Thanks so much Carl - I got it to run!
-James
On Apr 2, 2011, at 4:11 AM, Carl Sorensen wrote:
James,
It looks to me like you don't have your path set up right.
You should not be in the ~/bin directory to run lilypond.
Eliminate the links ~/bin/lilypond and ~/bin/maqam.ly.
move
Hello,
I find the culprit for my score. The staff lines are thick, and when the
staff size is reduced to 10, the space between two staff lines is very few. How
to make the staff lines thinner? My mother saw many Finale scores published by
our People's Music Publishing are very clear, and some
2011/4/4 flup2 phili...@philmassart.net:
\paper {
paper-width = 85\mm % largeur de la page
paper-height = 54\mm % hauteur de la page (taille du papier)
top-margin = 10\mm % distance entre le haut de la page et le premier
titre
ragged-right = ##f
line-width = 7\cm
left-margin =
On Mon 04 Apr 2011, 16:22 胡海鹏 - Hu Haipeng wrote:
Hello,
I find the culprit for my score. The staff lines are thick, and when the
staff size is reduced to 10, the space between two staff lines is very few.
How to make the staff lines thinner? My mother saw many Finale scores
published by
Lilypond 2.13.57 outputs midi in a extreme bad manner! Please compile a
piece you recently wrote, and you'll collapse when listening the result. All
note values are messed up, and in orchestral score, all instruments start at
the beginning, like a pan of boiling water!
Haipeng
Thanks. But I can't find the default value in the IR. Where's it?
Haipeng
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On Mon 04 Apr 2011, 16:52 胡海鹏 - Hu Haipeng wrote:
Thanks. But I can't find the default value in the IR. Where's it?
3.2.103 staff-symbol-interface:
http://lilypond.org/doc/v2.13/Documentation/internals/staff_002dsymbol_002dinterface
(this page is referenced from 3.1.101 StaffSymbol:
On Mon 04 Apr 2011, 16:48 胡海鹏 - Hu Haipeng wrote:
Lilypond 2.13.57 outputs midi in a extreme bad manner! Please compile a
piece you recently wrote, and you'll collapse when listening the result. All
note values are messed up, and in orchestral score, all instruments start at
the beginning,
Calling, written in 2006.
\version 2.13.7
\header {
tagline = ##f
dedication = \markup { \bold DEDICATED TO MY CLASSMATES IN THE COLLEGE FOR ADULTS }
title = \markup { \fontsize #2 Calling }
composer = \markup { \fontsize #3 \bold Hu Haipeng }
copyright = © 2006, All Rights
Lilypond 2.13.57 outputs midi in a extreme bad manner! Please
compile a piece you recently wrote, and you'll collapse when
listening the result. All note values are messed up, and in
orchestral score, all instruments start at the beginning, like a pan
of boiling water!
I've reported
On Apr 3, 2011, at 11:42 PM, Javier Ruiz-Alma wrote:
On Apr 3, 2011, at 7:31 PM, Javier Ruiz-Alma wrote:
Any ideas as to how best to approximate the trill plus fingering notiation
as shown in this image?
The closest I can get is:
a2.\trill^markup{\finger 3 2}
However, this doesn't
Hello
From: lilypond-user-bounces+james.lowe=datacore@gnu.org
[mailto:lilypond-user-bounces+james.lowe=datacore@gnu.org] On Behalf Of ???
- Hu Haipeng
Sent: 04 April 2011 09:52
To: Dmytro O. Redchuk
Cc: lilypond-user
Subject: Re:Re: How to thing a staff's lines
Thanks. But I can't find
Hi,
2011/4/4 胡海鹏 - Hu Haipeng hhpmu...@163.com
Again for the full score pagination. A professor first tried to read a4
version,
and he must use a magnifying glass. I then compiled the a3 version
(the link below, containing all score/parts/code/midi files).
He said that it's actually not
James Lowe wrote Monday, April 04, 2011 11:30 AM
Thanks. But I can't find the default value in the IR. Where's it?
Yes I cannot find it either
My route is this:
http://lilypond.org/doc/v2.13/Documentation/internals/staff_002dsymbol_002dinterface
Takes you to the starting point
and this
In my opinion, the simplest way to do this is to use the following:
\layout {
\context {
\RemoveEmptyStaffContext
\override VerticalAxisGroup #'remove-first = ##t
}
}
which gets rid of staves with no information in them, and then fill the staves
with Whole Measure Rests (WMRs)
Hi all,
I'm using several \book blocks in one .ly file. This results as
expected/desired in several output files such as foo.pdf, foo-1.pdf, foo-2.pdf,
etc. Is there a way to define the name of the output files in the .ly file?
Thus it wouldn't be necessary to rename the output files to
On Mon 04 Apr 2011, 15:22 Patrick Schmidt wrote:
Hi all,
I'm using several \book blocks in one .ly file. This results as
expected/desired in several output files such as foo.pdf, foo-1.pdf,
foo-2.pdf, etc. Is there a way to define the name of the output files in the
.ly file? Thus it
Am 04.04.2011 um 15:40 schrieb Dmytro O. Redchuk:
On Mon 04 Apr 2011, 15:22 Patrick Schmidt wrote:
Hi all,
I'm using several \book blocks in one .ly file. This results as
expected/desired in several output files such as foo.pdf, foo-1.pdf,
foo-2.pdf, etc. Is there a way to define the name
Looking through the mailing lists for a couple of years ago, there was some
discussion about implementing lute tablature for Lilypond. Did anything
ever come of this?
--
View this message in context:
http://old.nabble.com/Lute-tablature-tp31315089p31315089.html
Sent from the Gnu - Lilypond -
2011/4/4 Dmytro O. Redchuk brownian@gmail.com:
On Mon 04 Apr 2011, 16:22 胡海鹏 - Hu Haipeng wrote:
Hello,
I find the culprit for my score. The staff lines are thick,
and when the staff size is reduced to 10, the space between two staff lines
is very few.
How to make the staff lines
2011/4/4 northofscotland strath100-...@yahoo.co.uk:
Looking through the mailing lists for a couple of years ago, there was some
discussion about implementing lute tablature for Lilypond. Did anything
ever come of this?
I don't know much about tabulatures (is lute tab substantially
different
Hi !
Oh yes there are a few things about that. I did, in ancient time,
suggest a template in french here :
http://lists.gnu.org/archive/html/lilypond-user-fr/2010-08/msg00158.html.
But there are a lot of work around this !
Best regards.
JMarc
northofscotland a écrit :
Looking through the
Hi,
Last week a posted a request (see Adding text to rehearsal marks) for
help but so far didn't get any response. Therefore I decided to split
the problem in pieces, starting with the alignment of text marks.
I want to print a mark that consist of a rehearsal mark and a text and
want to
Hi,
2011/3/26 Damian leGassick damianlegass...@mac.com:
Hi all
I've been using lilypond for years but I still can't figure out the rationale
for
e.g.
bar numbers - why us it:
\override Score.BarNumber #'break-visibility blah (note capital B)
but
\set Score.currentBarNumber #blah
northofscotland wrote Monday, April 04, 2011 3:36 PM
Looking through the mailing lists for a couple of years ago, there
was some
discussion about implementing lute tablature for Lilypond. Did
anything
ever come of this?
Not sure which particular discussion you have in mind,
but I did have
Il giorno lun, 04/04/2011 alle 18.02 +0100, Trevor Daniels ha scritto:
Not sure which particular discussion you have in mind,
but I did have the intention of implementing ancient
lute tab after seeing the beautiful scores produced by
Fronimo.
you started a thread on the tablature mailing
Il giorno lun, 04/04/2011 alle 22.40 +0200, Federico Bruni ha scritto:
Il giorno lun, 04/04/2011 alle 18.02 +0100, Trevor Daniels ha scritto:
Not sure which particular discussion you have in mind,
but I did have the intention of implementing ancient
lute tab after seeing the beautiful
running onyx plus reboot has fixed this for me
d
On 1 Apr 2011, at 09:30, Frauke Jurgensen wrote:
This has happened to me in the past, and the problem goes away
completely with a re-boot.
On Fri, Apr 1, 2011 at 8:49 AM, Jan-Peter Voigt jp.vo...@gmx.de wrote:
Hello James,
thanks for
On Apr 3, 2011, at 7:31 PM, Javier Ruiz-Alma wrote:
Any ideas as to how best to approximate the trill plus fingering notiation as
shown in this image?
The closest I can get is:
a2.\trill^markup{\finger 3 2}
However, this doesn't show the cap over the digits, plus lilypond seems to
always
hello
.
On 4 Apr 2011, at 22:52, Damian leGassick damianlegass...@mac.com wrote:
running onyx plus reboot has fixed this for me
d
any particular operations or did you just clear/run everything?
James
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lilypond-user mailing list
Thanks. I don't know whether Lilypond can accomplish the result like this:
http://imslp.org/wiki/6_Pieces_for_Large_Orchestra,_Op.6_(Webern,_Anton
This is a real publishable layout, since there are no white spaces on the
pages. I mentioned it in my post irregula French Score.
Haipeng
From: m...@apollinemike.com m...@apollinemike.com
To: Javier Ruiz-Alma jav...@ruiz-alma.com
Sent: Mon, April 4, 2011 2:25:58 PM
Subject: Re: Trill notation with fingering
On Apr 4, 2011, at 5:23 PM, Javier Ruiz-Alma wrote:
On Apr 3, 2011, at 7:31 PM, Javier
On Apr 4, 2011, at 5:23 PM, Javier Ruiz-Alma wrote:
On Apr 3, 2011, at 7:31 PM, Javier Ruiz-Alma wrote:
Any ideas as to how best to approximate the trill plus fingering notiation
as
shown in this image?
The closest I can get is:
a2.\trill^markup{\finger 3 2}
However, this doesn't show the
I saw this in the new features list for LilyPond 2.13/14:
Aesthetics of shape note heads have been enhanced. Variable line thicknesses
have been implemented. [...]
I am curious what variable line thicknesses means here? Does it mean you can
set the thickness of individual staff lines, or
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