Hallo,
I have attached two screenshots to document the kind of layout problem I have
with this snippet:
[...]
\time 3/4
\mark \default % here: L
\tempo 4 = 155
\mm Allegro a2 f4
d2 bes'4
a2.\( [...]
where
mm =
#(define-music-function
(parser location tempotext)
(string?)
#{
Stefan Vollmar voll...@nf.mpg.de writes:
Hallo,
I have attached two screenshots to document the kind of layout problem I have
with this snippet:
[...]
\time 3/4
\mark \default % here: L
\tempo 4 = 155
\mm Allegro a2 f4
d2 bes'4
a2.\( [...]
where
mm =
#(define-music-function
Hi all,
thank you very much for your feedback.
It is very valuable to me and gave me a lot of ideas to think about -
although I'd claim that the majority of comments mainly push in the same
direction I'd have taken on my own ;-)
I don't have the time to answer individually right now because I'm
Hi,
2013/4/22 Urs Liska li...@ursliska.de:
I'm in a hurry to prepare the material for the oral presentation.
Good luck! If a recording will be available, i'd gladly watch it.
I will leave out as much of the technical details as possible and focus
on an endorsement of what can be done (and
Am Montag, den 22.04.2013, 10:28 +0200 schrieb Janek Warchoł:
Hi,
2013/4/22 Urs Liska li...@ursliska.de:
I'm in a hurry to prepare the material for the oral presentation.
Good luck! If a recording will be available, i'd gladly watch it.
No, surely not in that context.
I will leave
Urs Liska li...@ursliska.de writes:
[...] MusicXML [...]
indeed.
;)
I'd actually say it is crucial to have that in order to get LilyPond a
foot in the publishing world. We can't expect publishing houses to
easily switch their well-tested workflows. And it's hard to convince
editors or
Am Montag, den 22.04.2013, 11:41 +0200 schrieb David Kastrup:
Urs Liska li...@ursliska.de writes:
[...] MusicXML [...]
indeed.
;)
I'd actually say it is crucial to have that in order to get LilyPond a
foot in the publishing world. We can't expect publishing houses to
easily
Urs Liska li...@ursliska.de writes:
Am Montag, den 22.04.2013, 11:41 +0200 schrieb David Kastrup:
Urs Liska li...@ursliska.de writes:
[...] MusicXML [...]
indeed.
;)
I'd actually say it is crucial to have that in order to get LilyPond a
foot in the publishing world. We can't
When one is writing about Lilypond, is the name of the standard font
Feta or Emmentaler? I am confused because (at v. 2.17.14) Appendix A.8
is titled The Feta Font and then proceeds to enumerate the symbols
available in the Emmentaler font. I note the otf fonts on disk are
called emmentaler.
Dear all,
Earlier this month I was at Musikmesse.
As I had some time to spare (a music sheet house was absent)
I attended a scorio-sponsored/organised workshop on MusicXML.
I declared myself as an [evening] choir conductor and LP user.
After a few introductions Michael Good was collecting
Urs Liska tippte:
I think the quality of output is less a selling point compared to the
'big players' than the organizational potential inherent in the text format.
As I learned the other week (maybe more in Musikmesse thread),
publishing houses have invested quite some effort in music
looking
Urs,
I've read through most of the document. It looks well-written, technically
speaking. I have a few suggestions to offer:
* Begin with the current reality for most people. You mentioned in this
thread your frustration with Finale. I had the same frustrations when I was
using it at university
Urs Liska edited:
My target audience are people who are involved in writing scores and
text about music (maybe with a slight personal bias on people who
prepare editions), but who still use word processors and wysiwyg
notation programs.
So you mostly cannot count on familiarity with TeX or
Hello,
As Urs initiated quite some discussion with his 'lobbying' paper,
I shall turn my ballpen-on-paper notes from Frankfurt into Bytes...
... my comments, clarifications {} ...
organised by scorio { it took some locals to get that done }
workshop (open to the public) entitled
Beyond PDF -
Newbie alert
I'm trying to engrave some piano music where the dynamics don't belong to
either of the staffs, but refer to both staffs. If I put them in on the RH
staff, they're a bit high.
Also, I have to use the || construction a lot because there's a mix of
homophonic and polyphonic
Hello Peter,
you can use a Dynamics context in the middle of the PianoStaff:
\new PianoStaff
\new Staff = RH \relative c' { c8 d e f g a bes b | c1 }
\new Dynamics = dyn { s1\p\ s1\f }
\new Staff = LH \relative c { \clef bass c8 d e f g a bes b | c1 }
HTH,
Jan-Peter
Am 22.04.2013 17:54,
* For the dynamics issues, see here:
http://lilypond.org/doc/v2.16/Documentation/notation/expressive-marks-attached-to-notes#dynamics
* For the honophonic/polyphonic writing, my usual approach to these kinds
of issues (in my case, Lyrics), is to keep as much writing (polyphonic or
homophonic) in a
As a bit of administrivia: did anyone who reads the -user digest receive
lilypond-user Digest, Vol 125, Issue 96?
Please reply directly to d...@gnu.org and *not* to the list.
--
David R. Linn - david.r.l...@vanderbilt.edu - d...@gnu.org
___
Hi,
is it possible somehow to hook into the engraving process and color all
grobs that have been manually tweaked?
In my library I have a 'draft mode'. All my functions or shorthands that
tweak the positioning have a counterpart in draft mode. The draft mode
functions basically call the normal
Howdy!
There are lots of different ways to do this. Lilypond and the *NIX
systems
it runs on are very flexible...
You may learn something by wading through the files in my source
directory
tree for my arrangement of Goldberg Variations
Am 22.04.2013 17:54, schrieb Peter Toye:
How to get dynamics centred on a piano staff? Newbie alert
I'm trying to engrave some piano music where the dynamics don't belong
to either of the staffs, but refer to both staffs. If I put them in on
the RH staff, they're a bit high.
Also, I have to
Urs Liska u...@openlilylib.org writes:
Hi,
is it possible somehow to hook into the engraving process and color all
grobs that have been manually tweaked?
In my library I have a 'draft mode'. All my functions or shorthands that
tweak the positioning have a counterpart in draft mode. The
On 04/22/13 11:40, David R. Linn wrote:
As a bit of administrivia: did anyone who reads the -user digest receive
lilypond-user Digest, Vol 125, Issue 96?
For those interested, at least two people (the original reporter and I)
did not receive this digest; at least a few other people *did*
2013/4/22 Andrew Bernard andrew.bern...@gmail.com:
When one is writing about Lilypond, is the name of the standard font Feta or
Emmentaler? I am confused because (at v. 2.17.14) Appendix A.8 is titled The
Feta Font and then proceeds to enumerate the symbols available in the
Emmentaler font. I
I'm preparing a book for publication.
My book incorporates many short examples and a fair amount
of text. I am developing a web site so that
readers can be presented with customized exercises and hear
midi playback. The complete exercises will be only
available on the web. I've got a couple
\set TabStaff.minimumFret Fails on open strings.
On Ubuntu 12.04, Lilypond 2.16.2. Running lilypond through lilypondtool.
\new TabStaff \relative c {
\set TabStaff.minimumFret = #5
c16 d e f g4
}
Thanks,
Kale
test.pdf
Description: Adobe PDF document
Kale Good k...@kalegood.com writes:
\set TabStaff.minimumFret Fails on open strings.
On Ubuntu 12.04, Lilypond 2.16.2. Running lilypond through
lilypondtool.
\new TabStaff \relative c {
\set TabStaff.minimumFret = #5
c16 d e f g4
}
Hi All,
I'm using lilypond to create a guitar method book; I'm using a lot of tab.
I was wondering if there was a way to create a shortcut for \set
Tabstaff.minimumFret =
I started using this the other day for right hand fingerings
#(define RH rightHandFinger)
and was hoping something like this
Kale Good k...@kalegood.com writes:
Hi All,
I'm using lilypond to create a guitar method book; I'm using a lot of
tab. I was wondering if there was a way to create a shortcut for \set
Tabstaff.minimumFret =
I started using this the other day for right hand fingerings
#(define RH
I used lilypond for my book, just published
(https://www.createspace.com/4101334).
I did find it difficult to use, but flexible, with beautiful results.
The main problem that I had was getting the results into pdf through Word
with the resolution reasonably intact.
This is the procedure that
Christopher Brooks cbro...@orpheus-acoustics.com writes:
I used lilypond for my book, just published
(https://www.createspace.com/4101334).
I did find it difficult to use, but flexible, with beautiful results.
The main problem that I had was getting the results into pdf through
Word with
2013/4/22 David Kastrup d...@gnu.org
Kale Good k...@kalegood.com writes:
\set TabStaff.minimumFret Fails on open strings.
On Ubuntu 12.04, Lilypond 2.16.2. Running lilypond through
lilypondtool.
\new TabStaff \relative c {
\set TabStaff.minimumFret = #5
c16 d e f g4
}
URL:
http://lilypond.1069038.n5.nabble.com/file/n144868/Afbeelding_001.jpg
how can I nudge the start of the hairpins (decresc) in voices 3 and 4 to the
right a little. So that all hairpins start at the same vertical level
Thanks in advance.
Lilypond 2.16.2 on windows 7 using frescobaldi
--
View
2013/4/22 Federico Bruni fedel...@gmail.com:
2013/4/22 David Kastrup d...@gnu.org
Kale Good k...@kalegood.com writes:
\set TabStaff.minimumFret Fails on open strings.
On Ubuntu 12.04, Lilypond 2.16.2. Running lilypond through
lilypondtool.
\new TabStaff \relative c {
\set
Jim Tisdall:
...
Lilypond has several methods to combine text and examples.
One is lilypond-book, but due to the many examples in my
chapters, I find that is too slow, so I'm
deciding on other ways to include the graphics. No problem
since everything is made possible, especially for a
Peter Crighton petecrigh...@googlemail.com writes:
This question may confirm my idea that people don't expect to have
open strings by default when setting minimumFret:
http://lists.gnu.org/archive/html/bug-lilypond/2013-01/msg00033.html
I was also very surprised to see that option being the
On Mon, Apr 22, 2013 at 1:19 PM, Ursus ursus.k...@gmail.com wrote:
http://lilypond.1069038.n5.nabble.com/file/n144868/Afbeelding_001.jpg
how can I nudge the start of the hairpins (decresc) in voices 3 and 4 to
the
right a little. So that all hairpins start at the same vertical level
Thanks
I almost never use open strings even with first position chords when playing
jazz. There are a few Jim Hall-ish situations that are exceptions to this.
On Apr 22, 2013, at 3:32 PM, Peter Crighton petecrigh...@googlemail.com wrote:
2013/4/22 Federico Bruni fedel...@gmail.com:
2013/4/22 David
here is the score. It is quite a bit of text. Added as a link, hope that is
OK
https://dl.dropboxusercontent.com/u/30381737/TheLongDay.ly
https://dl.dropboxusercontent.com/u/30381737/TheLongDay.ly
--
View this message in context:
2013/4/23 Tim McNamara tim...@bitstream.net
I almost never use open strings even with first position chords when
playing jazz. There are a few Jim Hall-ish situations that are exceptions
to this.
that's the point: open strings are the exception, so being enabled by
default will sound weird
On 23/04/13 05:33, Kale Good wrote:
Hi All,
I'm using lilypond to create a guitar method book; I'm using a lot of
tab. I was wondering if there was a way to create a shortcut for \set
Tabstaff.minimumFret =
I started using this the other day for right hand fingerings
#(define RH
On Mon, Apr 22, 2013 at 3:25 PM, Ursus ursus.k...@gmail.com wrote:
here is the score. It is quite a bit of text. Added as a link, hope that is
OK
https://dl.dropboxusercontent.com/u/30381737/TheLongDay.ly
https://dl.dropboxusercontent.com/u/30381737/TheLongDay.ly
Use spacer rests, e.g. in
2013/4/23 Federico Bruni fedel...@gmail.com:
2013/4/23 Tim McNamara tim...@bitstream.net
I almost never use open strings even with first position chords when
playing jazz. There are a few Jim Hall-ish situations that are exceptions
to this.
that's the point: open strings are the
Hi,
could somebody be so kind and send me Finale and/or Sibelius files with
the equivalent of
this LilyPond file:
{ c' }
?
Thank you
Urs
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