Kieren MacMillan writes:
> That being said, nobody's stopping anyone who wants to write a Scheme
> function that would support such a beast: that's the beauty of open
> source software! ;)
As an experiment, and not because I think it is a good idea, I toyed
with something to make this happen, s
On Sep 1, 2009, at 11:17 PM, Christian Henning wrote:
Hi there, I'm almost finished with my first lilypond piece. I'm quite
happy with the results. But, there are a couple of questions left
regarding the output. Please consider the following piece:
\version "2.12.2"
#(ly:set-option 'delete-in
> I don't have the exact 2.12.2 version to hand,
> but if scm/auto-beam.scm is as you say there
> is no need to revert these settings as they
> only affect 32nd notes. All you need to do is
> to change the default beat-grouping:
>
> \set beatGrouping = #'(2)
>
> In version 2.12.1 (which I have to
> "Christian" == Christian Henning writes:
Christian> I added the duration for the two c:m but the second c:m is
Christian> still not showing. Mhmm, weird.
If you set chordChanges, then chords are printed only when they
change. You have two c-minors in a row, so the second will not be
prin
I just realized a small error in my script. Here is the updated version:
\version "2.12.2"
#(ly:set-option 'delete-intermediate-files #t) % deletes the .ps file
automatically
\header {
title = "title"
composer = "band"
}
<<
\new ChordNames {
\chordmode
{
Hi there, I'm almost finished with my first lilypond piece. I'm quite
happy with the results. But, there are a couple of questions left
regarding the output. Please consider the following piece:
\version "2.12.2"
#(ly:set-option 'delete-intermediate-files #t) % deletes the .ps file
automatically
Cool, that worked. Though, in essence, I need to use the
ChordNames.chordChanges variable to surpress repeated chords. I wonder
where the current documentation mention this? googling for
"chordchanges" brings me to lilypond 2.9 documentation. There is the
chapter "7.2.3. Printing chord names" which
Jonathan Kulp-2 wrote:
>
> On Tue, Sep 1, 2009 at 7:33 PM, dflo404 wrote:
>
> Glad you figured it out, Dan. Your code ran just fine for me, too. :)
>
> Your \score block looks o.k., although the indentation looks funny in my
> email reader. It's probably fine in your editor. I'd recommend us
I used Scribus to help lay out my first large book project. The main issue
I had with the version of Scribus I was using was that the various methods
for incorporating lilypond pdf output rendered *horribly* in print. I tried
a number of methods, and each time I noticed distinct degradation in
ou
On Tue, Sep 1, 2009 at 7:33 PM, dflo404 wrote:
>
> Wow I feel dumb. I just realized it was doing that because the MIDI file
> was
> still open. I closed it out and it worked fine.
>
Glad you figured it out, Dan. Your code ran just fine for me, too. :)
>
> Still though, after looking at my co
Wow I feel dumb. I just realized it was doing that because the MIDI file was
still open. I closed it out and it worked fine.
Still though, after looking at my code could you guys lend any advice? I
don't really understand the whole Score part, I just have that all there
after looking at othe
Hello all. I understand the basics to Lilypond, but I am still very new to
it.
I am working on a song that has a lot of different percussive instruments
playing at once, and I was hoping I could transfer it to Lilypond to produce
some good looking sheet music as well as a MIDI file.
So far I h
Frédéric Bron wrote Tuesday, September 01, 2009 9:37 PM
In the following example, beams for 8 notes end at 1:4, 2:4, 3:4
and 4:4
but the only thing I can find in scm/auto-beam.scm about time 2/4
is:
((end 1 32 2 4) . ,(ly:make-moment 1 8))
((end 1 32 2 4) . ,(ly:make-moment 2 8))
((end 1
In the following example, beams for 8 notes end at 1:4, 2:4, 3:4 and 4:4
but the only thing I can find in scm/auto-beam.scm about time 2/4 is:
((end 1 32 2 4) . ,(ly:make-moment 1 8))
((end 1 32 2 4) . ,(ly:make-moment 2 8))
((end 1 32 2 4) . ,(ly:make-moment 3 8))
How can I revert this ru
Mark Polesky wrote:
> Joseph Wakeling wrote:
>> Really we need an expert on Turkish classical music to come and give
>> review or advice on Lilypond's functionality and documentation. Who
>> originally implemented makam.ly? No details are provided in the file...
>
> Ha! I was just looking at thi
Hello Jean-Alexis,
A while ago, I have typed the lead sheet for Loro.
I have a small problem in measure 12. May be it's just a matter of
adjustment, or a bug.
Looks like a bug to me... at the very least, it's a poorly-
documented, undesirable default. =)
See, the chord text is making the
Hi,
A while ago, I have typed the lead sheet for Loro.
I have a small problem in measure 12. May be it's just a matter of
adjustment, or a bug.
See, the chord text is making the second note of the melodic line too
much to the right.
Suggestions?
Thanks all!
Jean-Alexis
loro_.ly
Descript
Frederick Dennis wrote:
> In Sibelius, you put the key signature, e.g. F sharp major, then type
> the plain letter names, e.g. f g a b c d e f which plays back as the
> scale of F sharp major.
I knew there was a reason why I didn't like Sibelius ... 'simple' ways
of working that wind up generating
# keys.sed
# Writes chromatics for *single letter* notes, according to user flag,
# to save typing. There is *no* transposition.
# Uses b for flat, w for double flat. s and x
# Use 'n' for natural to prevent alteration, b included. no h.
# Writes in "international.ly" form. intl.sed can conver
Han-Wen Nienhuys wrote:
While LilyPond may be single threaded, in general the underlying operating
system is multithreaded. It might be the case that a system call LilyPond
depends on can get executed in a multithreaded way.
LilyPond almost does not interact with the OS except for reading and
On Tue, Sep 1, 2009 at 10:52 AM, Michael David
Crawford wrote:
>
>
> Peter Chubb wrote:
>>
>> Han-Wen> More importantly: LilyPond is single-threaded, so the number
>> Han-Wen> of cores is irrelevant.
>
> While LilyPond may be single threaded, in general the underlying operating
> system is multithr
Peter Chubb wrote:
Han-Wen> More importantly: LilyPond is single-threaded, so the number
Han-Wen> of cores is irrelevant.
While LilyPond may be single threaded, in general the underlying
operating system is multithreaded. It might be the case that a system
call LilyPond depends on can get
Hi Joseph,
The discussion is heading in some unfortunate directions because of a
confusion between data entry -- which is a matter of the user
interface
-- and the underlying data _structures_, which are something else.
[...]
What's implicit in this is that Finale's data structures, like
Lily
Kieren MacMillan wrote:
> Hi David R,
>
>> AFAIK, all of the graphical-interface music scoring programs
>> use the visually-oriented logic.
>
> The last time I used Finale — which, thankfully, was a very long time
> ago! ;) — there were only two ways of entering notes:
>
> 1. From a MIDI keyboar
Hello,
I'm planning to build an experiment consisting of a project service for
collaborative editing & versioning of music files. My objective is to engage
more artists in the kind of collaborative work that happens between
free/open source software contributors. After a long time when I was
desig
Bertalan Fodor (LilyPondTool) wrote:
http://bugs.scribus.net/view.php?id=8400
thanks
while waiting for the patch that fixes this bug,
I finally managed to make a book in Scribus by splitting each pdf file
and importing a different pdf for each page.
Not handy at all (if I change the .ly fi
http://bugs.scribus.net/view.php?id=8400
Federico Bruni wrote:
Bertalan Fodor (LilyPondTool) wrote:
I checked this at my installation (1.3.5.0)
There is a clear bug: if you change the page attribute for one image,
it also changes for the other.
Have you submitted a bug report for scribus abou
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