John S.L. wrote
Here's the log
%
Starting lilypond-windows.exe 2.16.2 [ForumAug8.ly]...
Processing
`c:/users/johnla~1/appdata/local/temp/frescobaldi-pgntlt/tmpxiwiz4/ForumAug8.ly'
Parsing...
Adam Spiers-5 wrote
How can I put text *after* a staff? I.e. directly to the right of the
final barline? I've searched high and low but can't find anything
close ...
here's one simple way:
\markup \fill-line {
\score {
\new Voice \repeat unfold 4 \relative {a' b c d}
\layout{
[lots of discussion about LilyPond vs other notation software]
Hi people,
it seems that i've missed an important discussion. After reading it
(and reading comments on the Steinberg blog), i decided to add my
comment in the form of a blog post:
Hello Janek,
Very interesting post, thanks!
Typo: algorythmic
JM
Le 14 août 2013 à 10:54:17, Janek Warchoł janek.lilyp...@gmail.com a écrit :
[lots of discussion about LilyPond vs other notation software]
Hi people,
it seems that i've missed an important discussion. After reading it
An absolutely marvellous typo in our particular context. :-)
Andrew
Jacques Menu
14 August 2013
7:25 PM
Typo:algorythmic
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Lol, indeed!
Thanks for letting me know, Jacques! Corrected.
Janek
2013/8/14 Andrew Bernard andrew.bern...@gmail.com
An absolutely marvellous typo in our particular context. :-)
Andrew
Jacques Menu jacques.m...@tvtmail.ch
14 August 2013 7:25 PM
Typo: algorythmic
2013/8/14 Christopher Reed christopher.ree...@gmail.com
hey I tried but I lost the drum section could someone email me and I'll
send you the .Tg file
Done,
Cheers,
Pierre
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Hello,
I join a pict. With lines separators would be best.
Actually, I did it manually with lines of figures full of
\markup { }2.
\markup { }2.
\markup { }2.
but thats not very smart... Then if the 7 4 2 has no glyph { }
directly under it, it lowers itself in the figures of the lower line
Hi Harm, Hi Kale,
2013/8/14 Thomas Morley thomasmorle...@gmail.com
\relative c' {
Two small remarks :
1) because of its tessitura, \relative is not needed for the guitar
2) better use \clef G_8
Here's Harm's code with modern fingerings and an alternative for the no
left hand finger in
Hi Thomas,
Thanks; it works like a charm* until I need a page break; right now its
just crowding everything on one page. I put it a \pageBreak and nothing
happened, so I'm guessing that lilypond won't break simultaneous music
over a page (makes sense). Any overrides for this?
*works like a
forgot to mention, i'm running 2.16.2
On 08/13/2013 07:56 PM, Thomas Morley wrote:
2013/8/14 k...@kalegood.com mailto:k...@kalegood.com
I see that lilypond supports a cool-looking No. glyph, which is
great. I'd like to get in in front of each stave in order to
number a series of
Adam Spiers-5 wrote
How can I put text *after* a staff?
I.e. directly to the right of the final barline?
And here is another way:
\version 2.16.2
{
\repeat unfold 44 R1
\bar |.
% after final barline:
\stopStaff
\once \override TextScript #'Y-offset = #-0.5
s1^text at the right
Well that's the simple solution to defining right hand fingers that I
was looking for. Thanks.
Your example, like Thomas's, throws an error for me with the \override
VerticalAxisGroup using 2.16.2 Also throws an error for tuplet command,
but both work once I take these out. Also, there's the
2013/7/28 Givaldo de Cidra givaldodeci...@gmail.com
\set Staff.keySignature '= # (((1. 0.), SHARP) ((1. 3.), natural))
I want the key signature have a natural sign of caution.
Is it possible?
Hi,
I'm a bit ashamed not having found a better method.
It's Fischer-Technik/Tinkertoy at it's
Hi Thomas Morley
This code fully solved the problem...
Thanks very much.
Givaldo de Cidra
2013/8/14 Thomas Morley thomasmorle...@gmail.com
2013/7/28 Givaldo de Cidra givaldodeci...@gmail.com
\set Staff.keySignature '= # (((1. 0.), SHARP) ((1. 3.), natural))
I want the key
Thomas,
Thanks. Works a treat.
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
Tuesday, August 13, 2013, 4:47:42 PM, you wrote:
2013/8/13 Peter Toye lilyp...@ptoye.com:
I want to put a tempo marking (e,g, Allegro) into a song above both the
piano part
Hello,
2013/8/1 Urs Liska u...@openlilylib.org
I have brought this up before without success. But as my interest
reappeared I'll try it again with a slightly more specific question.
there is an existing issue based on your request:
http://code.google.com/p/lilypond/issues/detail?id=2542
Do
2013/8/14 Janek Warchoł janek.lilyp...@gmail.com:
Hi,
Harm and David N. (and some other people) write lots of very advanced
(and very helpful!) Scheme functions. These funcitons are improved
over time, and there is a problem related to that: it's easy to get
lost in all the email threads
Hi Janek, Hi Harm,
2013/8/14 Thomas Morley thomasmorle...@gmail.com
So I was annoyed by the lack of help/interest of others and I'm still
pissed off.
Sorry for that, I think I totaly missed this discussion.
Volunteers?
Be sure that I'd grant support.
Sure !
Maybe give me some links
dynamic-positioning.ly
http://lilypond.1069038.n5.nabble.com/file/n149192/dynamic-positioning.ly
The following problem occurs with both 2.16.2 (stable) and 2.17.23
(unstable).
My goal is to produce an orchestral score which both
- uses *\partcombine* (e.g. to combine wind and brass instruments
Dominic dominicirving at gmail.com writes:
My goal is to produce an orchestral score which both
- uses *\partcombine*
- has dynamics separately defined
To make this go smoothly, you will probably need to keep in mind how
\partcombine works. \partcombine takes two music expressions and
On Wed, Aug 14, 2013 at 7:27 PM, Dominic dominicirv...@gmail.com wrote:
So my question is, how can I get the dynamics to align themselves
'correctly', i.e. as they would be if they were directly attached to the
notes. Putting the dynamics in a Dynamics context is not really an option,
since
Thanks Keith - this works brilliantly. Occasionally the part combiner will
duplicate dynamics even though they are identical, so once in a while I have to
force a 'partcombineChords' or 'partcombineUnisono' as necessary, but this is a
small price to pay. Thanks again.
On 15 Aug 2013, at 06:11,
Hi Carl,
I tried that and it does indeed work (at least in my small test example),
but it does seem like it destroys the semantic integrity of the code to have
notes and rests that are not really functioning as notes or rests.
Nevertheless, I'll keep it in mind as a solution to consider in the
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