On Wed, Aug 3, 2011 at 10:34 PM, Adam Spiers
wrote:
> On Wed, Aug 3, 2011 at 5:37 AM, David Kastrup wrote:
>> David Kastrup writes:
>> Ragged-bottom or not, this is ugly and that should get reflected in the
>> scores.
>
> I agree 100% David! This is beginning to sound like a bug to me. I
> cou
Adam Spiers writes:
> On Wed, Aug 3, 2011 at 5:37 AM, David Kastrup wrote:
>>
>> Otherwise, the scoring does not care whether we have 5 pages with just a
>> single system and lots of bottom space, one full page, and 5 pages with
>> just a single system again.
>>
>> Ragged-bottom or not, this is
On Wed, Aug 3, 2011 at 5:37 AM, David Kastrup wrote:
> David Kastrup writes:
>> Joe Neeman writes:
So I have several questions:
- Is the behaviour I am experiencing (a system spilling over onto a
second page) correct or a bug? If correct, what's the best way to
a
Dear All,
Thanks to Xavier and Peter for sorting out what
was not such a problem.
The following amended code looks fine:
\version "2.14.2"
pianoOne = \relative c' { \time 6/8 \voiceOne
aes'4 g8 \once\override NoteColumn #'force-hshift = #1 fis4 g8 }
pianoTwo = \relative c' { \voiceTwo 4 8 4 8}
On 08/03/2011 06:07 PM, Reinhold Kainhofer wrote:
> Nope, Lilypond doesn't try to be a full text layout application. You
> cannot do multi-column text with automatic line- and
> column-breaking.
>
> I am using Latex for such things like preface, lyrics and
> translations (Initially I tried to use
Am Wednesday 03 August 2011, 22:32:39 schrieb Christopher R. Maden:
> So I’m trying to use \markuplines and \column-lines instead, but I can’t
> figure out how to actually get multiple columns with that. Is
> column-lines just a way of making lists? Is there a way to ask for a
> two-column multi-
Christopher R. Maden wrote:
>
> I can’t figure out how to actually get multiple columns
>
Hi,
check http://lsr.dsi.unimi.it/LSR/Item?id=464 LSR-Snippet 464
Cheers,
Harm
--
View this message in context:
http://old.nabble.com/Multi-column-text-tp32189675p32190224.html
Sent from the Gnu
jpatk wrote:
>
> I agree, it's a nice one. I might note, however, that this solution is
> closely connected to the "\break" that precedes the bar line I'm trying to
> color. Remove the break and the coloration disappears. Is it possible to
> color just the initial repeat bar line that occurs
Xavier Scheuer wrote:
>
> Nice one!
> Could you add it to the LSR?
>
> Cheers,
> Xavier
>
>
It is now http://lsr.dsi.unimi.it/LSR/Item?u=1&id=775 LSR-Snippet 775 but
the picture there doesn't show all features. See attachment.
Cheers,
Harm
http://old.nabble.com/file/p32189989/itemsAt
I have made a nice little book of the Irish tunes I know. The problem
is that many of these tunes have many names, so I made an index giving
all the known names.
If I use \markup and \column, I have to manually break lines and
columns, which is a bit of a pain in the neck:
\markup {
\f
Hi LilyPond support,
I need to insert numbers into the noteheads
of sheet music and went to your help page:
http://kainhofer.com/~lilypond/Documentation/notation/note-heads.html
It showed me how to insert the numbers for scales (1-7),
but I was looking to insert them 1-12, from
middle c up to
>
> Message: 8
> Date: Wed, 3 Aug 2011 20:36:58 +0200
> From: Xavier Scheuer
> To: harm6
> Cc: lilypond-user@gnu.org
> Subject: Re: how to color a repeat bar line?
> Message-ID:
>
> Content-Type: text/plain; charset=UTF-8
>
> On 3 August 2011 02:09, harm6 wrote:
>>
>> Hi,
>>
>> try:
On 3 August 2011 02:09, harm6 wrote:
>
> Hi,
>
> try:
>
> \version "2.14.1"
>
> #(define (color-at-line-begin g)
> (if (and (ly:item? g)
> (equal? (ly:item-break-dir g) RIGHT))
> (ly:grob-set-property! g 'color red)))
>
> \relative g' {
>\repeat volta 2 { a b c d }
>
Hello,
)-Original Message-
)From: lilypond-user-bounces+james.lowe=datacore@gnu.org
)[mailto:lilypond-user-bounces+james.lowe=datacore@gnu.org] On
)Behalf Of James Harkins
)Sent: 03 August 2011 19:28
)To: Phil Holmes
)Cc: lily-users
)Subject: Re: ossia with signatures where needed
Jerod,
)-Original Message-
)From: lilypond-user-bounces+james.lowe=datacore@gnu.org
)[mailto:lilypond-user-bounces+james.lowe=datacore@gnu.org] On
)Behalf Of Jerod Sommerfeldt
)Sent: 03 August 2011 17:46
)To: David Nalesnik
)Cc: Lilypond-User
)Subject: Re: Roman numeral analysis
)
At Wed, 3 Aug 2011 18:39:11 +0100,
Phil Holmes wrote:
> If you think it adds information not present in the LSR, please feel free to
> add it. Note that you will need to change the version statement, AFAIK -
> the LSR still runs 2.12.2, I believe.
Ah... I hadn't looked at the contributor interf
- Original Message -
From: "James Harkins"
To: "Xavier Scheuer"
Cc: "lily-users"
Sent: Wednesday, August 03, 2011 5:15 PM
Subject: Re: ossia with signatures where needed
At Wed, 3 Aug 2011 18:00:50 +0200,
Xavier Scheuer wrote:
You could use
\context Staff = "ossia" \with {
\
On Wed, Aug 3, 2011 at 11:45 AM, Jerod Sommerfeldt <
sommerfeldt.je...@gmail.com> wrote:
> Hi David (and all),
>
> This \rN function is really terrific and has a great look to it.
Thanks! I'm glad you like it!
> Is there any way to add this as a permanent addition to my LilyPond build?
> I d
Hi David (and all),
This \rN function is really terrific and has a great look to it. Is there any
way to add this as a permanent addition to my LilyPond build? I don't know the
particulars of adding or modifying my own functions to the application, but I'm
guessing once I know how to do it, t
On 3 August 2011 18:11, Reinhold Kainhofer wrote:
>
> The solution is not to create the ossia staff context at the very beginning,
> but right when you first need it.
>
> Example is attached.
I was about to suggest exactly the same thing!
With exactly the same code (and yeah, same indentation and
At Wed, 3 Aug 2011 18:00:50 +0200,
Xavier Scheuer wrote:
> You could use
>
> \context Staff = "ossia" \with {
> \override Clef #'stencil = ##f
> \override KeySignature #'stencil = ##f
> \override TimeSignature #'stencil = ##f
> } {
> \relative c' {
> c1
> \once \rev
On 3 August 2011 03:52, James Harkins wrote:
>
> Is it possible to create an ossia staff context where clefs and time
> signatures are displayed only when the staff is visible?
>
> I'm following the model of the 3rd example under "Ossia staves" in the
> notation reference -- creating a staff named
At Wed, 3 Aug 2011 16:45:23 +0100,
Phil Holmes wrote:
> Could you post a pdf or png of the "floating" furniture?
Even better: an example you can compile, which I was working on just before
getting your e-mail... not exactly a tiny example, but I needed to force the
example to cross a system boun
- Original Message -
From: "James Harkins"
To: "lily-users"
Sent: Wednesday, August 03, 2011 2:52 AM
Subject: ossia with signatures where needed
Is it possible to create an ossia staff context where clefs and time
signatures are displayed only when the staff is visible?
I'm followi
On 3 August 2011 17:24, Henning Hraban Ramm wrote:
>
> Does it help if you move \oneVoice after \time ?
>
> Are you sure there aren't any other voices, e.g. chords or dynamics?
Good spot (IMO)!
Urs, I assume you used a Dynamics context within your PianoStaff, you
probably did not add a \grace s
On 3 August 2011 03:11, Frederick Dennis wrote:
>
> Dear All,
> In this code:
>
> \version "2.14.2"
> pianoOne = \relative c' { \voiceOne aes'4 g8 fis4 g8 }
> pianoTwo = \relative c' { \voiceTwo 4 8 4 f>8}
>
> \score {
> \new PianoStaff <<
> \new Staff = "RH"
> << { \pianoOne } \\ { \pianoTwo } >
That's what I'd done if nobody could show me the right direction just
from looking at the basics.
Hennings hint showed me what I had forgot ...
Thank you nevertheless for digging so deep!
Best
Urs
Am 03.08.2011 17:35, schrieb Xavier Scheuer:
On 3 August 2011 17:14, Urs Liska wrote:
Well, tha
Am 03.08.2011 17:24, schrieb Henning Hraban Ramm:
Am 2011-08-03 um 15:34 schrieb Urs Liska:
Voice Four:
\oneVoice
\time 3/4
\grace { 8~ } \voiceTwo q2 s4 | %17
Does it help if you move \oneVoice after \time ?
Are you sure there aren't any other voices, e.g. chords or dynamics?
Hey, that
On 3 August 2011 17:14, Urs Liska wrote:
>
> Well, that's what I did (at least I think so).
> Oh, I just saw that I forgot to quote one voice (the singer's voice). But
> it's there in the original source file.
> So unfortunately it's not a solution :-(
Please send a code that is compilable by its
Am 2011-08-03 um 15:34 schrieb Urs Liska:
Voice Four:
\oneVoice
\time 3/4
\grace { 8~ } \voiceTwo q2 s4 | %17
Does it help if you move \oneVoice after \time ?
Are you sure there aren't any other voices, e.g. chords or dynamics?
Greetlings from Lake Constance
---
fiëé visuëlle
Henning Hrab
Am 03.08.2011 17:08, schrieb Xavier Scheuer:
On 3 August 2011 15:34, Urs Liska wrote:
Hi folks,
I run into a problem with a grace note.
It seems to be the problem described in NR 1.2.6, while here it is a time
signature that is printed twice.
In the NR it says to add corresponding skip graces t
On 3 August 2011 15:34, Urs Liska wrote:
>
> Hi folks,
> I run into a problem with a grace note.
> It seems to be the problem described in NR 1.2.6, while here it is a time
> signature that is printed twice.
> In the NR it says to add corresponding skip graces to the other staves, but
> that doesn
Hi folks,
I run into a problem with a grace note.
It seems to be the problem described in NR 1.2.6, while here it is a
time signature that is printed twice.
In the NR it says to add corresponding skip graces to the other staves,
but that doesn't seem to work in my case.
Maybe it has to do with
Am 03.08.2011 14:22, schrieb harm6:
u_li wrote:
Hi list,
I tried to adapt the shapeSlur_rev.ly function recently posted by David
Nalesik to also work for PhrasingSlurs and Ties.
However, when I use
\once \override Tie #'control-points = #(shape-slur $offsets)
as part of the function, th
Dear All,
In this code:
\version "2.14.2"
pianoOne = \relative c' { \voiceOne aes'4 g8 fis4 g8 }
pianoTwo = \relative c' { \voiceTwo 4 8 4 8}
\score {
\new PianoStaff <<
\new Staff = "RH"
<< { \pianoOne } \\ { \pianoTwo } >>
>>
}
the cautionary accidental has been moved to the next chord
and the
Hi James,
Aha, now that makes sense. That's funny, because I use the mv command in
Linux/Unix, but happened to have performed the rename action from the OS X
Finder.
I did do it correctly from the start since it seemed evident that the folder
needed to be renamed rather than moved, but may I r
Hi folks,
I run into a problem with a grace note.
It seems to be the problem described in NR 1.2.6, while here it is a
time signature that is printed twice.
In the NR it says to add corresponding skip graces to the other staves,
but that doesn't seem to work in my case.
Maybe it has to do with
Dear All,
In this code:
\version "2.14.2"
pianoOne = \relative c' { \voiceOne aes'4 g8 fis4 g8 }
pianoTwo = \relative c' { \voiceTwo 4 8 4 8}
\score {
\new PianoStaff <<
\new Staff = "RH"
<< { \pianoOne } \\ { \pianoTwo } >>
>>
}
the cautionary accidental has been moved to the next chord
and the
Hello,
Section 3.4.4 of the instructions
(http://lilypond.org/doc/v2.14/Documentation/notation/replacing-the-notation-font.html)
state:
"Download and extract the zip file. Copy the lilyfonts directory to
‘SHARE_DIR/lilypond/current’; for more information, see Other sources of
information. Mov
> I'm happy to look at the instructions we give in the documentation about
> changing the font in general, but it wasn't clear (to me) what you thought we
> should change.
Hi James,
Thanks for your reply. There's an inaccuracy in the LilyPond manual: "Move"
should be changed to "rename," since
At least one digest has appeared since I sent this, but it hasn't appeared yet.
I am assuming my original submission has been lost.
On Aug 2, 2011, at 8:23 PM, Patrick Karl wrote:
>
> On Aug 2, 2011, at 6:55 PM, James Lowe wrote:
>
>> Hello,
>>
>> From
Hi,
I'm quite new to the list, don't knowing where to report a bug, but I didn't
find any reference to it, so here it is:
The combination of setting a high-valued short-indent and a broken
phrasingSlur gives very ugly output:
\version "2.14.2"
\paper {
indent = 40
short-indent =40
ragged
2011/8/3 Urs Liska
>
> Hi list,
>
> I tried to adapt the shapeSlur_rev.ly function recently posted by David
> Nalesik to also work for PhrasingSlurs and Ties.
>
> However, when I use
>
> \once \override Tie #'control-points = #(shape-slur $offsets)
>
> as part of the function, the Tie isn't prin
David Kastrup writes:
> Joe Neeman writes:
>
>>> So I have several questions:
>>>
>>> - Is the behaviour I am experiencing (a system spilling over onto a
>>> second page) correct or a bug? If correct, what's the best way to
>>> avoid the spillage?
>>
>> \paper {
>> ragged-last-bottom =
Joe Neeman writes:
>> So I have several questions:
>>
>> - Is the behaviour I am experiencing (a system spilling over onto a
>> second page) correct or a bug? If correct, what's the best way to
>> avoid the spillage?
>
> \paper {
> ragged-last-bottom = ##f
> }
>
> By default, ragged-las
On Sun, Jul 31, 2011 at 6:49 AM, Adam Spiers
wrote:
> Hi all,
>
> I have a piece of music which should easily fit on one page, and
> indeed does until I change the paper size from A4 to US Letter, at
> which point the final system spills over onto a second page. The
> source and resulting PDF are
u_li wrote:
>
> Hi list,
>
> I tried to adapt the shapeSlur_rev.ly function recently posted by David
> Nalesik to also work for PhrasingSlurs and Ties.
>
> However, when I use
>
>\once \override Tie #'control-points = #(shape-slur $offsets)
>
> as part of the function, the Tie isn't pri
Hello
)-Original Message-
)From: lilypond-user-bounces+james.lowe=datacore@gnu.org
)[mailto:lilypond-user-bounces+james.lowe=datacore@gnu.org] On
)Behalf Of Keith OHara
)Sent: 03 August 2011 06:39
)To: lilypond-user@gnu.org
)Subject: Re: Lilypond crashes when compiling snippet
)
)
Hi,
Thank you for your replies, font size fine now.
peter
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Le Wed, 03 Aug 2011 05:10:11 +0200, Basso Ridiculoso
a écrit:
See enclosed file for example (requires Giles code below as an \include)
Just 2 comments.
1-You can use in your example \shiftDurations (well not a lot documented).
It will divise all whole notes by 4
Your code becomes :
%%%
Hi list,
I tried to adapt the shapeSlur_rev.ly function recently posted by David
Nalesik to also work for PhrasingSlurs and Ties.
However, when I use
\once \override Tie #'control-points = #(shape-slur $offsets)
as part of the function, the Tie isn't printed at all.
Is there any difference
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