On Thu, 30 Aug 2012, Pavel Roskin wrote:
Quoting David Kastrup :
What is wrong with specifying the paper size you want in the \paper
block?
I want to make the scores available to everybody. I want users across the
world to be able to find the music, create the PDF and print it with no
pr
On Thu, 30 Aug 2012, David Kastrup wrote:
What is wrong with specifying the paper size you want in the \paper
block?
More often than not, the global staff size and manual tweaks are set to
achieve a certain page layout. If LilyPond changed its behavior on
different computers, stuff would sto
As a separate question from the last, does anyone know of a simple way to override the quarter-tone notation in Lilypond? In particular, I want to replace half sharps with an upward arrow over the note, which is the de facto standard in the particular ethnomusicological area I work in. While the ha
Hello all,
I've got a pretty basic question, but looking through the manuals and trying
things out hasn't seemed to help me get closer to a solution.
I'm transcribing some songs I collected in the field and I need to have a volta
repeat in the music where the lyrics for two verses are listed un
Il 30/08/2012 03:58, Michael Rivers ha scritto:
I'm a relatively new LilyPond user, so I apologize if this is something I
should have found in the manual. I'm trying to use LilyPond to make
worksheets and theory tests, so I need to hide elements for students to fill
in themselves. I also need to
Federico Bruni writes:
> Il 30/08/2012 07:44, Ben Eichler ha scritto:
>> Hi there,
>>
>>
>> I transcribe music for guitar using a normal staff and tabstaff. About
>> 99% of the time, when I specify a string a note must be played on, I
>> don't want it to create a string notation on the normal sta
Il 30/08/2012 07:44, Ben Eichler ha scritto:
Hi there,
I transcribe music for guitar using a normal staff and tabstaff. About
99% of the time, when I specify a string a note must be played on, I
don't want it to create a string notation on the normal staff, I only
want it to change the string u
Hi there,
I transcribe music for guitar using a normal staff and tabstaff. About 99%
of the time, when I specify a string a note must be played on, I don't want
it to create a string notation on the normal staff, I only want it to
change the string used (and show the correct fret) on the TabStaff
Quoting David Kastrup :
What is wrong with specifying the paper size you want in the \paper
block?
I want to make the scores available to everybody. I want users across
the world to be able to find the music, create the PDF and print it
with no problems on the paper they have.
Specifyin
Hello David,
By "hairpin parenthesis I mean "parenthesized hairpin" like the one shown
on the snippet I provided.
--
Daniel E. Moctezuma
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"Daniel E. Moctezuma" writes:
> Using a snippet from LSR (http://lsr.dsi.unimi.it/LSR/Item?id=771) I've
> found that I get an "Unbound variable" error on $leftText.
> The way I've solved is to remove the $ sign from it as well as from
> $rightText.
Did you run
convert-ly -ed
on the file? That
Pavel Roskin writes:
> Quoting David Kastrup :
>
>> Pavel Roskin writes:
>
>>> Doesn't TeX respect LC_PAPER?
>>
>> No. TeX/LaTeX is letterpaper by default. You have to ask for a4paper
>> in the LaTeX source (or, in plain TeX, meddle with \hsize, \vsize and
>> stuff) explicitly to change the la
Quoting David Kastrup :
Pavel Roskin writes:
Doesn't TeX respect LC_PAPER?
No. TeX/LaTeX is letterpaper by default. You have to ask for a4paper
in the LaTeX source (or, in plain TeX, meddle with \hsize, \vsize and
stuff) explicitly to change the layout. While dvips has a default paper
s
Thanks a lot for the information.
Doing some research, I've seen both uses (bar number reset and number
continuation) as well as not using bar numbers at all (just using rehearsal
marks) and that's why I was confused.
--
Daniel E. Moctezuma
___
lilypond
Hello,
Using a snippet from LSR (http://lsr.dsi.unimi.it/LSR/Item?id=771) I've
found that I get an "*Unbound variable*" error on *$leftText*.
The way I've solved is to remove the *$* sign from it as well as from *
$rightText*.
So far so good, but I've noticed that if you do a *\break* before endi
I'm a relatively new LilyPond user, so I apologize if this is something I
should have found in the manual. I'm trying to use LilyPond to make
worksheets and theory tests, so I need to hide elements for students to fill
in themselves. I also need to notate rhythms without a staff. I know that
rhythm
Lilypond users:
1. I am running lilypond in frescobaldi. Can I run lilypond-book in frecobaldi
as well.
2. How can pass parameter to lilypond and or lilypond-book from frescobaldi?
Blessing in+,
Ming.
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On 08/29/2012 05:54 PM, David Rogers wrote:
On Tue, 28 Aug 2012 17:50:12 -0700
"Daniel E. Moctezuma" wrote:
Also, after an "attaca" indication should the bar numbers reset or
continue counting?
I take "attacca" to mean "Go straight on, even though it's a new piece".
Or new movement which is
On Tue, 28 Aug 2012 17:50:12 -0700
"Daniel E. Moctezuma" wrote:
>
> Also, after an "attaca" indication should the bar numbers reset or
> continue counting?
I take "attacca" to mean "Go straight on, even though it's a new piece".
Having the bar numbers continue would mean to me "This is not a n
2012/8/29 Daniel E. Moctezuma
> Hello LilyPonders,
>
> I am trying to do a title page / cover page using LaTex without too much
> success.
> The result I get is a Y-centered text (on LaTex) but with a noticeable
> space on X-axis (space at the right), in addition, the next pages (of
> music) have
Well... future patterns later in the piece are larger than hand size, and, it
plays fast and soft enough that I find it unreasonable to play with one hand.
Audio of the complete improvisation is at my site:
http://curtsiffert.com/anelusivesweetness .
On Aug 29, 2012, at 5:04 PM, Shane Brande
Looks to me that the cross tie stuff lies easily under the left hand alone.
Shane
On Wed, Aug 29, 2012 at 3:09 PM, Curt wrote:
>
> Thank you for the perspectives! It's nice to know that it comes across
> clearly. I was afraid it might look too cluttered but I can always also
> just play with
2012/8/29 Gilles :
>
I think only an LSR editor (like me) can do this. You want me to go
ahead and delete it [snippet 390]?
>>>
>>> Yes, please.
>>
>> Done.
>>
>
> Thanks Phil.
> Just a last thing that i cannot do myself :-(
> As the snippet 654 refers to snippet 390, is it possible to r
On Aug 29, 2012, at 2:48 PM, David Kastrup wrote:
> Like with the previous example, I am somewhat skeptic that this will
> work under all important circumstances, but it looks like a somewhat
> feasible hack, and at least seems to do a bit more than my first
> proposal.
>
> --
> David Kastrup
On Aug 29, 2012, at 2:48 PM, David Kastrup wrote:
> Curt writes:
>
>>> On Aug 29, 2012, at 12:33 PM, David Kastrup wrote:
>>>
>>>Try
>>>
>>>\include "english.ly"
>>>
>>>\drums \with { \accepts "Voice" }
>>>{
>>>ss hh
>>>\new Voice { \notemode { \clef treble a b c } }
Pavel Roskin writes:
> On Wed, 29 Aug 2012 01:19:48 +0200
> David Kastrup wrote:
>
>> Pavel Roskin writes:
>>
>> > Hello!
>> >
>> > I have noticed that Lilypond 2.16.0 uses A4 paper size even if the
>> > locale is set to en_US.utf8. I can force the letter output by using
>> >
>> > -dpaper-siz
Curt writes:
>> On Aug 29, 2012, at 12:33 PM, David Kastrup wrote:
>>
>> Try
>>
>> \include "english.ly"
>>
>> \drums \with { \accepts "Voice" }
>> {
>> ss hh
>> \new Voice { \notemode { \clef treble a b c } }
>> }
>
> ah-ha! Thank you David!! I'll read deepe
On Wed, 29 Aug 2012 01:19:48 +0200
David Kastrup wrote:
> Pavel Roskin writes:
>
> > Hello!
> >
> > I have noticed that Lilypond 2.16.0 uses A4 paper size even if the
> > locale is set to en_US.utf8. I can force the letter output by using
> >
> > -dpaper-size=\"letter\"
> >
> > but that seems
I think only an LSR editor (like me) can do this. You want me to go
ahead and delete it [snippet 390]?
Yes, please.
Done.
Thanks Phil.
Just a last thing that i cannot do myself :-(
As the snippet 654 refers to snippet 390, is it possible to replace, in
654, the sentence :
"This snip
Hello LilyPonders,
I am trying to do a title page / cover page using LaTex without too much
success.
The result I get is a Y-centered text (on LaTex) but with a noticeable
space on X-axis (space at the right), in addition, the next pages (of
music) have indentation on the left and at the top, resu
ah-ha! Thank you David!! I'll read deeper on \with and \accepts.
Curt
On Aug 29, 2012, at 12:33 PM, David Kastrup wrote:
> Try
>
> \include "english.ly"
>
> \drums \with { \accepts "Voice" }
> {
> ss hh
> \new Voice { \notemode { \clef treble a b c } }
> }
Curt writes:
> I have an orchestral film cue where a percussionist waits a few bars,
> plays a few glockenspiel notes, waits several bars, and switches to
> suspended cymbal for a roll. It seems a waste of score space to make
> it two separate staves. But I am having trouble figuring out how to
>
I have an orchestral film cue where a percussionist waits a few bars, plays a few glockenspiel notes, waits several bars, and switches to suspended cymbal for a roll. It seems a waste of score space to make it two separate staves. But I am having trouble figuring out how to switch from \drummode
Thank you for the perspectives! It's nice to know that it comes across
clearly. I was afraid it might look too cluttered but I can always also just
play with the staff spacing a bit.
Curt
On Aug 29, 2012, at 5:06 AM, David Nalesnik wrote:
> Hi Curt,
>
> On Wed, Aug 29, 2012 at 2:30 AM, Fra
"Phil Holmes" writes:
> - Original Message -
> From: "Francisco Vila"
> To: "Phil Holmes"
> Cc: "David Kastrup" ;
> Sent: Wednesday, August 29, 2012 1:56 PM
> Subject: Re: Right way of specifying engraver name?
>
>
>> 2012/8/29 Phil Holmes :
Ah right. We must improve this documen
2012/8/29 Phil Holmes :
>> We say just "using the Span_stem_engraver" but the user can be
>> confused when adding/removing other engravers because it is sometimes
>> #Name_engraver and sometimes "Name_engraver".
>
>
>
> I don't believe that would be the right place to change anything. Everything
>
- Original Message -
From: "Francisco Vila"
To: "Phil Holmes"
Cc: "David Kastrup" ;
Sent: Wednesday, August 29, 2012 1:56 PM
Subject: Re: Right way of specifying engraver name?
2012/8/29 Phil Holmes :
Ah right. We must improve this documentation bit. Are there more cases
like this?
2012/8/29 Phil Holmes :
>> Ah right. We must improve this documentation bit. Are there more cases
>> like this?
>
>
>
> Which bit of the documentation?
http://lilypond.org/doc/v2.17/Documentation/notation/common-notation-for-keyboards#cross_002dstaff-stems
We say just "using the Span_stem_engrave
- Original Message -
From: "Francisco Vila"
To: "David Kastrup"
Cc:
Sent: Wednesday, August 29, 2012 1:36 PM
Subject: Re: Right way of specifying engraver name?
2012/8/29 David Kastrup :
Span_stem_engraver is written in Scheme and not registered as
a C++ engraver. As one consequen
2012/8/29 David Kastrup :
> Span_stem_engraver is written in Scheme and not registered as
> a C++ engraver. As one consequence, it is not appearing in the
> internals documentation along with other engravers. There currently is
> no way to register an engraver from Scheme.
Ah right. We must impr
Francisco Vila writes:
> Hello,
>
> in the following score for 2.16
>
> \score {
> \new PianoStaff <<
> \new Staff
> \crossStaff { q }
> \new Staff
> \crossStaff { \clef bass q }
> >>
> }
>
> \layout {
> \context {
> \PianoStaff
> \consists #Span_stem_engraver
>
Hello,
in the following score for 2.16
\score {
\new PianoStaff <<
\new Staff
\crossStaff { q }
\new Staff
\crossStaff { \clef bass q }
>>
}
\layout {
\context {
\PianoStaff
\consists #Span_stem_engraver
}
\context {
\Staff
\remove "Bar_engraver"
}
}
Hi Curt,
On Wed, Aug 29, 2012 at 2:30 AM, Francisco Vila wrote:
> 2012/8/29 Curt
>> The actual question is wondering if anyone thinks there is a
>> better/clearer way to notate the following figure. Hands alternating, with
>> melody in the pinky. The pattern continues throughout the piece (wit
> This is how I've defined it in the past:
>
> attacca =
> {
> \once \override Score.RehearsalMark #'break-visibility =
> #begin-of-line-invisible
> \once \override Score.RehearsalMark #'direction = #DOWN
> \once \override Score.RehearsalMark #'font-size = 1
> \once \override Score.Rehears
Shevek writes:
> First off, thanks to all the people who worked on 2.16! I'm super excited
> about it, and I'm already noticing drastically reduced compile times for my
> large projects, compared to 2.14.
>
> I'm looking at updating my snippet library, and the first issue I've run
> into is that
- Original Message -
From: "Gilles"
To: ; "David Kastrup" ; "Phil Holmes"
Sent: Tuesday, August 28, 2012 10:49 PM
Subject: Re: how to update the makerhythm-snippet
I think only an LSR editor (like me) can do this. You want me to go
ahead and delete it?
Yes, please.
Gilles
2012/8/29 Curt
> The actual question is wondering if anyone thinks there is a
> better/clearer way to notate the following figure. Hands alternating, with
> melody in the pinky. The pattern continues throughout the piece (with
> different notes). Right hand stays in the same general location, r
2012/8/29 Curt
>
> Hi, a question and a meta-question. The meta-question is, is there a more
> appropriate list to ask for suggestions on the best way to notate something?
> I occasionally have questions just about the clearest notation choice.
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