This isn't directly related to LilyPond, but I have a question for people on
the mailing list. it seems like several people on this mailing list get
payed to engrave music. How did you get started with those jobs?
I got started in professional engraving because I am a transcriber. I
sought
I'm using:
\version 2.19.0
midi_a = {
\set Staff.midiInstrument = #electric bass (finger) % 34
\set Staff.midiPanPosition = #-1
}
midi_b = {
\set Staff.midiInstrument = #electric bass (finger) % 34
\set Staff.midiPanPosition = #0
}
midi_c = {
\set Staff.midiInstrument = #electric bass
In this example
\version 2.18
\score { {g' 8 f' ~ f' b' ~ b' g' g' g'} }
the two ties look completely different. Is this considered the ideal
output or a bug?
Richard
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On Thu, 9 Jan 2014, k...@aspodata.se wrote:
I'm using:
\version 2.19.0
midi_a = {
\set Staff.midiInstrument = #electric bass (finger) % 34
\set Staff.midiPanPosition = #-1
}
midi_b = {
\set Staff.midiInstrument = #electric bass (finger) % 34
\set Staff.midiPanPosition = #0
}
midi_c = {
On Thu, 9 Jan 2014, k...@aspodata.se wrote:
The midi file looks good, but when I run it through timidity
\ma sound in the middle, \mb and \mc to the right. Commenting away
the midiInstrument, the panning comes out as it should.
One more thing you could try: what happens if you choose
Am 09.01.2014 14:38, schrieb Richard Shann:
In this example
\version 2.18
\score { {g' 8 f' ~ f' b' ~ b' g' g' g'} }
the two ties look completely different. Is this considered the ideal
output or a bug?
I'd say neither - it's simply less-than-ideal performance.
Have a look here:
Kieren MacMillan wrote
What would be involved in changing the “reference point” of markups to be
the baseline (instead of whatever the heck it is now)?
I also think this should be the default - as a work around I use this little
stabilizing function:
#(define-markup-command (stab layout props
Martin:
On Thu, 9 Jan 2014, k...@aspodata.se wrote:
[ ly file with 3 midiPanPositions ]
(midiPanPosition is documented in the internals doc, under
2.2.72 Midi control function performer)
The midi file looks good, but when I run it through timidity
\ma sound in the middle, \mb and \mc
On Wed, 2014-01-08 at 22:19 +0600, Henning Hraban Ramm wrote:
snip
I (also) mostly use Atlassian SourceTree, since development on GitX seems to
have stopped a long time ago (already tried some branches) and it keeps
crashing.
If I’m in Eclipse/Aptana anyway, I use its team tools.
snip
I
On Thu, 2014-01-09 at 15:21 +0100, Urs Liska wrote:
Am 09.01.2014 14:38, schrieb Richard Shann:
In this example
\version 2.18
\score { {g' 8 f' ~ f' b' ~ b' g' g' g'} }
the two ties look completely different. Is this considered the ideal
output or a bug?
I'd say
The email may be a good alternative, but who is receiving
contributions@
emails? Just Chris? I have no idea if people send contributions
this way.
The last time (1 year ago) I sent an email to the suggested address, I
did not get any reply. So I didn’t try
I'm trying to follow the tutorial at
http://www.lilypond.org/doc/v2.18/Documentation/usage/an-example-of-a-musicological-document;
I run Windows 7 x86. When I run the command it tells me to (lilypond-book
--output=out --pdf lilybook.lytex), here's what I get (I've redacted my
username from the
Daniel Rosen drose...@gmail.com writes:
I'm trying to follow the tutorial at
http://www.lilypond.org/doc/v2.18/Documentation/usage/an-example-of-a-musicological-document;
I run Windows 7 x86. When I run the command it tells me to (lilypond-book
--output=out --pdf lilybook.lytex), here's
On 10/01/14 04:57, Noeck wrote:
The email may be a good alternative, but who is receiving
contributions@
emails? Just Chris? I have no idea if people send contributions
this way.
The last time (1 year ago) I sent an email to the suggested address, I
did not
Hi,
I want to create custom context definitions using a scheme function.
Later on the function will take some arguments and actually do
something interesting, but right now i cannot get the most basic
examples to work:
% why the override isn't applied here?
test =
#(define-scheme-function
From: Nick Payne
On 10/01/14 04:57, Noeck wrote:
The email may be a good alternative, but who is receiving
contributions@
emails? Just Chris? I have no idea if people send contributions
this way.
The last time (1 year ago) I sent an email to the suggested
Janek Warchoł janek.lilyp...@gmail.com writes:
Hi,
I want to create custom context definitions using a scheme function.
Later on the function will take some arguments and actually do
something interesting, but right now i cannot get the most basic
examples to work:
% why the override
Hey all,
I'm using 2.18.0, and I need to move the 8va part of an ottava bracket to
the left to avoid a collision with a beam. I've tried several things, to no
avail: using \override Staff.OttavaBracket.X-offset has no effect as far as
I can tell; using \override Staff.OttavaBracket.shorten-pair
2014/1/9 David Kastrup d...@gnu.org:
Janek Warchoł janek.lilyp...@gmail.com writes:
Hi,
I want to create custom context definitions using a scheme function.
Later on the function will take some arguments and actually do
something interesting, but right now i cannot get the most basic
2014/1/9 Noeck noeck.marb...@gmx.de
Too bad.
Have you checked if your score has been added to Mutopia?
Hi Federico, hi all,
no, the score has not been added.
Did you get any reply from the Mutopia mail address?
I don't know what you mean with Mutopia mail address, but I've received
a
2014/1/9 Nick Payne nick.pa...@internode.on.net
I've submitted corrections to Mutopia two or three times for errors in
existing scores on Mutopia, but never received any acknowledgement, and the
corrections never made it to the scores on the web site. So I no longer
bother.
I can understand
hi all,
when running the following file (sorry, this is as minimal as i can get it):
\version 2.18.0
\language deutsch
\include openlilylib/notation-snippets/shaping-bezier-curves/shapeII.ily
\relative c' {
\time 4/4
e1 | \break
a8 h ~ h8 cis8
\shapeII #'((h)(0 . 1.5)(ap 85 1)(h)) Slur
\tuplet
Janek Warchoł janek.lilyp...@gmail.com writes:
2014/1/9 David Kastrup d...@gnu.org:
So how can i achieve what i want?
Make a Scheme assignment. Something like
#(define-void-function (parser location ...) ...
(ly:parser-define! parser '$defaultlayout #{ \layout ... #}))
--
David
Nick Baskin wrote
I'm using 2.18.0, and I need to move the 8va part of an ottava bracket
to
the left to avoid a collision with a beam. I've tried several things, to
no
avail: using \override Staff.OttavaBracket.X-offset has no effect as far
as
I can tell; using \override
There is a tiny estatical detail I would like to change, but found out nowhere how to do it:
I would like to have a bar at the beginning of the system here:
{ a }
%like here:
new TabStaff { a }
%or here:
{a}
{b}
Do you think there is a possibility or is it conceptually just not
2014/1/9 Rafael Arndt rafaelar...@web.de
There is a tiny estatical detail I would like to change, but found out
nowhere how to do it:
I would like to have a bar at the beginning of the system here:
{ a }
%like here:
\new TabStaff { a }
%or here:
{a}
{b}
Do you think there is a
Eluze,
Apologies for being unclear! I've attached a minimal example that I hope
will demonstrate what I mean. Notice how the 8va text collides with the
beam; I would like to move the 8va text to the left to avoid this
collision, and cannot figure out how to do so. Changing the text by adding
a
I'm trying to typeset a song with a verse-chorus-verse-chorus-verse-chorus...
form.
Basically the structure of the piece is like this:
||: verse chorus :|| cadenza
However, each verse has small variations in rhythm (and notes) which I want
to include using \teeny noteheads.
This
2014/1/9 Federico Brunifedel...@gmail.com
2014/1/9 Rafael Arndt rafaelar...@web.de
There is a tiny estatical detail I would like to change, but found out nowhere how to do it:
I would like to have a bar at the beginning of the system here:
{ a }
%like here:
new TabStaff { a }
Rafael,
The order of prefatory symbols can be altered using the command listed here:
http://www.lilypond.org/doc/v2.17/Documentation/internals/break_002dalignment_002dinterface
Mark
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
David Kastrup d...@gnu.org writes:
Janek Warchoł janek.lilyp...@gmail.com writes:
2014/1/9 David Kastrup d...@gnu.org:
So how can i achieve what i want?
Make a Scheme assignment. Something like
#(define-void-function (parser location ...) ...
(ly:parser-define! parser '$defaultlayout
On 8-Jan 6:42, Luca Rossetto Casel wrote:
Il 07/01/2014 20:23, David Kastrup ha scritto:
Urs Liska u...@openlilylib.org writes:
Although it already _was_ a stolen story. He tried to camouflage
that by modifying it: In reality it had been three hairdressers.
When I stole it, it was most
Hello,
I need help with writing the following notation:
1) Multiplication signs in time signatures (such as (3×2)/8)
2) Multi-arc slurs in single staff and across multiple staves
3) Tied notes in metronome marks
4) Multiple metronome marks e.g. 8 = 350 (2~ 4~ 4. = 39)
A reply would be much
People,
I have used this script:
\version 2.18.0
\new Staff \with {
% remaps pitches on the staff to semitones / chromatic scale
staffLineLayoutFunction = #ly:pitch-semitones
% reconfigures line pattern of staff
% \override StaffSymbol #'line-positions = #'( -1 2 5 8 )
\override
\once \override Staff.OttavaBracket.direction = #DOWN \ottava #1
possible solution?
Shane
On Thu, Jan 9, 2014 at 4:59 PM, Nick Baskin amphio...@gmail.com wrote:
Eluze,
Apologies for being unclear! I've attached a minimal example that I hope
will demonstrate what I mean. Notice how the 8va
Hi Nick
Does this help?
\once \override Staff.OttavaBracket.extra-offset = #'(-3 . 0)
\once \override Staff.OttavaBracket.shorten-pair = #'(0 . -3.5)
Cheers,
Kieren.
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lilypond-user@gnu.org
Brian Guo wrote
Hello,
I need help with writing the following notation:
1) Multiplication signs in time signatures (such as (3×2)/8)
2) Multi-arc slurs in single staff and across multiple staves
3) Tied notes in metronome marks
4) Multiple metronome marks e.g. 8 = 350 (2~ 4~ 4. = 39)
Kieren,
That does the trick nicely, thanks!
Nick
On Thu, Jan 9, 2014 at 10:11 PM, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
Hi Nick
Does this help?
\once \override Staff.OttavaBracket.extra-offset = #'(-3 . 0)
\once \override Staff.OttavaBracket.shorten-pair = #'(0 .
SoundsFromSound wrote
Brian Guo wrote
Hello,
I need help with writing the following notation:
1) Multiplication signs in time signatures (such as (3×2)/8)
2) Multi-arc slurs in single staff and across multiple staves
3) Tied notes in metronome marks
4) Multiple metronome marks e.g. 8
Brian Guo wrote
Hello,
I need help with writing the following notation:
1) Multiplication signs in time signatures (such as (3×2)/8)
2) Multi-arc slurs in single staff and across multiple staves
3) Tied notes in metronome marks
4) Multiple metronome marks e.g. 8 = 350 (2~ 4~ 4. = 39)
Philip Rhoades wrote
The first line spacing looks OK but I want to stack clefs and so I want
to have the top and bottom notes (ie the middle notes between clefs)
on short lines but Lilypond changes the line spacing when I use the
second line spacing above ie in this example the distance
Hi,
I am new to this forum and also new to Lilypond Frescobaldi. Still
learning the basics...
I would like to ask for some help with xml import/export since I am not
able to get it to work.
Frescobaldi always comes up with an internal error messages:
Traceback (most recent call last):
File
On Thu, 9 Jan 2014, j...@post.cz wrote:
Hi,
I am new to this forum and also new to Lilypond Frescobaldi. Still
learning the basics...
I would like to ask for some help with xml import/export since I am not able
to get it to work.
First you need to know that musicxml import (musicxml2ly) is
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