Hi all,
2010/12/10 Marco Correia :
> Thanks!
>
> I can't believe that this is seen as a low priority enhancement...! This
> completely renders lilypond unusable for the task I need it, which is to serve
> as a printer for computer generated music. The output is not ugly - it is
> plain wrong!
I a
Hi,
2010/12/11 Jon W :
>
> Hi. I wrote a program in C that finds the solutions, if any exist, to a
> compositional problem specified in the command line. One of the output
> formats is lilypond. Some of the solutions involve clusters that lilypond
> does not display very well
I'm not familiar wit
How can I pass an argument to the emacs compile command? Usually, when I
compile something on the command line, I include a directory with tons of style
sheets with the -I argument. Is it possible to add this to emacs, or can I only
do it on the command line? Thanks in advance,
James
_
On 2010-12-12 09:48, James Bailey wrote:
How can I pass an argument to the emacs compile command? Usually, when I
compile something on the command line, I include a directory with tons of style
sheets with the -I argument. Is it possible to add this to emacs, or can I only
do it on the comman
On Dec 12, 2010, at 10:07 AM, Alexander Kobel wrote:
> On 2010-12-12 09:48, James Bailey wrote:
>>
>> How can I pass an argument to the emacs compile command? Usually, when I
>> compile something on the command line, I include a directory with tons of
>> style sheets with the -I argument. Is i
On 2010-12-12 10:07, Alexander Kobel wrote:
On 2010-12-12 09:48, James Bailey wrote:
How can I pass an argument to the emacs compile command? [...]
Hi, James,
C-h v LilyPond-command-alist gives me this: [...]
Value:
(("LilyPond" "Lilypond %s" "%s" "%l" "View")
[...])
Uh, I forgot to ment
I'm trying to put a partial measure in the middle of a score using \set
Timing.measurePosition
This works fine in a single voice score.
I have problems with a polyphonic score: if I place the command above in
second voice only, it works fine; if I place it in both voices, I get a
warning (barcheck
- Original Message -
From: "Jan Warchoł"
To:
Cc: "Lilypond Bugreports" ;
Sent: Sunday, December 12, 2010 8:19 AM
Subject: issue classification was: Odd output
Hi all,
2010/12/10 Marco Correia :
Thanks!
I can't believe that this is seen as a low priority enhancement...! This
compl
- Original Message -
From: "Federico Bruni"
To:
Sent: Sunday, December 12, 2010 10:10 AM
Subject: partial measure in the middle of a polyphonic score
I'm trying to put a partial measure in the middle of a score using \set
Timing.measurePosition
This works fine in a single voice scor
- Original Message -
From: "Phil Holmes"
To: "Federico Bruni" ;
Sent: Sunday, December 12, 2010 11:20 AM
Subject: Re: partial measure in the middle of a polyphonic score
- Original Message -
From: "Federico Bruni"
To:
Sent: Sunday, December 12, 2010 10:10 AM
Subject: parti
Il giorno dom, 12/12/2010 alle 11.59 +, Phil Holmes ha scritto:
> > I discovered some similar oddities with where you put \partial
> earlier in
> > the year. Is there any reason why you can't simply only put it in
> the
> > second voice?
No reason, I just wanted to understand if I was missi
Hello,
-Original Message-
From: bug-lilypond-bounces+james.lowe=datacore@gnu.org on behalf of Phil
Holmes
Sent: Sun 12/12/2010 11:59
To: Phil Holmes; Federico Bruni; lilypond-user@gnu.org; bug-lilyp...@gnu.org
Subject: Re: partial measure in the middle of a polyphonic score
>
> I
Hello,
-Original Message-
From: lilypond-user-bounces+james.lowe=datacore@gnu.org on behalf of
Reinhold Kainhofer
Sent: Sat 12/11/2010 22:08
To: lilypond-user@gnu.org
Cc: James Bailey
Subject: Re: double time signatures
Am Samstag, 11. Dezember 2010, um 21:18:40 schrieb James Baile
Brilliant! thanks for the fix.
I'll post it to LSR later today.
Best
Martin
On 12/11/2010 10:06 PM, Reinhold Kainhofer wrote:
Am Samstag, 11. Dezember 2010, um 20:33:43 schrieb Martin Kemp:
I have nearly got what I want with the following snippet but can't
currently centrally align 12 over
FWIW, Finale 2010 *does* support this if you put the notes in separate
layers (voices), add a courtesy accidental to the natural note, and fiddle
with the Accidental Mover and Note Position gui tools. It doesn't do the
right thing by default, though. Image attached.
So if pride in LilyPond's capa
> FWIW, Finale 2010 *does* support this if you put the notes in
> separate layers (voices), add a courtesy accidental to the natural
> note, and fiddle with the Accidental Mover and Note Position gui
> tools. It doesn't do the right thing by default, though. Image
> attached.
Well, *manually* yo
Greetings -
I'm running 2.12.3 under a slightly older version of Ubuntu.
The recent spanBar collision discussion came at a good time for me. I was
able to solve a collision of my own. However, I can't seem to figure out how
to get "mf, espr." to behave the way "meno f" does. Here's a minimal
exam
> "Ed" == Ed Ardzinski writes:
Ed> Does anyone have an opinion if it's a good manuscript program?
Ed> Not that I am interested in stopping my use of Lilypond...
I've been using it to import capella files (from the web -- it's the
Holborne dances on the Werner Icking site) and export
On Sun, 2010-12-12 at 10:46 -0500, Ralph Palmer wrote:
> Greetings -
>
> I'm running 2.12.3 under a slightly older version of Ubuntu.
>
> The recent spanBar collision discussion came at a good time for me. I
> was able to solve a collision of my own. However, I can't seem to
> figure out how to g
19 matches
Mail list logo
