Am 09.05.2010 00:19, schrieb Han-Wen Nienhuys:
On Thu, May 6, 2010 at 5:10 AM, Lukasz Szydlowskils1.luk...@gmail.com wrote:
Hello,
Just want to report that according to Panda Antivirus,
the windows installer:
lilypond-2.12.3-1.mingw.exe
is infected with trojan Krap.AZ
Your antivirus
2010/5/9 Helge Kruse helge.kruse-nos...@gmx.net:
Am 09.05.2010 00:19, schrieb Han-Wen Nienhuys:
The windows binaries are created
from scratch on a linux machine. There is no way they can be
infected with anything.
But do you think, you have a absolutely secure working environment because
Dear list/forum,
I have written a score of a four hand piano piece.
Now I want to produce the 'practical edition', which should be as follows:
- The first player gets a 'normal' piano score on the right pages, the
second on the left pages
- both scores must have identical page breaks,
If I place tied notes in different staves of a PianoStaff, the tie is placed
at a quite strange position - and horizontally.
for example (within a PianoStaff context, both staves with the same clef):
\change Staff = lower
d2~
\change Staff = upper
d2
I also come across this problem with chords,
On Fri, May 7, 2010 at 4:13 PM, Graham Percival
gra...@percival-music.ca wrote:
Colin Campbell has been working with me on the Introduction of the
new website. However, we're still debating what to do with the
Easier editing page:
http://lilypond.org/website/easier-editing.html
I think
Dear community,
I have an unusual tremolo notation to typeset with LilyPond:
http://old.nabble.com/file/p28502145/tremolonotation_2.jpg
tremolonotation_2.jpg
The first part of the bar shows the real notes, the second part the
shorthand notation Webern used for the rest of the score.
With
Hi all,
this should probably be listed in Usage 4.4:
LilyPond can be integrated in Google Wave, WordPress, SPIP and
mediawiki.
Plug-ins:
1) http://code.google.com/p/lilypondy/
2) http://scorerender.abelcheung.org/
3) http://www.spip-contrib.net/Plugin-Lilyspip
4)
Am Sonntag, 9. Mai 2010, um 13:36:44 schrieb u_li:
I have an unusual tremolo notation to typeset with LilyPond:
http://old.nabble.com/file/p28502145/tremolonotation_2.jpg
tremolonotation_2.jpg
That's not an unusual tremolo, but rather a tremolo combined with a tuplet...
You will have to write
Hi Urs,
Is there a way to produce such an irregular tremolo (ending on the initial
note)?
I might suggest something like:
\version 2.13.18
\layout {
\context {
\Score
\override TupletBracket #'stencil = ##f
\override TupletNumber #'extra-offset = #'(0 . 0.3)
}
}
dlHalfOn =
Hi Reinhold:
You should be able to achieve this with
\times 6/9 { \repeat tremolo 3 {cis8 g }}
Nice! My solution was definitely less elegant.
But yours causes a barcheck failure at that duration -- it still needs to be
augmented to be durationally correct:
\version 2.13.18
tupletStuff =
Thanks for the idea.
I don't know If I had tried this before. But: While giving the correct
optical representation, your solution only occupies 2 quarter notes instead
of 3. Because I need 9 eights not six triplets.
I didn't try Kieren's solutions yet (which I'll do afterwards), but while
Hi Kieren,
many thanks for that.
I'll have to go through it again to understand what you did, but apparently
it works now!
Please understand that I don't try to work my way through your first idea
...
It's all quite complicated still ...
Best
Urs
Kieren MacMillan wrote:
Hi Reinhold:
This is also interesting:
http://www.methods.co.nz/asciidoc/music-filter.html
On Sun, 2010-05-09 at 13:45 +0200, Patrick Schmidt wrote:
Hi all,
this should probably be listed in Usage 4.4:
LilyPond can be integrated in Google Wave, WordPress, SPIP and
mediawiki.
Plug-ins:
1)
Sorry Kieren,
Now that I looked through your example more closely and understood what it
does, I realized that it does the same as my \scaleDurations solution.
So it still produces six prolonged triplets (i.e. six eights over the
duration of three quarters) instead of nine triplets.
So there is
I would have assumed that what you have taken as tremolo marks are actually
leger lines - are you sure they're not?
--
Phil Holmes
- Original Message -
From: u_li lilyp...@ursliska.de
To: lilypond-user@gnu.org
Sent: Sunday, May 09, 2010 12:36 PM
Subject: Irregular 9-tuplet tremolo
I'm not exactly sure what you mean.
Do you talk about the line below the left of the two empty note heads? Yes,
that's a ledger line.
There are no tremolo marks at all in the picture, but the second part of the
bar is meant to continue the pattern of the first part, i.e. 9 alternating
eights with
OK - so the original author was being lazy by writing it as a shorthand.
Perhaps the simplest thing would be to repeat the first set of 3 triplets to
make the second half of the bar?
--
Phil Holmes
- Original Message -
From: u_li lilyp...@ursliska.de
To: lilypond-user@gnu.org
Sent:
Maybe that's how to characterise it ;-)
This simplest thing is what I originally did, but it uses way too much space
- which probably is one of the reasons the author (Anton Webern) did it
like this in the first place.
As mentioned in another post I stick with the musically wrong but optically
I don't think you really should do this, as it is musically incorrect.
Whenever there is a tie or a slur across staves it is treated as a slur, and
in fact, sometimes repeated notes that are slurred are placed on different
staves and slurred. In other words, it would cause much confusion. Maybe
Am Sonntag, 9. Mai 2010, um 17:04:12 schrieb Phil Holmes:
OK - so the original author was being lazy by writing it as a shorthand.
Actually, it's not so much about being lazy, but about telling the performer
that are really only two notes involved. If you have 9 consecutive 8th notes,
you'll
Am Sonntag, 9. Mai 2010, um 18:24:45 schrieb searchfgold:
I don't think you really should do this, as it is musically incorrect.
Whenever there is a tie or a slur across staves it is treated as a slur,
I encountered this very problem with Vierne's Messe Solennelle (for choir and
two organs).
Am 2010-05-09 um 13:45 schrieb Patrick Schmidt:
this should probably be listed in Usage 4.4:
LilyPond can be integrated in Google Wave, WordPress, SPIP and
mediawiki.
Of course you can include LilyPond PDFs into everything, like print
layouts (Scribus, InDesign, XPress...)
Greetlings
Is there a way to produce such a kind of parallel page breaking
automatically?
Alas no.
Perhaps you can get some tricks in the archives
http://lists.gnu.org/archive/html/lilypond-user/
with search-key piano four hands
You 'll probably need some tools like that :
I'm sorry to read that.
Anyway, to keep things as simple as possible, I will put the page breaks
in a variable in a separate file. Then I will be able to switch them
easily by just commenting (out) a few \include lines when changing layout.
(Just in case someone else stumbles on this post
Thanks Reinhold,
that is very much what there is to it
Am 09.05.2010 18:41, schrieb Reinhold Kainhofer:
Am Sonntag, 9. Mai 2010, um 17:04:12 schrieb Phil Holmes:
OK - so the original author was being lazy by writing it as a shorthand.
Actually, it's not so much about being lazy, but
While I understand your objections, I have these examples in a score I have
to typeset:
http://old.nabble.com/file/p28505454/des.jpg des.jpg
http://old.nabble.com/file/p28505454/double.jpg double.jpg
They are from an unknown copyist after a score by Webern, and it may well be
decided (by me and
On 5/9/10 6:02 PM, Bernhard Ott bernhard@gmx.net wrote:
Hi,
I just had a hard time making subdivideBeams work: the subdivision
always started with an offset. I had a look at the beam-settings.scm and
I really can't figure out, why the my redefinition via
\overrideBeamSettings changes
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