jonlancek...@gmail.com
wrote:
Yes, I had
Attached it a python script I wrote to construct dependencies for
LilyPond. It works like makedepend and has similar command line
options.
One thing to note is that this script searches for included files in
the same directory as the _current_ file being processed instead of
only in the directory
hi,
another (minor discrepancy): in the cheat sheet (NR appendix C), the
third last command is \context ChordNames. clicking on the snippet,
however, shows that the snippet is generated using \chords { }. don't
know if that's confusing or not (i've never had to use the cheat sheet
and
Fixed a bug. I forgot how prerequisites work in make.
Example Makefile:
DEPENDS = .depends
DEPLINKS = .depends_ln
MAKEDEPEND = ./makedepend_ly
SRCS = fullscore.ly parts.ly
all: full parts
depend: $(SRCS)
$(MAKEDEPEND) -f$(DEPENDS) -o.ps --linkspaces=$(DEPLINKS) $(SRCS)
clean:
Dear lilypondusers,
is it possible to change the first barnumber in the layoutblock?
I tried it with:
\layout { \context { \Score
\set currentBarNumber #115 } }
but without succes.
Is there another possibilitie?
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Dave Bellows wrote:
On Sun, Dec 14, 2008 at 9:20 PM, Graham Percival
gra...@percival-music.ca wrote:
I recommend
a\harmonic 4
It's probably mentioned in Articulations, and is certainly
mentioned in the section on Unfretted strings. The way that
strings notate artificial harmonics is
a
Final version. ?
Added options: -i (include), -p (object prefix), and fixed -a (append)
Sorry for the many update messages
-cj
#!/usr/local/bin/python
# written by CJ Bell
Create dependencies in makefiles for LilyPond scripts
Usage: makedepend_ly [options] files...
Options:
-h /
Simon J Mackenzie wrote:
I'm using
Kubuntu Linux 8.04 Hardy Heron
KDE 3.5.10
Linux Kernel 2.6.24-22 generic (i386)
Simon
Run lilypond on the lorca.ly file and see what happens.
I am able to compile this file successfully. Processing seemed
normal, and there were only three types of
On Dec 15, 2008, at 9:46 AM, Trevor Daniels wrote:
Can you please say more precisely where this is in NR 2.7 - I can't
find it.
david is referring to appendix B.2: Common chord modifiers. (found
after following all the links i could find in NR 2.7... ;)).
the modifier should probably
I just realise that I never sent my file publicly, to see if anyone
else gets the bus error. Here is mine, along with terminal output.
I'm using OSX 10.4 intel
http://pastebin.com/f1a3a6fc0 -- score
http://pastebin.com/fe002d69 -- verbose output
Am 14.12.2008 um 20:29 schrieb Jonathan Kulp:
I am working on a piece but am coming up with a problem -
my lily file creates a score and 6 separate horn parts. When I run the
file through the interpreter I get 3 errors:
Interpreting music... [8]
Por Esa Calle Vive - score.ly:51:0: warning: barcheck failed at: 1/2
R1*2
Por Esa Calle Vive
I think we'd need to browse your code to answer this question... timing
problems can sometimes be a trick to isolate.
--
Neil Thornock, D.M.
Assistant Professor of Music
Composition/Theory
Brigham Young University
http://neilthornock.net
___
On Mon, Dec 15, 2008 at 8:31 AM, Jonathan Kulp jonlancek...@gmail.com wrote:
Well, score one for Windows, I guess. I ran the file successfully on
Windows Vista just now. Maybe I should try it with a newer Linux kernel
since Patrick compiled it successfully with kernel 2.6.27.8. I'll look
Message: 1
Date: Mon, 15 Dec 2008 07:01:36 -0800
From: Patrick McCarty pnor...@gmail.com
Subject: Re: Segmentation fault on file with bookparts
To: Jonathan Kulp jonlancek...@gmail.com
Cc: lilypond-user lilypond-user@gnu.org
Message-ID:
Am 15.12.2008 um 18:16 schrieb chip:
I am working on a piece but am coming up with a problem -
my lily file creates a score and 6 separate horn parts. When I run
the file through the interpreter I get 3 errors:
Interpreting music... [8]
Por Esa Calle Vive - score.ly:51:0: warning: barcheck
I've pasted the piece in below.
--
Chip
Neil Thornock wrote:
I think we'd need to browse your code to answer this question...
timing problems can sometimes be a trick to isolate.
% LilyPond
\include english.ly
\version 2.11.65
\header{
title = Por Esa Calle Vive
composer = Recorded by:
Carl, you wrote Monday, December 15, 2008 2:39 PM
On 12/15/08 2:52 AM, Simon Bailey bina...@gmail.com wrote:
On Dec 15, 2008, at 9:46 AM, Trevor Daniels wrote:
Can you please say more precisely where this is in NR 2.7 - I can't
find it.
david is referring to appendix B.2: Common chord
Trevor,
I'll have a look tonight and share any feedback I have.
Thanks,
Dave
Trevor Daniels wrote:
Carl, you wrote Monday, December 15, 2008 2:39 PM
On 12/15/08 2:52 AM, Simon Bailey bina...@gmail.com wrote:
On Dec 15, 2008, at 9:46 AM, Trevor Daniels wrote:
Can you please say more
On Mon, Dec 15, 2008 at 8:41 PM, chip c...@wiegand.org wrote:
I've pasted the piece in below.
--
Chip
Hi Chip,
% -- Trumpet 1--
trpta = \relative c''' {
[overrides deleted]
a4 g8 f a4 f8 fs
g1
R1
gs8. gs16 r16 gs8 gs16 gs8. gs16 r16 gs8 gs16
a1
f8 e f fs g-. a bf b?
c1
R1
Am Montag, 15. Dezember 2008 22:10:26 schrieb Alard de Boer:
...here (also in bari and trombone) the 2/4 measure is the 12th
measure.
Exactly, that's the issue. That's also the reason why I put a
| % 7
at the end of each measure (so I get warnings if I put in wrong durations for
some of the
On 12/15/08 12:48 PM, Trevor Daniels t.dani...@treda.co.uk wrote:
Carl, you wrote Monday, December 15, 2008 2:39 PM
I've fixed the original error identified by David, added the
default Dominant thirteenth, and replaced some TODOs with what
I hope are correct chord descriptions. On this
[copying to -user]
2008/12/11 zu...@ics.cas.cz:
Dear Sir,
it is marvelous. For whole day, I am now reading through the manual
and indeed I started to love this system!
However, my intended use is specialized one. I am making the
critical edition of gregorian chant, which then should be
Graham Percival wrote:
See
http://www.mail-archive.com/bug-lilyp...@gnu.org/msg13523.html
If you could build with debug symbols and provide a backtrace,
and/or run lilypond with valgrind, it might help debug it.
Cheers,
- Graham
Graham,
I've never used tools like this before and can't
Dear lilypondusers,
is it possible to change the first barnumber in the layoutblock?
I tried it with:
\layout { \context { \Score
\set currentBarNumber #115 } }
but without succes.
Is there another possibilitie?
It does mork if you write the command inside the music.
Dear lilypond-users,
I found out that in a timeig-context the time-signature too far on the left
side, if there are clef-changes. In the below quoted snippet the second
score-block looks good, but the first doesn't.
How can I avoid it?
Thanks for Your help!
Stefan
\version 2.11.60
I'm trying to get Coda markings to come out right. What I want is for
the words To Coda to be printed just to the left of a coda symbol. I'm
almost there, but the text is too high. Is there a way to move the text
down, independent of the coda symbol, so that it's about centered
horizontally?
Dave,
Try this:
\markup \line \general-align #Y #CENTER {
\small \bold \italic To Coda
\musicglyph #scripts.coda
}
- Mark
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On 15 Dec 2008, at 22:22, Carl D. Sorensen c_soren...@byu.edu wrote:
Actually, I'm not the right guy to check.
I'm a chord novice, which is why the table I originally put together
only
had some of the sevenths.
Somebody like Simon would be a much better content checker than me.
heh. carl,
A useful tool indeed. Thanks Mark!
Mark Polesky wrote:
Dave,
Try this:
\markup \line \general-align #Y #CENTER {
\small \bold \italic To Coda
\musicglyph #scripts.coda
}
- Mark
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Is there an existing function to diff two pieces of music? (or has
anyone attempted to write such a function?)
ex:
\diff \partA \partB
Perhaps notes that partB adds are tagged one way and notes that are
removed from partA are tagged another.
I want to color unchanged music from partA to partB
CJ Bell wrote:
\diff \partA \partB
What an awesome idea! Can anyone figure this one out?
That would be such a useful tool.
- Mark
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lilypond-user@gnu.org
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I feel compelled to write that this is what is so special about the
open-source ethos in general. When hundreds of people are involved
(maybe not with LilyPond, which is a small project by comparison) in
making something, invariably there is a more robust, more divergent crop
of ideas which
In the 2.11 NR, section 3.5.1 Creating Midi Files, under Instrument Names
there's an example:
\set Staff.midiInstrument = glockenspiel
which I believe needs to be changed to: (add a '#')
\set Staff.midiInstrument = #glockenspiel
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