When I encounter this situation I use:
\bar ":|"
\grace s16
\bar "|:"
in place of \re[eat volta.
I don't use \unfold so I wonder if the following would work for you:
\bar "||"
\grace s16
\bar "|:"
I'll also try \bar "||:" instead of using \grace.
On Tue, Jan 15, 2013 at 9:52 PM, Marc Hohl
Marc Hohl writes:
> Lilypond has a special bar line type for this: \bar "||:" should do
> the trick.
I agree with OP that LP should deal with this situation without
having to resort to tricks.
-- Johan
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keith Luke writes:
> When I encounter this situation I use:
>
> \bar ":|"
> \grace s16
> \bar "|:"
\bar "||" \break
\grace s16
\repeat volta 2 {
works as well.
-- Johan
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https:
Hi Kieren,
just stumbled across this thread. I once was trying to create an
engraver, that recognizes transposition/instrument changes and inserts a
time signature there. (IIRC it was a piece with a change between oboe
and english horn)
In the end I inserted tagged key-sigs, whenever I inserte
Hi list,
I'm just starting my first try with lilypond-book.
I see that I have to enter the code in my latex document, process this
document with lilypond-book and then compile the resulting file to get
my final pdf document.
But do I see correctly that I can't compile my original file with la
Urs Liska writes:
> But do I see correctly that I can't compile my original file with
> latex anymore (because of the undefined environment/command)?
> I find this inacceptable, because I want to be able to compile my
> original document at any time during its development.
>
> If I didn't miss so
Am 16.01.2013 11:27, schrieb David Kastrup:
Urs Liska writes:
...
Am I on the right track with this approach?
Or is there something wrong with it?
Well, what will always be wrong with it is that without using
LilyPond-book, you can only use embedded LilyPond in situations where
\verb and the ve
he image file,
> * otherwise it prints the source code verbatim.
>
>
>
> As lilypond-book is written in Python I might even contribute to that
> myself.
>
> Thanks for any opinions
> Urs
>
> -- next part --
> An HTML attachme
Urs Liska writes:
> Am 16.01.2013 11:27, schrieb David Kastrup:
>
> Urs Liska writes:
>
> ...
>
> Am I on the right track with this approach?
> Or is there something wrong with it?
>
> Well, what will always be wrong with it is that without using
> LilyPond-book, you can only
Urs Liska writes:
> Am 16.01.2013 11:27, schrieb David Kastrup:
>
> Urs Liska writes:
>
> ...
>
> Am I on the right track with this approach?
> Or is there something wrong with it?
I am not sure that this is actually a reasonably up-to-date variant of
the mechanism, but there is m
Eluze writes:
> Matthew Collett wrote
>> Adding e.g. \hspace #8 before the lyric \responsum does not move it much
>> to the right; mostly it just makes the rest of the line bunch up more.
>> Adding e.g. \tweak #'Y-offset #-8 before \mark has no visible effect
>> whatsoever.
>>
>> So can anyone s
Matthew Collett wrote
> Adding e.g. \hspace #8 before the lyric \responsum does not move it much
> to the right; mostly it just makes the rest of the line bunch up more.
> Adding e.g. \tweak #'Y-offset #-8 before \mark has no visible effect
> whatsoever.
>
> So can anyone suggest a way either:
> (
ond-book is written in Python I might even contribute to that
myself.
Thanks for any opinions
Urs
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2013/1/16 Francisco Vila :
> I use lilypond-book a lot and this problem is solved if you build your
> document using make or a bash script that does all the work. The
> script can create an out/ folder if it doesn't exist, tell
> lilypond-book to output all to out/, copy all needed files to out/,
>
Am 16.01.2013 12:24, schrieb Francisco Vila:
2013/1/16 Francisco Vila :
I use lilypond-book a lot and this problem is solved if you build your
document using make or a bash script that does all the work. The
script can create an out/ folder if it doesn't exist, tell
lilypond-book to output all t
2013/1/16 Urs Liska :
> Will this recompile all lilypond snippets or does lilypond-book somehow
> detect if there is a sufficiently current file availble?
Make will detect it and will only recompile what has changed. It is
based on rules that link a source file with a target along with
commands as
Hello,
For what concerns the files generated by lilypond-book, the scripts
(engines) written for TeXShop by Nicola Vitacolonna are a fine solution (at
least for Unix based system): these are shell scripts that store these files
in temporary folders.
But their huge usefulness is, for me, the use
2013/1/16 Kevin Patrick Barry :
> It generates a lot of extra files and folders that create clutter if you
> don't direct its output to a separate folder, but when I do that, links to
> other files (graphics for example) in the .tex file no longer work since
> it's in a different folder now (I keep
Am Mittwoch, 16. Januar 2013, 08:52:16 schrieb Marc Hohl:
> > Hello dear list
> >
> > I'm writing a score that has a \bar "||" at the end of a system, and a
> > volta repeat beginning in the following system after the line break. It
> > seems that the \bar command overwrites the |: of the followi
Frank Steinmetzger writes:
> I knew about the |: bar statement, but also that I can't use two bars for the
> same moment. The grace hint works like a charm, thanks Johan.
Credits -> Keith Luke
-- Johan
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Take a look at the following:
\set Score.markFormatter = #format-mark-numbers
s8
\mark #9 s8
\mark #10 s4
\set Score.markFormatter = #format-mark-circle-numbers
\mark #9 s8
\mark #10 s4
As you can see, when using circled numbered rehearsal m
David Kastrup wrote
>
> ly/gregorian.ly contains a predefined \responsum command. How does this
> relate to the problem discussed here?
I didn't know that - thanks for the hint!
so I added the relevant definitions from gregorian.ly:
#(define (add-prefix-to-lyrics prefix music)
(let ((found?
Am 16.01.2013 12:45, schrieb Peter Gentry:
I cannot suppress a page break which looks unnecessary - what am I doing wrong?.
I have included the example in the attached file which I hope does not contain
too much unnecessary data.
This looks like a w*rd document with some binary data in it – I
I agree - you have done an amazing job with this, thank you so much!
Ben
Jeffrey Trevino wrote
> Hi David,
>
> I really hope this ends up in Lilypond; you've clearly put a ton of work
> into this. And it's even commented now! Brilliant.
>
> It seems to be working just fine; I'll holler if the
On 17/01/2013, at 12:10 am, David Kastrup wrote:
> ly/gregorian.ly contains a predefined \responsum command. How does this
> relate to the problem discussed here?
Not at all: that simply prepends an "℟" to some text.
Best wishes,
Matthew
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Dear all,
Here's a trick that works better than the trick I posted earlier.
Add the following at the end of the music expression (e.g. after the last
note), or in a separate context having the same number of measures as the
music you want to engrave:
\label #'theLastPage
Best regards,
Olivier
Matthew Collett wrote
> So can anyone suggest a way either:
> (a) to move the mark down; or
> (b) to move the lyric "℟." to somewhere near the righthand end; or
> (c) to place a symbol in the desired position (under or just before the
> double bar, level with the lyrics) by some other method ent
On 16/01/2013, at 11:48 pm, Kevin Patrick Barry wrote:
> Since you asked for opinions I will offer mine. I do quite a bit of work
> with LaTeX and LilyPond, but I don't use lilypond-book for a couple of
> reasons.
...
> For those reasons I prefer to simply export images (Frescobaldi makes th
Hello,
For tablature, Is it possible to position note beams above the staff,
similar to the tab style in MuseScore 2.0? Please see this link for an
example:
http://tnovelli.net/music/1205-mscore2-tablature/Rondo_Alla_Turca.mscx-1-800x.png
Thanks,
Mason
___
Il 16/01/2013 22:38, Mason Austin Green ha scritto:
For tablature, Is it possible to position note beams above the staff,
similar to the tab style in MuseScore 2.0? Please see this link for an
example:
http://tnovelli.net/music/1205-mscore2-tablature/Rondo_Alla_Turca.mscx-1-800x.png
The easie
Matthew Collett wrote
> As I said in my reply to David, the \responsum from gregorian.ly is a red
> herring.
why don't you use the red herring and add
\override LyricText.extra-offset = #'(-2 . 0)
\responsum ""
in the code I proposed!?
Eluze
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View this message in context:
http://lilypon
On 17/01/2013, at 1:05 pm, Eluze wrote:
> why don't you use the red herring and add
>
> \override LyricText.extra-offset = #'(-2 . 0)
> \responsum ""
The suggestion of extra-offset is again a good one. Changing my definition of
\responsum to
responsum = \lyricmode { \once \override LyricText
On Tue, Jan 15, 2013 at 10:43 PM, Kieren MacMillan
wrote:
>> There's this: http://lsr.dsi.unimi.it/LSR/Item?id=697 which is useful
>> when the transposition changes mid-piece (like for clarinets, horns,
>> and trumpets). Also you don't have to think about the 'from' pitch.
>> You only need the 'to
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