Thanks James, I've just check that and doesn't work :(
It still gives me the same.
What I need its like having a new character consisting in the a in \super
mode with a dot under it.
4. \super a %with the a aligned over the dot
is that posible? Or ill have to investigate in the creation of chars
What about
\markup {
\line {4 \super { }}}
}
Note that LilyPond can use most Unicode characters.
Pato Press wrote:
Thanks James, I've just check that and doesn't work :(
It still gives me the same.
What I need its like having a new character consisting in the "a" in
\super mode with a
Thanks to all for the replies. An approach using chord structure would seem
difficult, since the voices are not kept separate. The \\ and { }
\\ {} structures should work, but don't seem very elegant compared to
writing separate voices. After some initial discussion with someone in the
Ok thats great!
even if I dont know how to find that character!!
eventualy I can copy paste :)
Its quite near to what Im looking for.
the thing is, is there a way to have the dot out of \super mode?
now that you show me these, I think that what I am looking for is for a way
of left-align the a
Wafaic wrote:
Hey,
I try to write a chord, but without success.
It is a Am7b5.
I'd like to have Am on the same level, and 7b5 a little up the rest of the
name.
Is there a solution?
Thanks,
Éric
Do you mean to typeset it as a superscript? See the Notation Reference,
1.8.2 Formatting
У сб, 2010-01-16 у 15:33 +, Graham Percival пише:
It would be nice if somebody could check the regtest comparison...
it's too late to recall 2.13.11 if it broke anything, but if it *did*
break something, the sooner we find out about it, the faster we can
fix it.
More info in the
Use charmap on Windows.
Could you create what you want in Paint or some other drawing problem?
It's getting hard for me to comprehend :)
This is what I understand:
\markup { \concat { 4 \super { \combine a \raise #-0.4 "." } } }
Rendering:
Pato Press wrote:
Ok thats great!
even if I
Am Montag, 18. Januar 2010 schrieb Pato Press:
Ok thats great!
even if I dont know how to find that character!!
eventualy I can copy paste :)
Here's your four: ⁴ ;-)
--
Gruß | Greetings | Qapla'
Kids in the back seat cause accidents. Accidents in the backseat cause kids.
signature.asc
Please, can anybody tell me how to set alla breve (C with a vertical line
through)?
Thanks in advance
Ove Ditlevsen
Professor Emeritus, dr.techn. Ove Ditlevsen
Department of Mechanical Engineering
Coastal, Maritime and Structural Engineering
Technical University of Denmark
Nils Koppels Allé
On Mon, Jan 18, 2010 at 9:47 AM, Dmytro O. Redchuk
brownian@gmail.com wrote:
У сб, 2010-01-16 у 15:33 +, Graham Percival пише:
It would be nice if somebody could check the regtest comparison...
it's too late to recall 2.13.11 if it broke anything, but if it *did*
break something, the
Ove Ditlevsen oveditlev...@mac.com writes:
Please, can anybody tell me how to set alla breve (C with a vertical
line through)?
\time 2/2
I see an example for it (as well as how to change this to 2/2 notation
if wanted) right in the obvious part of the notation reference, at
Musical
Alla breve (C with a vertical line through) is set by default with \time 2/2.
See Notation Reference 1.2.3 Time Signature
HTH
patrick
Original-Nachricht
Datum: Mon, 18 Jan 2010 11:14:58 +0100
Von: Ove Ditlevsen oveditlev...@mac.com
An: lilypond-user@gnu.org
Betreff: alla
Thanks everyone for the help!!! I got it!
\version 2.12.2
\markup{
\bold{
4.
\raise #0.5 {
\hspace #-2
a
}
}
}
try these and you'll what I was looking for.
Again thanks!
Oh! Frank, next time if you are not interested, just pass over the threat
instead of making
Wafaic wrote:
Not exactly.
I can't find a way to write in full Am7b5.
And if I find a way, I'd like to write Am on one level, and 7b5 a little
higher.
Maybe this is something for you.
http://lsr.dsi.unimi.it/LSR/Item?id=608
It's a little tricky because your entry will be converted to
Hey, that's not an exotic chord, that's the common half-diminished one.
Use normal chord syntax.
\chords { a:m7.5- }
See
http://lilypond.org/doc/v2.12/Documentation/user/lilypond/Common-chord-modifiers#Common-chord-modifiers
TaoCG wrote:
Wafaic wrote:
Not exactly.
I can't find a way to
and if you want to display 2/2 then add the following line before
\numericTimeSignature
\time 2/2
Likewise for 4/4
Patrick Schmidt wrote:
Alla breve (C with a vertical line through) is set by default with \time 2/2.
See Notation Reference 1.2.3 Time Signature
HTH
patrick
On 1/18/10 2:24 AM, mike99 mike.br...@gmail.com wrote:
Carl's method of using partcombine allows for keeping the voice inputs
separate. This makes the code clearer, and is encouraging since it's still
undecided which notation to adopt; by changing a few declarations I could
use either
Hello,
I'm sure this is in the docs somewhere;
I've checked the index, sections 4.4 4.5, and the
snippets list, but I can't figure out how to write some
text (\markup?) above the clefs.
I'd also like to be able to move the text around that area
a little bit, for which I'm guessing that
У пн, 2010-01-18 у 10:20 +, Graham Percival пише:
1. Comparisons: go here, and select the version you want to check:
http://lilypond.org/test/
for example, v2.13.11-1
You'll see the difference in regtests between v2.13.10 and v2.13.11.
For any change, ask yourself if it's a change for
Apologies...I'm sure this is addressed somewhere (but I did search the
documentation and this forum!).
How do I add rehearsal letters to an existing score without going through
and adding a \mark for every letter in every part?
Thanks so much!
Randy
--
View this message in context:
У пн, 2010-01-18 у 14:18 +, Gerard McConnell пише:
Hello,
I'm sure this is in the docs somewhere;
I've checked the index, sections 4.4 4.5, and the
snippets list, but I can't figure out how to write some
text (\markup?) above the clefs.
I believe you can use \markup and take a look
rasAK randal_sm...@stanfordalumni.org writes:
Apologies...I'm sure this is addressed somewhere (but I did search the
documentation and this forum!).
How do I add rehearsal letters to an existing score without going through
and adding a \mark for every letter in every part?
You can likely
On Mon, Jan 18, 2010 at 04:27:26PM +0200, Dmytro O. Redchuk wrote:
For instance: In the ancient-accidental.ly regtest, the accidentals for
hufnagel and **MENSURAL** look exactly the same. Shouldn't they be
different? I don't know actually.
Well, ignore any regtests that you have no clue
Hi Gerard,
2010/1/18 Gerard McConnell gerry...@indigo.ie:
Hello,
I'm sure this is in the docs somewhere;
I've checked the index, sections 4.4 4.5, and the
snippets list, but I can't figure out how to write some
text (\markup?) above the clefs.
Well, actually there is a bug with
Hi Gerard (et al.),
I believe you can use \markup and take a look at selected snippets here:
http://lilypond.org/doc/v2.13/Documentation/notation/writing-text#text-marks
(Aligning marks with various notation objects)
[…]
May be 'X-offset or 'Y-offset or 'offset or 'extra-offset for
Hi Xavier,
Well, actually there is a bug with MetronomeMark (\tempo)
I don't believe it's a bug… it's officially an enhancement request. ;)
which prevents to align it the right way (i.e. left-aligned on time
signature for \tempo text).
Correct.
However, that still doesn't mean we should
У пн, 2010-01-18 у 10:07 -0500, Kieren MacMillan пише:
Hi Gerard (et al.),
I believe you can use \markup and take a look at selected snippets here:
http://lilypond.org/doc/v2.13/Documentation/notation/writing-text#text-marks
(Aligning marks with various notation objects)
[…]
May be
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Am Montag, 18. Januar 2010 16:15:00 schrieb Kieren MacMillan:
Hi Xavier,
Well, actually there is a bug with MetronomeMark (\tempo)
I don't believe it's a bug… it's officially an enhancement request. ;)
It is a bug. All music notation books
2010/1/18 Kieren MacMillan kieren_macmil...@sympatico.ca:
Hi Xavier,
I don't believe it's a bug… it's officially an enhancement request. ;)
:D
This enhancement would be very welcome (to my point of view). This is
the most annoying lack of feature I'm experiencing in my everyday-use
of
Hi Reinhold,
I don't believe it's a bug… it's officially an enhancement request. ;)
It is a bug. All music notation books say that metronome marks are supposed
to
be aligned with the time signature, which lilypond boldly disregards.
It's just not a regression, but still it's not correct
Dears list,
I have a little problem with the spacing between staves with lyrics.
When all the voices are singing and every voice has it's text,
everything is ok and evenly spaced. But when one or more voices are
silent the vertical space between the silent voices is reduced, giving
a very ugly
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Hash: SHA1
Dear Rodolfi,
Am Montag, 18. Januar 2010 17:33:26 schrieb Rodolfo Zitellini:
I have a little problem with the spacing between staves with lyrics.
When all the voices are singing and every voice has it's text,
everything is ok and evenly spaced.
Thank you, Graham. I didn't think the solution was so easy. So, thank again. I
really need accented vowels in italian scores.
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lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
I tested it with 2.12.2 and 2.13.3
thanks
Rodolfo
On Mon, Jan 18, 2010 at 5:57 PM, Reinhold Kainhofer
reinh...@kainhofer.com wrote:
-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1
Dear Rodolfi,
Am Montag, 18. Januar 2010 17:33:26 schrieb Rodolfo Zitellini:
I have a little problem with the
I want to know how to change the font for text inside a \lyricmode tag.
I were able to solve this by simply redefine all fonts, but that wasn't
is not that I wanted to get.
Yours, Robert C.
___
lilypond-user mailing list
lilypond-user@gnu.org
Carl Sorensen-3 wrote:
I set printPartCombineTexts to #f. I have just lived with it. But given
your experience with chords, I decided to try putting a chord with a
transparent note in the voice that needed the extra stem:
soprano = \relative c'' {
a f e d |
e g c b
}
alto
In message 27135776.p...@talk.nabble.com, -Eluze elu...@gmail.com
writes
hi
Replying to a week old post ... but I can't see any other replies ...
when i run the code below with snippet 632, the c' of the 2nd line - and the
following notes - are an octave to high - i would expect it to
I hadn't read the LM for some time and thought it would be nice to see
how it was doing. I started reading the 2.12 version and was
wonderfully surprised by the Introduction which gives great history and
context to understand the rest. I saw one document issue I thought I
might bring up with
Hi Robert,
I want to know how to change the font for text inside a \lyricmode tag.
Putting
\once \override LyricText #'font-shape = #'italic
just before a lyric will make it italic. Other font properties are similarly
modified.
Hope this helps!
Kieren.
On Mon, Jan 18, 2010 at 12:41:54PM -0800, Patrick Horgan wrote:
I saw one document issue I thought I
might bring up with the editors, so checked the 2.13 LM to see if it was
already dealt with before I bothered people with something that had
already been fixed. To my surprise, I
Robert Clausecker wrote:
I want to know how to change the font for text inside a \lyricmode tag.
I were able to solve this by simply redefine all fonts, but that wasn't
is not that I wanted to get.
Newbie though I may be, you'll find a
Hi,
I have just been getting into using Lilypond and Open Office with the plugin. I
really like the Lotus Symphoney setup. I know that the it is based in Open
Office I was wondering if there will be a Widget(IBM's format of plugins)for
Lotus Symphony?
It would be really a helpful tool when I am
I'll just use the new download on OS X and build it on linux when I
need a nightly.
Thanks,
-Eric
On Fri, Jan 15, 2010 at 4:43 PM, Eric Knapp ekn...@gmail.com wrote:
Hello,
I'm having problems trying to build lilypond from source. I just got
the source with this:
git clone
rasAK wrote:
Apologies...I'm sure this is addressed somewhere (but I did search the
documentation and this forum!).
How do I add rehearsal letters to an existing score without going through
and adding a \mark for every letter in every part?
Thanks so much!
Randy
--
View this
I'm trying to set a single vocal part. It has three stanzas with a refrain. The
music for the thirds stanza is slightly different from the music for the first
two, so I want the layout like this:
|: notes for stanzas 1 2 :| notes for stanza 3 ||
|: words for stanzas 1 2 :| words for stanza 3 ||
Helge Kruse-2 wrote:
Hello,
I think, vertical spacing issues have been discussed often here. But
even playing around with VerticalAxisGroup doesn't get my score in an
acceptible design.
The demerit is that the staves are pinned together while the dynamics
line gets huge space.
Hello, everyone.
I'm working on creating engravers in scheme. I have the example from
here:
http://codereview.appspot.com/181109/show
In the example file named, scheme-engraver.ly there is this piece of
code:
(cons 'rest-event (lambda (engraver event)
(let*
((x
Anthony W. Youngman wrote:
Replying to a week old post ... but I can't see any other replies ...
nice it did not just vanish…
I note you're using \relative - make sure you know relative to what.
\relative after a chord should just be relative to the first note in the
chord, shouldn't
Sorry, I didn't notice that this is double posted.
Post that got responses:
http://old.nabble.com/Adding-Rehearsal-Marks%2C-v2.12.2-ts27204042.html
--
View this message in context:
http://old.nabble.com/vertical-spacing-issue-tp27197518p27217782.html
Sent from the Gnu - Lilypond - User mailing
Thomas Scharkowski wrote:
Hi,
I use the following to get a centered header on all pages and page
numbers.
How can I avoid the page number on the first page?
Thank you,
Thomas
--
\paper {
oddHeaderMarkup = \markup \fill-line { A /Z \fromproperty
On 1/18/10 2:41 PM, Eric Knapp ekn...@gmail.com wrote:
Hello, everyone.
I'm working on creating engravers in scheme. I have the example from
here:
http://codereview.appspot.com/181109/show
In the example file named, scheme-engraver.ly there is this piece of
code:
(cons
On 1/18/10 2:01 PM, Philip DiTullio pditul...@berklee.net wrote:
Hi,
I have just been getting into using Lilypond and Open Office with the plugin.
I
really like the Lotus Symphoney setup. I know that the it is based in Open
Office I was wondering if there will be a Widget(IBM's format of
Hi Philip,
2010/1/18 Carl Sorensen c_soren...@byu.edu:
If you'd like to develop a widget, you'd be welcome to.
Or try to contact the developer of LilyPond plugin for OpenOffice, maybe
he could help you...
Cheers,
Xavier
--
Xavier Scheuer x.sche...@gmail.com
mike99 mike.brigu at gmail.com writes:
Carl Sorensen-3 wrote:
This does work, though I found another limitation. Because you have to place
the note head about one staff space down in order to avoid horizontal
displacement of the phantom note head, the stem protrudes further down (or
On Mon, Jan 18, 2010 at 1:51 PM, Graham Percival
gra...@percival-music.ca wrote:
On Mon, Jan 18, 2010 at 12:41:54PM -0800, Patrick Horgan wrote:
I saw one document issue I thought I
might bring up with the editors, so checked the 2.13 LM to see if it was
already dealt with before I bothered
Sorry, I tried it,
\chords { a:m7.5- }
but I did not get what I hope.
I have someting like this same appearence:
Aº , except that the little º looks like this: ø
Is there another solution?
With regards,
Eric
Bertalan Fodor (LilyPondTool) wrote:
Hey, that's not an exotic chord, that's the
Wafaic schrieb:
\chords { a:m7.5- }
but I did not get what I hope.
I have someting like this same appearence:
Aº , except that the little º looks like this: ø
Well, I hope I got your problem right: In Germany that's called 'halb
vermindert' (the English translation might be 'half
Andrew Hawryluk wrote:
Yes, it has all been retained (and expanded) in the new essay,
but only the PDF version is very pretty right now.
Andrew, does that mean automated-engraving.itexi and
automated-engraving/* can be removed from the source? We should
clean that up once we're finished with
stanzaoneandtwo = { music }
stanzatree = {music }
stanzaonandtwolyrics = {lyrics}
stanzathree = {lyrics}
Does that help?
On 18.01.2010, at 21:55, John Kelly wrote:
I'm trying to set a single vocal part. It has three stanzas with a
refrain. The
music for the thirds stanza is slightly
On 18.01.2010, at 21:55, John Kelly wrote:
I'm trying to set a single vocal part. It has three stanzas with a
refrainI want the layout like this:
|: notes for stanzas 1 2 :| notes for stanza 3 ||
|: words for stanzas 1 2 :| words for stanza 3 ||
One solution seems to be:
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