Ralph Palmer schrieb:
Paul and Marc -
My apologies for the late reply -- I was on vacation last week, with
no internet access. For the circumflex indicating a half step, take a
look at the Learning Manual and possibly the index, and look for \markup.
I didn't find anything your problem - but
Dear community,
has someone of You the dolet-plugin for subelius?
I maybee would like to buy it, but I'm not sure, if I should do so.
If someone has it, I would like to send him/her a sibelius file and I would
like to get back a xml-file, so that I can see, if it works or not.
Thank You,
Stefan
Hi,
I'm setting up a legenda for tablature (see attached files).
I have problems with layout variables.
I have seen on the web documentation that names are changed:
http://lilypond.org/doc/v2.13/Documentation/notation/Page-formatting#Page-formatting
But even though I'm using the new command
2009/9/29 Federico Bruni brunol...@gmx.com:
Hi,
I'm setting up a legenda for tablature (see attached files).
I have problems with layout variables.
I have seen on the web documentation that names are changed:
Most of the scores I work on are guitar (multiple voices on a single
staff), and on nearly all of them I wind up with many ignoring too many
clashing note columns warnings in the console output, which makes it
harder to see errors that I *do* want to catch. At the moment I'm half
way through a
Well I haven't tested this, but I generally have troubles with slurs
that cross staves, such as you have here. What you want to use are
the control-points and probably some type of offset. A good
implementation of cross-staff slurs someday will be wonderful.
It obviously has to do with grace
On Tue, Sep 29, 2009 at 09:17:28PM +1000, Nick Payne wrote:
Most compilers I have used over the years have pragmas to allow the
suppression of specific warning messages. I think this would be useful
in Lilypond as well.
This has been a feature request for at least 4 years. Patches
Martin == Martin Tarenskeen m.tarensk...@zonnet.nl writes:
NtEd has such a --key=... option implicitely!
I can't see any problem here.
Martin Yes, NtEd does a pretty good job.
I didn't find that with my sample -- it was the only one of the
programs that didn't split the voices
I'm using LilyPond for the first time in months. Feels god.
I was about to ask why-the-heck is my LY code being analyzed (I get an
appropriate message when I purposefully put in a syntax error), but when I
fix the error, no PDF is generated. It just stops. I realized, after
halfway-composing
On 9/28/09 1:32 PM, Nicolas Sceaux nicolas.sce...@free.fr wrote:
Le 28 sept. 09 à 10:34, Nick Payne a écrit :
\overrideBeamSettings #'Voice #'(3 . 4) #'end #'(((1 . 32) . (4 4 4
4 4 4)))
\overrideBeamSettings #'Voice #'(3 . 4) #'end #'(((1 . 8) . (2 2 2)))
These are
On Tue, 29 Sep 2009, Laura Conrad wrote:
I didn't find that with my sample -- it was the only one of the
programs that didn't split the voices out correctly. There should be
5 separate voices, and nted created only 3.
From where do you know there are 5 voices? Or do you mean staves ?
Which
2009/9/29 Carl Sorensen c_soren...@byu.edu:
But even better, you point out a problem in autobeaming, and the default
rules get fixed.
This isn't a autobeaming problem though; if you recall, we discussed
the behaviour of quavers in 3/4 during the review of your patches for
autobeaming and you
--- On Tue, 9/29/09, Neil Thornock neilthorn...@gmail.com wrote:
From: Neil Thornock neilthorn...@gmail.com
Subject: Re: Slur through a rest
To: Jonathan Wilkes jancs...@yahoo.com
Cc: lilypond-user@gnu.org
Date: Tuesday, September 29, 2009, 1:43 PM
Well I haven't tested this, but I
Joerg == Joerg Anders j...@informatik.tu-chemnitz.de writes:
Joerg On Tue, 29 Sep 2009, Laura Conrad wrote:
I didn't find that with my sample -- it was the only one of the
programs that didn't split the voices out correctly. There should be
5 separate voices, and nted created
Kieren MacMillan wrote:
in the second bar, using the same override does nothing to
increase the spacing between the arpeggio and the preceding note.
Hmmm... that's probably because of the multiple-voices... but seems
like maybe a bug?
It is as if Lilypond thinks the span
It's very strange that the mailing archive can't be opened. Maybe a server
error, or our local server blocks it?
So I can't find the sender's address. Just post here:
Dear community,
has someone of You the dolet-plugin for subelius?
I maybee would like to buy it, but I'm not sure, if I should
On 9/29/09 9:09 AM, Neil Puttock n.putt...@gmail.com wrote:
2009/9/29 Carl Sorensen c_soren...@byu.edu:
But even better, you point out a problem in autobeaming, and the default
rules get fixed.
This isn't a autobeaming problem though; if you recall, we discussed
the behaviour of
2009/9/29 Carl Sorensen c_soren...@byu.edu:
In referring to Stone (p. 113), he indicates that for ternary measures (e.g.
3/4), it would be customary to combine one pair of equals (if there is one)
and leave the remaining beat-unit separate. He then illustrates, showing
that for a measure of
On Tue, 2009-09-29 at 10:25 +0200, Federico Bruni wrote:
Hi,
I'm setting up a legenda for tablature (see attached files).
I have problems with layout variables.
I have seen on the web documentation that names are changed:
Hi Neil,
Really, this makes no sense; any musician coming across such beaming
would assume there's special emphasis being placed on the beaming
division (e.g., for stress or phrasing purposes).
+1
I suppose it depends on what the consensus is among users as to
whether we should retain what
Hi,
\version 2.12.2
if I use \stemDown for the lower voice in one staff, the ties
automatically show up, and normaly this is fine.
In some situations, however, I want to have them showing down, too.
This is possible with \tieDown, but this doesn't have any effect to a
\repeatTie.
How can I
On 29 Sep 2009, at 21:46, Neil Puttock wrote:
In referring to Stone (p. 113), he indicates that for ternary
measures (e.g.
3/4), it would be customary to combine one pair of equals (if
there is one)
and leave the remaining beat-unit separate. He then illustrates,
showing
that for a
Hi,
I wrote:
How can I make a \repeatTie also show down, if the stems show down?
Pardon, I played a little and found the solution:
e_\repeatTie does it.
Best Regards Roland
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lilypond-user@gnu.org
Hi Roland,
Using \voiceTwo to set stems, ties and dots to go down/under works on
\repeatTie in 2.13.4. Interestingly, with \voiceTwo in force, \tieUp
affects everything but the \repeatTie.
Try:
\version 2.12
ties = {
\relative c'{
\voiceTwo
%\stemDown
%\tieDown
%\tieUp
c4 c
thank you carl for your answer. i still think that 2.13.4 has some
beaming issues.
We've had a serious discussion about whether eighth note beams should
end on every beat or only on beats 2 and 4.
We came down on the side of ending eighth note beams on 2 and 4,
because it seemed to fit Stone's
On Mon, Sep 28, 2009 at 10:44 AM, Ralph Palmer palmer.r.vio...@gmail.comwrote:
Paul and Marc -
My apologies for the late reply -- I was on vacation last week, with no
internet access. For the circumflex indicating a half step, take a look at
the Learning Manual and possibly the index, and
on 2009-09-29 at 22:25 luis jure wrote:
now, 2.13.4 correctly beams every quarter note when 16th notes are
present, **except in one case:** a 16th rest followed by a dotted 8th
(see second bar in the attached image).
attachment: beams-2.13.4.png___
Bingo! Thanks, Neil. I was on vacation, with no internet access, so I didn't
get to try this until today. Yes, ConTEXT works on Ubuntu through Wine.
Thanks again,
Ralph
On Fri, Sep 18, 2009 at 6:18 PM, Neil Puttock n.putt...@gmail.com wrote:
2009/9/18 Ralph Palmer palmer.r.vio...@gmail.com:
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