This process is described in much more detail with lots of examples in the
Learning Manual. Reading through chapters 3 and 4 will help a lot - the
purpose of those two chapters is to teach you how to change LilyPond
properties.
Trevor
- Original Message -
From: Carl D. Sorensen
Quoting Reinhold Kainhofer reinh...@kainhofer.com:
Please notice that I'm using the 'flag property for no-flag, too! Also notice
that there is no ' in front of no-flag (as opposed to 'no-flag when you use
'flag-style).
that was it! i hadn't realized there was no ' before of no-flag,
Hello,
I work on lilypond to create a score of a baroque opera and I have some
problems with alignment in the figured bass.
First, when I've a chord figured # and after another figured 7 #,
and when I want tu use the bass figured extender, I don't managed to
have the figured in the right
Francisco Vila paconet@gmail.com writes:
There is a %gconf.xml into the zip file.
Yes, my mistake.
the gconf-editor tool shows a desktop/gnome/url-handlers entry on the
tree, but there is not a texedit entry in it, how do I create one?
Probably it is easiest to do this with gconftool-2,
Johan, I have successfully run the miniIDE.
2009/1/23 Johan Vromans jvrom...@squirrel.nl:
Probably it is easiest to do this with gconftool-2, from the command
line:
$ gconftool-2 -s /desktop/gnome/url-handlers/textedit/command -t string XXX
where XXX is the location of your texedit
Sorry for the spelling mistake, dots 'disappear' ...
northofscotland wrote:
Just a quick pointer from someone who knows, please ! I am trying to make
dotted notes transparent (to aid combining voices). I can make the stems
disapper, I can make the note heads disapper, but I cannot
Hi,
I would like to write a whole measure rest into a staff which I left
just before - is this possible somehow? I tried using two voices with
the result that the rest is is not centered vertically anymore (which
is, BTW, always very annoying anyway).
Thanks for your help!
Stefan
c1 |
2009/1/23 Johan Vromans jvrom...@squirrel.nl:
Probably it is easiest to do this with gconftool-2, from the command
line:
$ gconftool-2 -s /desktop/gnome/url-handlers/textedit/command -t string XXX
where XXX is the location of your texedit handler.
ended by %s, I suppose.
Maybe a script
If you look in the index of the Notation Reference (the index is called
Lilypond index for
silly technical reasons), and search for hide or hidden, then you will
end up at a section on
Hidden notes, which provides a very convenient solution to your problem.
/Mats
northofscotland wrote:
It's much easier to answer your question if you provide a complete (but
small) example
of what you have tried. However, if you read at
http://lilypond.org/doc/v2.12/Documentation/user/lilypond-learning/Fixing-overlapping-notation#index-MultiMeasureRest_002c-example-of-overriding
you will learn
Francisco Vila paconet@gmail.com writes:
This works, but then what about the supplied file? I cannot
understand what is the relation between the file and the
gconf-editor status, because the file seems to change in an
asynchronous way with the contents of the GUI. If I copy the file,
the
How do you do that in Sibelius? Perhaps mirroring the same approach
would be the best.
3. Engrave a line when needed using draw-line as part of a markup
command. This seems to be the most flexible, but suffers from the
following problems:
a) the line will automatically offset to avoid
On Tue, Jan 20, 2009 at 6:03 PM, Werner LEMBERG w...@gnu.org wrote:
The following problem:
\score {
\relative {
c1 | c1 | c1 | c1 |% Bars 1-4
}
\score {
\relative {
c1 | c1 | c1 | c1 |% Bars 5-8
}
I know how to manually set `currentBarNumber' in
Bertalan Fodor (LilyPondTool lilypondtool at organum.hu writes:
How do you do that in Sibelius? Perhaps mirroring the same approach
would be the best.
With Sibelius, one can easily start and stop a staff mid-system (or measure) by
changing that staff to an invisible one. Thus, the passage
hello im transcribing a hym and i see that the first measure is \partial 4
but the last one is a 2. how can i close the measure at the end of the hym
it stays open.
Eze
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Eric Flesher wrote:
With Sibelius, one can easily start and stop a staff mid-system (or measure) by
changing that staff to an invisible one. Thus, the passage was engraved with
two staves: a normal one for pitched notes, and a second, single line staff
above for non-pitched notes. Instead of
Perhaps:
\bar |.
On Fri, Jan 23, 2009 at 8:58 AM, Ezequiel Sierra esie...@gmail.com wrote:
hello im transcribing a hym and i see that the first measure is \partial 4
but the last one is a 2. how can i close the measure at the end of the hym
it stays open.
Eze
-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1
Am Freitag, 23. Januar 2009 schrieb Ezequiel Sierra:
hello im transcribing a hym and i see that the first measure is \partial 4
but the last one is a 2. how can i close the measure at the end of the hym
it stays open.
You can manually insert the
Just insert a \bar |. or \bar | or whatever bar type you want, after
the last note.
/Mats
Ezequiel Sierra wrote:
hello im transcribing a hym and i see that the first measure is
\partial 4 but the last one is a 2. how can i close the measure at the
end of the hym it stays open.
Eze
ok so i have this
chordset = \chordmode
{
\override ChordName #'font-size = #-1.0
r4 c4. r8 r8 r8 c8:maj13 r8 r4. d8:m7
}
and inside my choir staff i have
\new ChordNames \chordsett
how can i display the maj13 beside the chord C
note: this is for Chords Name only not for Chord notes
Eze
Francisco Vila paconet@gmail.com writes:
Maybe a script that launches the three necessary commands like this,
would simplify things.
Yes, I will change this for the next release.
Thanks for your feedback.
-- Johan
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Mats Bengtsson wrote:
It's much easier to answer your question if you provide a complete (but
small) example
of what you have tried. However, if you read at
On Tue, 2009-01-20 at 21:03 +0100, Werner LEMBERG wrote:
The following problem:
\score {
\relative {
c1 | c1 | c1 | c1 |% Bars 1-4
}
\score {
\relative {
c1 | c1 | c1 | c1 |% Bars 5-8
}
I know how to manually set `currentBarNumber' in the
What happens if you use \applyContext for the 2nd value too?
It gets ignored. See attached file. A bug?
Werner
#(define lastBarNumber 10)
\score {
\relative {
c1 | \break
d1 | \break
e1 | \break
f1 |
\applyContext
#(lambda (x)
(set! lastBarNumber
Hi,
Just wondering. What's the difference between
\set Staff.instrumentName = #Violin I
and
\set Staff.instrumentName = Violin I
since both seem to work in my little experiments.
--
Martin Tarenskeen
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lilypond-user
-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1
Am Freitag, 23. Januar 2009 21:29:40 schrieb Martin Tarenskeen:
Hi,
Just wondering. What's the difference between
\set Staff.instrumentName = #Violin I
and
\set Staff.instrumentName = Violin I
since both seem to work in my
Hello List
I want to print stopwatch timings in a score, surrounded by a little box. I've
been through the help files and the archives of this list, but since quotation
marks are special characters, it's not straight-forward and I've not managed to
get this right.
I'm aiming for somthing like:
See the change below:
\version 2.12.1
{
\mark \markup \rounded-box {
\small { 4'33\ }
}
c'2
}
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On 1/21/09 3:27 PM, Eric Flesher e...@ericflesher.com wrote:
I'm having serious problems figuring out a workable solution to the problem
below:
Per Kurt Stone, breath tones (on woodwinds or brass) with no pitch content
should preferably be written on a separate tablature line above the
Carl D. Sorensen wrote:
I'm currently working on a music function which could do all of the tweaking
internally.
Me too!
I'm close, but I got stuck on notehead X-extents...
- Mark
attachment: breath-tones_1.png\version 2.12.1
\include english.ly
#(define (stencil-width stil)
(let
On 1/23/09 2:23 PM, Mark Polesky markpole...@yahoo.com wrote:
Carl D. Sorensen wrote:
I'm currently working on a music function which could do all of the tweaking
internally.
Me too!
I'm close, but I got stuck on notehead X-extents...
Well, you're way ahead of me, so I'll quit
maj13 is *not* a chord name, even though it seems like it is.
It is a description of which pitches to place in a chord.
What you will need to do is to add a chord name execption, as described in
the selected snippets of Notation Reference 2.7.2 Displaying chords.
You'll first need to know what
Hello Neil
Neil Thornock neilthornock at gmail.com writes:
See the change below:
thanks for that, but it's the same difference here using your suggestion (Mac
PPC X.4.11). Is it working for you?
Regards
Tom
\version 2.12.1
{
\mark \markup \rounded-box {
Wow, that took me a minute to figure out. The quotes around 33 are
the problem. That makes it separate text. Putting the quotes around
the entire time fixes it.
{
\mark \markup \rounded-box {
\small {
4'33\
}
} c'2
}
Am 23.01.2009 um 22:39 schrieb Tom Hall:
Hello
This is to say how very pleased I am with the latest Lilypond 2.12 Documentation
and Tutorial pages. They are so clearly laid out and it is easy to find just
what you want.
I have used Lilypond a number of times to set short choral pieces for a small
amateur choir (in which I sing) and must say
Carl D. Sorensen wrote:
Well, you're way ahead of me, so I'll quit working on this.
Carl, didn't mean to steal your thunder... And
your coding was looking leaner than mine (I always
end up doing things the long way).
Eric,
I've gotten as far as I care to for now. Undoubtedly
you'll want to
On 1/23/09 3:48 PM, Mark Polesky markpole...@yahoo.com wrote:
Carl D. Sorensen wrote:
Well, you're way ahead of me, so I'll quit working on this.
Carl, didn't mean to steal your thunder... And
your coding was looking leaner than mine (I always
end up doing things the long way).
No
James E. Bailey wrote:
Wow, that took me a minute to figure out. The quotes around 33 are
the problem. That makes it separate text. Putting the quotes around
the entire time fixes it.
{
\mark \markup \rounded-box {
\small {
4'33\
}
} c'2
}
Might as
We currently have issues with the chord naming functions of LilyPond. If we
pass a \chordmode chord to the the ChordNames construct, we very seldom get
out what we put in (i.e. c:maj13 will give Cmaj7/9/add13). This is because
we currently try to do the chord naming algorithmically.
I'd like to
Mark Polesky markpolesky at yahoo.com writes:
Eric,
I've gotten as far as I care to for now. Undoubtedly
you'll want to tweak things anyway, so I'm sending
off what I have as it is. You could re-code the
stencil using Carl's (more efficient) way, but the
code here should work fine. Let
Carl,
I think this would greatly improve the chords feature of LilyPond. I
don't think I've ever seen a Cmaj7/9/add13 chord in actual printed
music, but I know how to play a Cmaj13, Cm13b5, or a Cm9#11.
I'd be happy to help with this in any way I can, even if it's only
testing. I can commit
Did you know that LilyPond can draw cross-staff
kneed beams from one staff to another, even if
there's another staff in the way? Did you know
that if you blank out the staff that's in the
way, the beam centers itself perfectly where the
other staff would've been? Do you know how happy
I was when
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