I saw this in the new features list for LilyPond 2.13/14:
"Aesthetics of shape note heads have been enhanced. Variable line thicknesses
have been implemented. [...]"
I am curious what "variable line thicknesses" means here? Does it mean you can
set the thickness of individual staff lines, or so
On Apr 4, 2011, at 5:23 PM, Javier Ruiz-Alma wrote:
>
>
>>>On Apr 3, 2011, at 7:31 PM, Javier Ruiz-Alma wrote:
>>>
>>>Any ideas as to how best to approximate the trill plus fingering notiation
>>>as
>>>shown in this image?
The closest I can get is:
a2.\trill^markup{\finger "3 2"}
>
From: "m...@apollinemike.com"
To: Javier Ruiz-Alma
Sent: Mon, April 4, 2011 2:25:58 PM
Subject: Re: Trill notation with fingering
On Apr 4, 2011, at 5:23 PM, Javier Ruiz-Alma wrote:
>
>
>>>On Apr 3, 2011, at 7:31 PM, Javier Ruiz-Alma wrote:
>>>
>>>Any ideas as
Thanks. I don't know whether Lilypond can accomplish the result like this:
http://imslp.org/wiki/6_Pieces_for_Large_Orchestra,_Op.6_(Webern,_Anton
This is a real publishable layout, since there are no white spaces on the
pages. I mentioned it in my post "irregula French Score".
Haipeng
__
hello
.
On 4 Apr 2011, at 22:52, "Damian leGassick" wrote:
> running onyx plus reboot has fixed this for me
>
> d
any particular operations or did you just clear/run everything?
James
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On Apr 3, 2011, at 7:31 PM, Javier Ruiz-Alma wrote:
>
>Any ideas as to how best to approximate the trill plus fingering notiation as
>shown in this image?
>>The closest I can get is:
>>
>>a2.\trill^markup{\finger "3 2"}
>>
>>However, this doesn't show the cap over the digits, plus lilypond seems
running onyx plus reboot has fixed this for me
d
On 1 Apr 2011, at 09:30, Frauke Jurgensen wrote:
> This has happened to me in the past, and the problem goes away
> completely with a re-boot.
>
> On Fri, Apr 1, 2011 at 8:49 AM, Jan-Peter Voigt wrote:
>> Hello James,
>>
>> thanks for your rep
Il giorno lun, 04/04/2011 alle 22.40 +0200, Federico Bruni ha scritto:
> Il giorno lun, 04/04/2011 alle 18.02 +0100, Trevor Daniels ha scritto:
> > Not sure which particular discussion you have in mind,
> > but I did have the intention of implementing ancient
> > lute tab after seeing the beautiful
Il giorno lun, 04/04/2011 alle 18.02 +0100, Trevor Daniels ha scritto:
> Not sure which particular discussion you have in mind,
> but I did have the intention of implementing ancient
> lute tab after seeing the beautiful scores produced by
> Fronimo.
you started a thread on the tablature mailing
northofscotland wrote Monday, April 04, 2011 3:36 PM
Looking through the mailing lists for a couple of years ago, there
was some
discussion about implementing lute tablature for Lilypond. Did
anything
ever come of this?
Not sure which particular discussion you have in mind,
but I did have
Hi,
2011/3/26 Damian leGassick :
> Hi all
>
> I've been using lilypond for years but I still can't figure out the rationale
> for
>
> e.g.
>
> bar numbers - why us it:
>
> \override Score.BarNumber #'break-visibility blah (note capital B)
>
> but
>
> \set Score.currentBarNumber #blah (note camelC
Hi,
Last week a posted a request (see "Adding text to rehearsal marks") for
help but so far didn't get any response. Therefore I decided to split
the problem in pieces, starting with the alignment of text marks.
I want to print a mark that consist of a rehearsal mark and a text and
want to a
Hi !
Oh yes there are a few things about that. I did, in ancient time,
suggest a template in french here :
http://lists.gnu.org/archive/html/lilypond-user-fr/2010-08/msg00158.html.
But there are a lot of work around this !
Best regards.
JMarc
northofscotland a écrit :
Looking through the ma
2011/4/4 northofscotland :
>
> Looking through the mailing lists for a couple of years ago, there was some
> discussion about implementing lute tablature for Lilypond. Did anything
> ever come of this?
I don't know much about tabulatures (is lute tab substantially
different than guitar tab?), but
2011/4/4 Dmytro O. Redchuk :
> On Mon 04 Apr 2011, 16:22 胡海鹏 - Hu Haipeng wrote:
>> Hello,
>> I find the culprit for my score. The staff lines are thick,
>> and when the staff size is reduced to 10, the space between two staff lines
>> is very few.
>> How to make the staff lines thinner? My moth
Looking through the mailing lists for a couple of years ago, there was some
discussion about implementing lute tablature for Lilypond. Did anything
ever come of this?
--
View this message in context:
http://old.nabble.com/Lute-tablature-tp31315089p31315089.html
Sent from the Gnu - Lilypond - Us
Am 04.04.2011 um 15:40 schrieb Dmytro O. Redchuk:
> On Mon 04 Apr 2011, 15:22 Patrick Schmidt wrote:
>> Hi all,
>>
>> I'm using several \book blocks in one .ly file. This results as
>> expected/desired in several output files such as foo.pdf, foo-1.pdf,
>> foo-2.pdf, etc. Is there a way to defin
2011/4/4 Brent Annable :
> Hello everybody,
>
> I'm currently trying to produce a piece that is mostly on two staves, but at
> the end splits briefly into four staves and then back into two. I'm doing it
> by adding the extra staves to the top staff for those few bars and forcing
> line breaks so t
On Mon 04 Apr 2011, 15:22 Patrick Schmidt wrote:
> Hi all,
>
> I'm using several \book blocks in one .ly file. This results as
> expected/desired in several output files such as foo.pdf, foo-1.pdf,
> foo-2.pdf, etc. Is there a way to define the name of the output files in the
> .ly file? Thus it w
Hi all,
I'm using several \book blocks in one .ly file. This results as
expected/desired in several output files such as foo.pdf, foo-1.pdf, foo-2.pdf,
etc. Is there a way to define the name of the output files in the .ly file?
Thus it wouldn't be necessary to rename the output files to somethi
In my opinion, the simplest way to do this is to use the following:
\layout {
\context {
\RemoveEmptyStaffContext
\override VerticalAxisGroup #'remove-first = ##t
}
}
which gets rid of staves with no information in them, and then fill the staves
with Whole Measure Rests (WMRs) except
James Lowe wrote Monday, April 04, 2011 11:30 AM
Thanks. But I can't find the default value in the IR. Where's it?
Yes I cannot find it either
My route is this:
http://lilypond.org/doc/v2.13/Documentation/internals/staff_002dsymbol_002dinterface
Takes you to the starting point
and this l
Hi,
2011/4/4 胡海鹏 - Hu Haipeng
>
> Again for the full score pagination. A professor first tried to read a4
> version,
> and he must use a magnifying glass. I then compiled the a3 version
> (the link below, containing all score/parts/code/midi files).
> He said that it's actually not the problem o
Hello
From: lilypond-user-bounces+james.lowe=datacore@gnu.org
[mailto:lilypond-user-bounces+james.lowe=datacore@gnu.org] On Behalf Of ???
- Hu Haipeng
Sent: 04 April 2011 09:52
To: Dmytro O. Redchuk
Cc: lilypond-user
Subject: Re:Re: How to thing a staff's lines
Thanks. But I can't find
On Apr 3, 2011, at 11:42 PM, Javier Ruiz-Alma wrote:
> On Apr 3, 2011, at 7:31 PM, Javier Ruiz-Alma wrote:
>
>> Any ideas as to how best to approximate the trill plus fingering notiation
>> as shown in this image?
>> The closest I can get is:
>>
>> a2.\trill^markup{\finger "3 2"}
>>
>> Howe
> Lilypond 2.13.57 outputs midi in a extreme bad manner! Please
> compile a piece you recently wrote, and you'll collapse when
> listening the result. All note values are messed up, and in
> orchestral score, all instruments start at the beginning, like a pan
> of boiling water!
I've reported
Calling, written in 2006.
\version "2.13.7"
\header {
tagline = ##f
dedication = \markup { \bold "DEDICATED TO MY CLASSMATES IN THE COLLEGE FOR ADULTS" }
title = \markup { \fontsize #2 "Calling" }
composer = \markup { \fontsize #3 \bold "Hu Haipeng" }
copyright = "© 2006, All Right
On Mon 04 Apr 2011, 16:48 胡海鹏 - Hu Haipeng wrote:
> Lilypond 2.13.57 outputs midi in a extreme bad manner! Please compile a
> piece you recently wrote, and you'll collapse when listening the result. All
> note values are messed up, and in orchestral score, all instruments start at
> the beginni
On Mon 04 Apr 2011, 16:52 胡海鹏 - Hu Haipeng wrote:
> Thanks. But I can't find the default value in the IR. Where's it?
"3.2.103 staff-symbol-interface":
http://lilypond.org/doc/v2.13/Documentation/internals/staff_002dsymbol_002dinterface
(this page is referenced from "3.1.101 StaffSymbol":
http://l
Thanks. But I can't find the default value in the IR. Where's it?
Haipeng
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Lilypond 2.13.57 outputs midi in a extreme bad manner! Please compile a
piece you recently wrote, and you'll collapse when listening the result. All
note values are messed up, and in orchestral score, all instruments start at
the beginning, like a pan of boiling water!
Haipeng
___
On Mon 04 Apr 2011, 16:22 胡海鹏 - Hu Haipeng wrote:
> Hello,
> I find the culprit for my score. The staff lines are thick, and when the
> staff size is reduced to 10, the space between two staff lines is very few.
> How to make the staff lines thinner? My mother saw many Finale scores
> publishe
2011/4/4 flup2 :
> \paper {
> paper-width = 85\mm % largeur de la page
> paper-height = 54\mm % hauteur de la page (taille du papier)
> top-margin = 10\mm % distance entre le haut de la page et le premier
> titre
> ragged-right = ##f
> line-width = 7\cm
> left-margin = 0.5\cm
> }
I su
Hello,
I find the culprit for my score. The staff lines are thick, and when the
staff size is reduced to 10, the space between two staff lines is very few. How
to make the staff lines thinner? My mother saw many Finale scores published by
our People's Music Publishing are very clear, and some
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