On 04/09/12 15:12, pabuhr wrote:
The following snippet illustrates two problem I'm struggling with.
1. In the first bar, the finger number "2" is not beside the B note because of
the sharp above it in a different voice. I can tweak the finger number back
into position beside the B note,
The following snippet illustrates two problem I'm struggling with.
1. In the first bar, the finger number "2" is not beside the B note because of
the sharp above it in a different voice. I can tweak the finger number back
into position beside the B note, but I have a number of these cases in
On 4 sept. 2012, at 01:36, Mogens Lemvig Hansen wrote:
> Dear List,
>
> How do I add a footnote to lyrics printed with the music?
> The code below does, of course, not work, but I hope it explains what I want.
>
> \version "2.16.0"
>
> \score { <<
> { a' b' c'' d'' }
> \addlyrics { One two th
Hi there,
How can I change the vertical order of articulation marks? I'd like tenuto
lines to be closest to notes, and accents further away, but I can only get
the reverse order. I see script priority in the docs, but it seems that
articulation marks would have equal script priorities -- right? I'
At Mon, 03 Sep 2012 16:12:52 -0400,
lilypond-user-requ...@gnu.org wrote:
> From: "Peter Gentry"
> To:
> Subject: RE: lilypond-user Digest, Vol 118, Issue 12
> Message-ID:
> Content-Type: text/plain; charset="us-ascii"
>
> Hmm I had thought it was clear... >snip<
>
> >-Original Message--
Thanks, Eluze and David! It looks just how I want it now. J
On Mon, Sep 3, 2012 at 6:20 PM, David Nalesnik wrote:
> Hi Jeffrey,
>
> On Mon, Sep 3, 2012 at 7:40 PM, Jeffrey Trevino
> wrote:
> > Eluze! Exactly. Thank you so much. But the two symbols are overlapping
> with
> > one another. How do y
Hi Jeffrey,
On Mon, Sep 3, 2012 at 7:40 PM, Jeffrey Trevino
wrote:
> Eluze! Exactly. Thank you so much. But the two symbols are overlapping with
> one another. How do you think I should make sure that the upbow symbol isn't
> drawn on top of the downbow symbol? J
>
What about:
{
c'^\markup {
Hi there,
I'm having trouble finding the correct overrides to change rehearsal mark
formatting. I'd like to change the font name used for the marks, as well as
the amount of white space between the number and the drawn circle or box
(so that there is more white space between the number or letter a
Eluze! Exactly. Thank you so much. But the two symbols are overlapping with
one another. How do you think I should make sure that the upbow symbol
isn't drawn on top of the downbow symbol? J
On Mon, Sep 3, 2012 at 3:33 AM, eluze wrote:
>
> Jeffrey Trevino wrote
> >
> > Hi there,
> >
> > I'd like
Dear List,
How do I add a footnote to lyrics printed with the music?
The code below does, of course, not work, but I hope it explains what I
want.
\version "2.16.0"
\score { <<
{ a' b' c'' d'' }
\addlyrics { One two three \footnote "The note" four }
>>
}
Regards,
Mogens
___
On Mon, 03 Sep 2012 06:48:22 +0200 (CEST)
Werner LEMBERG wrote:
>
> > I found in the Regression Tests what I was looking for
> > (glissando-broken-multiple.ly). It solves some points in my scores,
> > that I was afraid not to code in LP. Really a wonderful job,
> > especially for contemporary m
I use partcombine a lot because I am working on a full orchestral score and I
need to switch between writing e.g. clarinets on a single staff and
clarinets on separate staves. Because of the demands of this notational
situation, I always use the manual partcombine commands, rather than the
automati
Thanks a lot, David! I'm going to have to study this for a while before it
makes sense to me.
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/updating-tremolo-snippet-for-2-16-tp131548p132142.html
Sent from the User mailing list archive at Nabble.com.
___
Il 03/09/2012 00:06, Christopher R. Maden ha scritto:
I'm writing a book where there are normal pieces, which need a page
>break and so \bookpart is ok. But there are also some short
> exercises, each in a separate file, and I don't want a page break
> after each small exercise. OTOH, if I
Phil Holmes philholmes.net> writes:
> I've started setting a bit of mensural music, from Dufay. All of the music
> uses a C clef, similar to the mensural-c. However, the gap between the
> upper and lower half of the clef is _exactly_ centred on the c staff line.
The gap should be centered
Il 03/09/2012 00:06, Christopher R. Maden ha scritto:
Remember you can have multiple scores in each bookpart, and a score
can have its own title.
Yes, but the title of \score blocks is printed only if you set
print-all-headers to ##t, which in turn causes a mess in that configuration.
It's wh
Hmm I had thought it was clear - but only in my mind. The second example
centerd the text but split what I intended for a single
line into four lines.
The one solution thanks to help from Phil Holmes was
stamp = \markup{\concat { "Engraved " \bold \date " with " \with-url
#"http://lilypond.o
I've started setting a bit of mensural music, from Dufay. All of the music
uses a C clef, similar to the mensural-c. However, the gap between the
upper and lower half of the clef is _exactly_ centred on the c staff line.
Compare this with the lilypond mensural C clef - it's centred on the B
b
On Sep 3, 2012, at 7:10 AM, Keith OHara wrote:
> james googlemail.com> writes:
>
If you define an unusual key signature with G-flat and A-flat
\new Staff { \clef bass
\override Staff.KeySignature #'flat-positions = #'(5)
\set Staff.keySignature = #`(( 4 . ,FLAT) ( 5 .
The solution I was struggling towards was
stamp = \markup{\concat { Engraved \bold \date with \with-url
#"http://lilypond.org/"; "LilyPond " } }
I just never thought of the combination \markup and \concat in the definition
of my variable stamp - to busy thinking in c++ string
assignments.
D
- Original Message -
From: "Peter Gentry"
To: "'Phil Holmes'"
Sent: Monday, September 03, 2012 12:20 PM
Subject: RE: Markup Query
Phil
I want the result to be as the first, ie one text string centred on the
page.
I realise that the first example achieves this- however in general
- Original Message -
From: "Peter Gentry"
To:
Sent: Monday, September 03, 2012 11:52 AM
Subject: Markup Query
In the first method I have used hspace to centre the text
[snip]
This produces the line below
Engraved 03-09-2012 with Lilypond 2.14.2
(http://lily
Jeffrey Trevino wrote
>
> Hi there,
>
> I'd like to indicate that string instruments will need to re-bow during a
> very long note, through a common symbol: A downbow followed immediately by
> an upbow, appearing over a single note. (I guess string players might find
> this obvious from the dura
"Peter Gentry" writes:
> I have a line of text
>
> {\fontsize #1 Engraved \bold \date with \with-url
> #"http://lilypond.org/"; \line { LilyPond \simple #(lilypond-version)
> (http://lilypond.org/) } }
>
> call this TEXT in examples below
>
> \markuplines {
> \justifiedlin
Maybe I'm being thick, but I don't understand what you're trying to achieve.
Please could you type out your desired result?
Also - you seem to be sending text in HTML form, which makes it difficult for
Windows mail users (e.g. me) to reply in the mailing list's preferred method.
Please could
I have a line of text
{\fontsize #1 Engraved \bold \date with \with-url
#"http://lilypond.org/"; \line { LilyPond \simple #(lilypond-version)
(http://lilypond.org/) } }
call this TEXT in examples below
\markuplines {
\justifiedlines{
TEXT
On Mon, 03 Sep 2012 10:06:05 +0200
David Kastrup wrote:
> Tiresia GIUNO writes:
>
> > On Mon, 03 Sep 2012 06:48:22 +0200 (CEST)
> > Werner LEMBERG wrote:
> >>
> >> > I found in the Regression Tests what I was looking for
> >> > (glissando-broken-multiple.ly). It solves some points in my
> >>
Tiresia GIUNO writes:
> On Mon, 03 Sep 2012 06:48:22 +0200 (CEST)
> Werner LEMBERG wrote:
>>
>> > I found in the Regression Tests what I was looking for
>> > (glissando-broken-multiple.ly). It solves some points in my scores,
>> > that I was afraid not to code in LP. Really a wonderful job,
>
Hi there,
I'd like to indicate that string instruments will need to re-bow during a
very long note, through a common symbol: A downbow followed immediately by
an upbow, appearing over a single note. (I guess string players might find
this obvious from the duration of a note, but I'm copying a scor
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