Please take those:
http://lilypondtool.organum.hu/fileadmin/lilypondtool/lilypondtool-2.12-screenshot-400wide.png
http://lilypondtool.organum.hu/fileadmin/lilypondtool/lilypondtool-2.12-screenshot.png
Thank you,
Bert
Bertalan Fodor (LilyPondTool) wrote:
Ok, I'm going to create to
Federico Bruni schrieb:
Graham Percival wrote:
I'll be honest: I'm a bit disappointed that nobody has stepped
forward with a I love lilypond, I love making fancy stuff, I'll
make an awesome tablature/educational/orchestra example attitude.
(at least, nobody since Jonathan made the Goyescas
All the predefined accidental styles just do a number of property
settings and the underlying algorithms in LilyPond can easily give you
what you want, if you just can figure out how to do the settings.
Some documentation is available in the Internal Reference,
Using Lilypond 2.12.2, I'm trying to create midi output from guitar tablature
notation and I get an 'empty' midi file. The manual fails to specify that
the \midi { } block needs to be at the end of the \score { } block. But I
figured that out. Anyway, what is the 'trick' to getting a midi file
oldwhtman wrote:
Using Lilypond 2.12.2, I'm trying to create midi output from guitar tablature
notation and I get an 'empty' midi file. The manual fails to specify that
the \midi { } block needs to be at the end of the \score { } block. But I
figured that out. Anyway, what is the 'trick' to
try something like:
\score {
\new TabStaff {
\clef tab c d e f g
}
\midi {}
% \layout {}
}
if the midi file is empty you should uncomment the layout line to see what
score is produced and check the log!
--
View this message in
Federico Bruni wrote:
oldwhtman wrote:
Using Lilypond 2.12.2, I'm trying to create midi output from guitar
tablature
notation and I get an 'empty' midi file. The manual fails to specify
that
the \midi { } block needs to be at the end of the \score { } block.
But I
figured that out.
2009/10/16 Mats Bengtsson mats.bengts...@ee.kth.se:
If you cannot figure it out, please prepare a short example .ly file that
illustrates your problem, and send it to the mailing list. Then it's much
easier to provide relevant feedback.
Eluze's snippet shows the problem: tablature produces no
I am working on a song that has a free time cadenza at the beginning,
but am having a problem with the other instruments rests for the
duration of the cadenza. Also, the notes of the cadenza run to the right
edge of the page and disappear, the notes don't wrap down to create
another staff.
2009/10/16 chip c...@wiegand.org:
I am working on a song that has a free time cadenza at the beginning, but am
having a problem with the other instruments rests for the duration of the
cadenza.
Put the cadenza in a separate identifier (i.e., cadenza = \relative
c'' { ... } ), then you can use
On Fri, Oct 16, 2009 at 10:33:01AM +0200, Federico Bruni wrote:
Graham Percival wrote:
I'll be honest: I'm a bit disappointed that nobody has stepped
forward with a I love lilypond, I love making fancy stuff, I'll
make an awesome tablature/educational/orchestra example attitude.
(at least,
Hi Graham,
thank you for your effort!
Op woensdag 14 oktober 2009 schreef Graham:
This image
http://www.xs4all.nl/~wbsoft/files/frescobaldi-lilypond-editor.png
could be used as an example of the Frescobaldi editor.
I'm thinking of a 400-pixel-wide screenshot, with another one (of
any
Dag,
Op dinsdag 13 oktober 2009 schreef Graham:
Anybody volunteers?
A piece (1 or 2 systems) of my large and quite complicated Reubke score?
http://code.google.com/p/lilymusic/source/browse/#svn/trunk/reubke/psalm94
http://icking-music-archive.org/ByComposer/Reubke.php
I would be willing to
got it to work, now one more issue that I haven't found the answer to in
the docs - I cannot get the empy measure's wider than the default
(whatever that may be). I can add all the spacer notes I want, but the
measure never gets any wider. What do I have to do to make an empty
measure wider?
Hey everyone, I was wondering if someone could help me create a template
similar to the makam template for Turkish music, but instead for Byzantine
music. I can make a guess from looking at the makam.ly how it works, but
there are a few parts I don't understand. First, in this code:
-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1
Am Freitag, 16. Oktober 2009 23:57:27 schrieb Glendan Lawler:
Hey everyone, I was wondering if someone could help me create a template
similar to the makam template for Turkish music, but instead for Byzantine
music. I can make a guess from
Glendan Lawler wrote Friday, October 16, 2009 10:57 PM
Caveat: I've answered you questions as best I can, although I really
know nothing about Turkish music.
Hey everyone, I was wondering if someone could help me create a
template
similar to the makam template for Turkish music, but instead
Thanks, added.
Cheers,
- Graham
On Fri, Oct 16, 2009 at 07:59:57AM +0200, Bertalan Fodor (LilyPondTool) wrote:
Please take those:
http://lilypondtool.organum.hu/fileadmin/lilypondtool/lilypondtool-2.12-screenshot-400wide.png
On Fri, Oct 16, 2009 at 11:15:17PM +0200, Wilbert Berendsen wrote:
Op woensdag 14 oktober 2009 schreef Graham:
I'm thinking of a 400-pixel-wide screenshot, with another one (of
any size) linked via a click here to continue.
Here is a small version (400 pixel):
On Fri, Oct 16, 2009 at 11:30:51PM +0200, Wilbert Berendsen wrote:
Op dinsdag 13 oktober 2009 schreef Graham:
Anybody volunteers?
A piece (1 or 2 systems) of my large and quite complicated Reubke score?
http://code.google.com/p/lilymusic/source/browse/#svn/trunk/reubke/psalm94
Hi LilyPonders,
I'm trying to write a function which will make a slur more rounded by
adjusting its middle points while leaving the note-attachments the same. I
came up with something that works--except that
when I try to modify two slurs, both slurs take on the new values for the
second one.
How do I move a tuplet number? With a kneed beam, the number gets
positioned nowhere near the beam:
%=
\version 2.13.4
\relative c' {
\times 2/3 {
\once \override Beam #'auto-knee-gap = #2
d a d,16[ a'' g]
}
}
Nick Payne wrote:
How do I move a tuplet number? With a kneed beam, the number gets
positioned nowhere near the beam:
%=
\version 2.13.4
\relative c' {
\times 2/3 {
\once \override Beam #'auto-knee-gap = #2
d a d,16[ a'' g]
}
}
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