Dear Neil,
thanks! Now I understand.
2009/4/3 Neil Puttock n.putt...@gmail.com:
2009/4/3 Stefan Thomas kontrapunktste...@googlemail.com:
Dear Neil,
I tried it with
\relative { c1 ~ c
\override Tie #'(details ratio 1.2) \override Tie #'(details heigth-limit
13)
c ~ c }
but without
In message f37cce1d-f6c6-4225-a602-8738e787e...@ultrasw.com, Paul
Scott psl...@ultrasw.com writes
On Apr 3, 2009, at 3:49 PM, Anthony W. Youngman wrote:
In message
7ca3d5a30904031519ya3b89hb87cf8f81a544...@mail.gmail.com, Neil
Puttock n.putt...@gmail.com writes
2009/4/3 Anthony W. Youngman
In message f37cce1d-f6c6-4225-a602-8738e787e...@ultrasw.com, Paul
Scott psl...@ultrasw.com writes
I don't see how the physics would work to give you a quarter-
wavelength as you claim.
I just did some quick online research and he is right. A tube closed
on one end like a clarinet or trumpet
Hi Nick,
Is it possible, in a chord containing a second, to specify which
note in the
second should appear to the left of the stem and which to the
right? The
order of the notes doesn't change anything - ie d e gis, and e d
gis,
both have D to the left and E to the right.
My guess is,
Hi,
I am having some problems when trying to import pdf or ps files
generated from Lilypond into Illustrator... some fonts are not found...
Also when I send some pdfs to be printed in Windows machines with
Acrobat, the dynamics fonts are not found...
It seems to be related to how Adobe apps
Therefore, by definition, all blown musical instruments will have a
fundamental frequency of 2L.
Hi,
not quite: clarinets sound an octave lower than you would expect when you
regard their length.
They behave like stopped organ pipes. I don't know exactly why -- it comes
from their
Werner LEMBERG wl at gnu.org writes:
IMHO, this is visually unattractive while reading a lilypond source
and takes far too much time to enter. I really can't understand why
there is so much resistance to a one-letter chord repeat item --
ideally an unused letter like `q' or another ascii
On Apr 4, 2009, at 1:42 PM, Stan Sanderson wrote:
On Apr 4, 2009, at 12:32 PM, Henning Plumeyer wrote:
Therefore, by definition, all blown musical instruments will
have a fundamental frequency of 2L.
Hi,
not quite: clarinets sound an octave lower than you would expect
when you regard
Good evening List,
The snippet below shows two c naturals tied across a barline, followed by a c
natural slurred to a c sharp across a barline.
Lilypond makes both look identical. I think the first is right (born out by the
NR) - but is the second?
I know I can force the sharp or add a
Op vrijdag 03 april 2009, schreef David Stocker:
It would be great if there was a
shorthand for this in LilyPond code for situations (like in many forms
of popular music) an accompaniment pattern consists of many repeated
chords--perhaps something like r--simply instructing LilyPond to
Sorry - forgot to attach the pdf.
--- Original Message ---
From: David Pounder pound...@lineone.net
To: lilypond-user@gnu.org
Sent: 4.4.09, 20:43:19
Subject: Slur/Tie Ambiguity
Good evening List,
The snippet below shows two c naturals tied across a barline, followed by a c
natural
Hi David,
Good evening List,
The snippet below shows two c naturals tied across a barline,
followed by a c natural slurred to a c sharp across a barline.
Lilypond makes both look identical. I think the first is right
(born out by the NR) - but is the second?
I know I can force the sharp or
On 4 Apr 2009, at 19:32, Henning Plumeyer wrote:
Therefore, by definition, all blown musical instruments will have
a fundamental frequency of 2L.
Hi,
not quite: clarinets sound an octave lower than you would expect
when you regard their length.
They behave like stopped organ pipes. I
2009/4/4 Nick Payne nick.pa...@internode.on.net:
When I look at the present entry for that in define-grobs.scm (LP 2.12.2), it
is:
(meta . ((class . Spanner)
(object-callbacks . ((normal-stems . ,ly:beam::calc-normal-stems)))
(interfaces . (staff-symbol-referencer-interface
2009/4/3 Francisco Vila paconet@gmail.com:
Looking further for a solution, we saw that the definition of textLengthOn
textLengthOn = {
\override TextScript #'extra-spacing-width = #'(0 . 0)
\override TextScript #'extra-spacing-height = #'(-inf.0 . +inf.0)
}
now the problem is to
Ok, thanks. I tried that, and for a simple example it fixes the problem. But in
an actual score with lots of barring indications of various sorts, you get to a
situation where a staff runs off the right-hand edge of the page because there
are many consecutive bars where a line can't be broken
2009/4/3 Carl D. Sorensen c_soren...@byu.edu:
Anybody willing to take this on as a patch? It shouldn't be too hard, but I
imagine it'll take some time grepping through the source files.
If we agree that it's just a case of changing the default velocity,
then this is ideally suited to a Frog;
On Fri, Apr 3, 2009 at 11:49 AM, Werner LEMBERG w...@gnu.org wrote:
Yet another alternative is to let LilyPond do the job, either using
simple techniques like \repeat unfold {} or Scheme based
solutions like http://lsr.dsi.unimi.it/LSR/Item?id=390,
http://lsr.dsi.unimi.it/LSR/Item?id=390
As far as the exact syntax is concerned would it be possible to just
use no character at all?
c4 2 8. 16
Aah, indeed this looks optimal! Han-Wen?
We would probably still want a repeat character for when '\repeat
unfold' is too long:
c4
Following your first idea, `c4 4 4 4' would
You could adapt the parser so it stores simple_elements (or whatever
they are called) in a variable automatically (say 'r'), and you can
repeat things using \r. This could also be the implementation
mechanism for default durations.
This still needs two characters -- and would it be possible
On Sat, Apr 4, 2009 at 8:30 PM, Werner LEMBERG w...@gnu.org wrote:
As far as the exact syntax is concerned would it be possible to just
use no character at all?
c4 2 8. 16
Aah, indeed this looks optimal! Han-Wen?
This looks like a syntactic nightmare. You are suggesting
c4 c 4 - c4 c4
You can use tweak:
R2-\tweak #'extra-offset #'(2 . 0)^\markup { Fine }
Nick
-Original Message-
From: lilypond-user-bounces+nick.payne=internode.on@gnu.org
[mailto:lilypond-user-bounces+nick.payne=internode.on@gnu.org] On
Behalf Of Chip
Sent: Sunday, 5 April 2009 09:32
To:
On Fri, Apr 3, 2009 at 12:27 PM, Graham Percival
gra...@percival-music.ca wrote:
As for LilyPond vs. Sibelius: if we do it, we should do it
objectively. One thing we might do in the new website is to have
examples of notation from the latest software (lilypond stable,
finale 20XY, sibelius
On 4/4/09 4:21 PM, Neil Puttock n.putt...@gmail.com wrote:
2009/4/3 Carl D. Sorensen c_soren...@byu.edu:
Anybody willing to take this on as a patch? It shouldn't be too hard, but I
imagine it'll take some time grepping through the source files.
If we agree that it's just a case of
Chip:
The word Fine just stays put over the rest, no matter what numbers
I put in there.
I think you're looking for MultiMeasureRestText, not TextScript.
HTH!
Kieren.
___
lilypond-user mailing list
lilypond-user@gnu.org
Kieren MacMillan wrote:
Chip:
The word Fine just stays put over the rest, no matter what numbers I
put in there.
I think you're looking for MultiMeasureRestText, not TextScript.
HTH!
Kieren.
Thanks for the reply. Doesn't matter what I put in there - when I run it
I get an error that it
On Sat, Apr 04, 2009 at 09:04:25PM -0700, Chip wrote:
Kieren MacMillan wrote:
Chip:
The word Fine just stays put over the rest, no matter what numbers I
put in there.
I think you're looking for MultiMeasureRestText, not TextScript.
HTH!
Kieren.
Thanks for the reply. Doesn't matter
Got it working, the order of the whole thing was wrong. Here's how it
should be -
R2*31 \bar ||
\once \override Voice.MultiMeasureRestText #'extra-offset = #'(-7 . 1)
R2^Fine
Leave out the \property, move \override before the Voice. Now I have the
Fine centered over the double bar.
Thanks
28 matches
Mail list logo
